New wave is a broad music genre that encompasses numerous pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the music that emerged after punk rock, including punk itself, but may be viewed retrospectively as a more accessible counterpart of post-punk. Although new wave shared punk's DIY philosophy, the artists were more influenced by the lighter strains of 1960s pop while opposed to mainstream "corporate" rock, which they considered creatively stagnant, and the generally abrasive and political bents of punk rock.
Breakbeat hardcore is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover and other noises originating from new beat, acid house squelches and bleeps, and often upbeat house piano riffs and vocals.
A rave describes a dance party at a warehouse, public or private property, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 90s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, dubstep, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Bubblegum is pop music in a catchy and upbeat style that is considered disposable, contrived, or marketed for children and adolescents. The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein.
Electroclash is a genre of music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, Miss Kittin and The Hacker, and Fischerspooner.
Popping is a street dance adapted out of the earlier Boogaloo cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s. Popping would be eventually adapted from earlier Boogaloo movements in Fresno, California in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a pose, pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. It was popularized by a Fresno & Long Beach-based dance group called the Electric Boogaloos that mixed popping techniques to boogaloo. Closely related illusory dance styles and techniques are often integrated into popping to create a more varied performance. These dance styles include the robot, waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including hip hop and house music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock.
Liquid funk, liquid drum & bass, liquid DnB, liquid or sometimes just melodic drum & bass is a subgenre of drum and bass. While it uses similar basslines and bar layouts to other styles, it contains fewer bar-oriented samples and more instrumental layers, harmonies, melodies and ambiance, producing a sentimental atmosphere directed at home listeners as well as nightclub and rave audiences. Music genres such as jazz, soul and sometimes blues have a pivotal influence on liquid funk.
Dance-punk is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the post-disco and new wave movements.
Liquid Liquid is an American no wave and dance-punk group, originally active from 1980 to 1983. They are best known for their track "Cavern," which was covered—without proper permission or attribution—by the Sugar Hill Records house band as the backing track for Melle Mel's old school rap classic "White Lines ." The group released a series of extended plays, including the acclaimed 1983 12" EP Optimo. In 2008, the band reformed and have played in multiple countries.
Electronic dance music (EDM), also known as dance music, club music, or simply dance, is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA.
"Here I Go" is a song recorded by Dutch Eurodance band 2 Unlimited. It was released in March 1995 as the third single from their third album, Real Things. In the US the song was released as a double a side single with 2 Unlimited's next European single, "Nothing Like the Rain". It was a Top 10 hit in Belgium, Finland the Netherlands and Spain.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
New rave is a genre of music described by The Guardian as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a British-based music scene between 2005 and late 2008 of fast-paced electronica-influenced indie music that celebrated the late 1980s Madchester and rave scenes through the use of neon colours and using the term 'raving' to refer to going nightclubbing.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in the early 1980s. Disco during its dying stage displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Alternative dance or indie dance is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and The Prodigy in the 1990s.
New beat is a Belgian electronic dance music genre that fused elements of new wave, hi-NRG, EBM, acid house and hip hop. It flourished in Western Europe during the late-1980s.
Avant-funk is a music style in which artists combine funk rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s among post-punk acts who embraced black dance styles.
