The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.
The butterfly is a swimming stroke swum on the chest, with both arms moving symmetrically, accompanied by the butterfly kick. While other styles like the breaststroke, front crawl, or backstroke can be swum adequately by beginners, the butterfly is a more difficult stroke that requires good technique as well as strong muscles. It is the newest swimming style swum in competition, first swum in 1933 and originating out of the breaststroke.
Human swimming typically consists of repeating a specific body motion or swimming stroke to propel that body forward. There are many kinds of strokes, each defining a different swimming style or crawl.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century.
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. It gained mainstream exposure when it was featured in Madonna's song and video "Vogue" (1990), and when showcased in the 1990 documentary Paris Is Burning. In its modern form, this dance has become a global phenomenon that continues to evolve both stylistically and demographically.
In wrestling, a pin is achieved by holding an opponent's shoulders to the mat for a three count. Pinfall is the term used in professional wrestling which is a way to win the match for that person or team.
In martial arts and tricking, the 540 kick is a jump kick move. It involves a rotation of approximately 540 degrees.
Jerome Albert Evans Jr., known as Silkski, was an American rapper, songwriter, and music producer who is known from his affiliation with Ol' Dirty Bastard (ODB) and the Wu-Tang Clan, whose affiliates are known as the Wu-Tang Killa Beez. Silkski is a PYN, Wu-Tang Management, Da Gutta Ent., Bungalo, Street Scholar, Universal Music Group artist and was a member of Brooklyn Zu. Silkski died October 28, 2016. He is survived by his wife Linnette Evans (Diamond), and four kids: Octavia Evans, Gauvauen Evans, Heidie Workneh, and Shadé Evans.
A cartwheel is a sideways rotary movement of the body. It is performed by bringing the hands to the floor one at a time while the body inverts. The legs travel over the body trunk while one or both hands are on the floor, and then the feet return to the floor one at a time, ending with the athlete standing upright. It is performed in a variety of athletic activities, including performance dance and some types of Indian dance, in gymnastics and cheer, and in the martial arts of capoeira. It is called a cartwheel because the performer's arms and legs move in a fashion similar to the spokes of a turning (cart) wheel. In classical Indian Karana dance, it is called talavilasitam, and in capoeira is called aú.
Baltimore club, also called Bmore club, Bmore house or simply Bmore, is a fusion of breakbeat and house genres. It is often referred to as a blend of hip hop and chopped, staccato house music. It was created in Baltimore, Maryland, United States in the early 1990s by 2 Live Crew's Luther Campbell, Frank Ski, Miss Tony, Scottie B. and DJ Spen.
The Windmill is a popular b-boying move. The breaker rolls his torso continuously in a circular path on the floor, across the upper chest/shoulders/back, while twirling his legs in a V-shape through the air.
Mbalax is the national popular dance music of Senegal and the Gambia. In the 1970s, mbalax emerged as the distinctive sound of postcolonial Senegal. Derived from a fusion of indigenous Wolof sabar drumming with popular music principally from the African diaspora and African popular music, and to a lesser extent Western pop and afropop. Although the fusion of indigenous music with urban dance music from the diaspora and west is not new, the pan-ethnic quality of urban Wolofness provided a space for the inclusion and representation of a plethora of ethnic sounds of the Pulaar/Tukulor, Sereer, Soce, Mande and other groups from the Greater Senegambia Region. The name mbalax derives from the accompanying rhythms of the Wolof sabar and was coined by Youssou N'Dour even though, as he has stated, there were many other groups in urban Senegal fusing these traditional sounds with modern music.
Locking is a style of funk dance, which is today also associated with hip hop. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
Motion, the process of movement, is described using specific anatomical terms. Motion includes movement of organs, joints, limbs, and specific sections of the body. The terminology used describes this motion according to its direction relative to the anatomical position of the body parts involved. Anatomists and others use a unified set of terms to describe most of the movements, although other, more specialized terms are necessary for describing unique movements such as those of the hands, feet, and eyes.
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events.
African-American dance has developed within Black American communities in everyday spaces, rather than in studios, schools or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, and Dance Theatre of Harlem. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Khigga is a style of Assyrian folk dance in which multiple dancers hold each other's hands and form a semi-circle or a curved line. There are multiple foot patterns that dancers perform. Its thought to have been danced for thousands of years. It is one of the most common and simplest Assyrian folk dances, generally performed at weddings and other joyous occasions. Set in common time, khigga is accompanied by a moderate dance beat and is usually performed to Assyrian folk/pop music.
Robert Fitzgerald Diggs, better known by his stage name the RZA, is an American rapper, actor, filmmaker, and record producer. He is the de facto leader of the hip hop group Wu-Tang Clan, having produced most albums for the group and its respective members. He is a cousin of two other original Wu-Tang Clan members: GZA and Ol' Dirty Bastard. He has also released solo albums under the alter-ego Bobby Digital, along with executive producing credits for side projects. After forming the Wu-Tang Clan, RZA was a founding member of the horrorcore group Gravediggaz, where he went by the name The RZArector.
