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Turfing (or turf dancing) is a form of street dance that originated in Oakland, California, United States, characterized by rhythmic movement combined with waving, floor moves, gliding, flexing and cortortioning. It was developed by youth from West Oakland and organized by dancer Jeriel Bey, who coined the name "turf dancing," or "Turfin" and named his Organization The Architeckz™. Bey named the dance form as an acronym for "Taking Up Room on the Floor." [1] [2] [3] The style was originally known by the terms "having fun with it" or "hitting it", but these names didn't seem marketable. However, another claim for the nomenclature considers the acronym as a backronym and that turf dancing originated as a way to describe dances that different "turfs" (locations or territories) from Oakland performed to represent where they were from (the same as "blocks" or "sets"). The dance form had its earliest influences in the Boogaloo movement of the mid-1960s, but it developed into a distinctive dance style. [4]
The dance form can be traced back to the traditions of the Boogaloo movement in Oakland, California in the 1960s, [4] [2] developing into a separate genre of dance in the 1990s. Along with hyphy music, it came to be seen as distinctively representative of Oakland. [5] The movement rose to prominence in 2002 following Jeriel Bey's establishment of his group, "The Architeckz™."
Turfing is a social critique and recognition of lost African American lives, police brutality, and race relations in Oakland. [6] This form of expression uniquely addresses African American deaths, while using art to create a politicized awareness of brutality against people of color. [7] [8] It is also seen as a means to humanize blackness, spread community, empathy, and peace in the same streets black lives were taken. [9] Apart from being a unique hood dance form, turfing represents a collective movement, and is part of the street culture in the East Bay. [10] [11]
Turf dancing was first displayed on videos from artists such as Baby Bash, Keak Da Sneak, and E-40 by innovative and influential turf dancers (and creators of the turfing Lifestyle) Jeriel Bey. Along Demetrius Zigler, Chare' Johnson, Rawnay, Ronald "Head" Singleton & Yun Shep, and Dav 2.0. [5] Turf dance had been promoted as a means of dispute resolution within the Oakland community, [5] and in 2005 The Architeckz built on this concept of dance battle by engaging krump dancers from Los Angeles in city-level competition. [1] Friendly rivalries with dancers from New York City and Memphis, Tennessee [2] have developed as well. The artist E-40 brought international attention to the movement with his 2006 single Tell Me When to Go. [12] In 2012 Alonzo (Turf) Jones [13] a.k.a. Retro, a turf dancer and skateboarder from California's Bay Area competed on the TV talent competition America's Got Talent (in season 7). [14]
The foundation of turf dance is based on a series of dances with different "turfs" in Oakland displayed. Some of these foundation dances are "two step," "brookfield," "auntie," "shaking," "the busta," "cliffhangers," "tsunamis" and "traces". Turf dance also includes "story telling" which is a style based on pantomime "life stories" or "everyday activities". Turfing incorporates other dance style concepts such as tutting, flexing, waving and animation. Turf dance is an improvisational, free-flowing form of dance that is based on the idea of pure cause and effect but focuses on storytelling, the creation of optical illusions, and the display of distinctive personal style. Dance elements include Boogaloo, popping, locking, and miming. [15] Gliding is heavily used in turf dance because it enables the creation of optical illusions. "Going dumb," or completely letting one's emotions loose on the dance floor, is also a distinctive part of the tradition. [16]
West Coast hip hop is a regional genre of hip hop music that encompasses any artists or music that originated in the west coast of the United States. West Coast hip hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Aftermath Records belonging to Dr. Dre, and others.
Popping is a street dance adapted out of the earlier Boogaloo cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s. Popping would be eventually adapted from earlier Boogaloo movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a pose, pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. It was popularized by a Fresno & Long Beach-based dance group called the Electric Boogaloos that mixed popping techniques to boogaloo. Closely related illusory dance styles and techniques are often integrated into popping to create a more varied performance. These dance styles include the robot, waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.
Boogaloo or bugalú is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly among teenage African Americans and Latinos. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That" was a famous boogaloo song.
Krumping is an African-American style of street dance popularized in the United States, characterized by free, expressive, exaggerated, and highly energetic movement. Dancers who started krumping saw the dance as a means for them to escape gang life.
Joe Cuba, was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo".
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
The term hyphy is Oakland, California, slang meaning "hyperactive". More specifically, it is an adjective describing the hip hop music and the culture associated with the Oakland area. The term was first coined by Oakland rapper Keak da Sneak.
Breakin' is a 1984 American breakdancing-themed musical film directed by Joel Silberg and written by Charles Parker and Allen DeBevoise based on a story by Parker, DeBevoise and Gerald Scaife.
Electric boogaloo is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles.
Breaking, also called breakdancing or b-boying/b-girling, is an athletic style of street dance originating from the African American community in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns.
"Tell Me When to Go" is the first single from E-40's BME/Warner Bros. debut, My Ghetto Report Card. Keak da Sneak is also featured on the track. It was produced by Lil Jon, and one of the first singles to kick off the hyphy movement on a national level and popularized the phrase "ghost ride the whip". The song reached number 35 in the U.S. and eventually was certified Gold by the RIAA. The song first premiered online on the MySpace.com homepage and it was the first hip hop single to premiere online before being released.
The Electric Boogaloos are a street dance crew responsible for the spread of popping and electric boogaloo. The name "Boogaloo" came from a song called "Do a Boogaloo" by James Brown, which was also adapted as a Boogaloo street dance done from Oakland, CA. They were founded by Boogaloo Sam in Fresno, California in 1977. Their original name was the Electric Boogaloo Lockers but "Lockers" was dropped the following year.
Gangsta Walking is a street dance that originated in African-American communities in Memphis, Tennessee alongside "Buck" music during the 1990s. The Gangsta Walk is commonly performed to crunk music due to the particular 'bounce' in the beat and the movement the dancers make to keep with it. Though Gangsta Walking has been around for many years, much of the dance is still exclusive to the city and surrounding areas.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
FlexN, also spelled as Flexing, is a style of street dance from Brooklyn, New York that is characterized by rhythmic contortionist perform shirtless and incorporate hat tricks in their performance for showmanship, as also used in turf dancing.
Timothy Earl Solomon, known as Popin' Pete, is an American dancer and choreographer who popularized the "popping" dance style and member of the Electric Boogaloos. Pete’s career has spanned over forty years since the emergence of popping dance.
Your Black Muslim Bakery (YBMB) was an American chain of bakeries opened by Yusuf Bey in 1968 in Santa Barbara, California, and relocated to Oakland in 1971. A power broker at the center of a local community, YBMB was held out as a model of African American economic self-sufficiency. However, it was later linked to widespread physical and sexual abuse, welfare fraud, and murder.
Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of popping dance and turfing; boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard". It is related to the later electric boogaloo dance.
The boogaloo movement, whose adherents are often referred to as boogaloo boys or boogaloo bois, is a loosely organized far-right anti-government extremist movement in the United States. It has also been described as a militia. Adherents say they are preparing for, or seek to incite, a second American Civil War or second American Revolution which they call "the boogaloo" or "the boog".
In late May and early June 2020, two ambush-style attacks occurred against security personnel and law enforcement officers in California. The attacks left two dead and injured three others.
TURF stands for Taking Up Room on the Floor