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Mark Anthony Myrie, known professionally as Buju Banton, is a Jamaican reggae dancehall musician. He is one of the most significant and well-regarded artists in Jamaican music. Banton has collaborated with many international artists, including those in the hip hop, Latin and punk rock genres, as well as the sons of Bob Marley.
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances.
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Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
Reggaeton, also known as reggaetón, reguetón and reggüetón,, is a modern style of popular and electronic music that originated in Panamá during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Rican musicians. It has been popularized and dominated by artists from Puerto Rico since the early 1990s.
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RDX are duo of reggae recording artists, producers and performers: Deejay Renigade from the Waterhouse in Kingston, Jamaica and Singer Delomar from Kencot in Kingston, Jamaica. They have had several chart hits. They have also toured internationally to the United States and Canada, across Europe, Japan, the Caribbean and have performed on concerts in London, United Kingdom, Uganda and Kenya in Africa, Mauritius, Mayotte, Seychelles and Roatan islands.
Dancehall pop is a sub-genre of the Jamaican genre dancehall that originated in the early 2000s. Developing from the sounds of reggae, dancehall pop is characteristically different in its fusion with western pop music and digital music production. Dancehall pop is also different from dancehall in that most songs use lesser Jamaican Patois in lyrics––allowing it to be globally understood and consumed. It also incorporates the key pop music elements of having melodies, hooks, and the verse-chorus format. Additionally, the genre moves away from the reggae and roots reggae music origins in social and political protest, now lyrically centering on partying, dancing, and sexuality.
References
- ↑ Holland, Eva (22 March 2009). "'Daggering' in Jamaica: A dance craze gone too far?". Matador Network.
- ↑ David Katz. "No rough sex please, we're Jamaican". Archived from the original on 28 August 2009.
- 1 2 "Censoring daggering". Jamaican Star. 12 February 2009. Archived from the original on 14 January 2012.
- ↑ Miller, Kei (3 February 2016). "On That Island of Broken Penises". Caribbean Quarterly. 60 (4): 101–105. doi:10.1080/00086495.2014.11672538. S2CID 161382273.
- ↑ Kelleher, Katy (16 April 2009). "'Daggering' Trend Is Breaking Jamaican Dicks". Jezebel.
- ↑ Dailey, Kate (8 June 2009). "Really, Really Dirty Dancing: More On Daggering". Newsweek.
- ↑ Laskatelev, Andrei (10 March 2009). "The daggers most wanted in Jamaica". This is Diversity. Archived from the original on 25 July 2009.