Turfing

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Turfing (or turf dancing) is a form of street dance that originated in Oakland, California, United States, characterized by rhythmic movement combined with waving, floor moves, gliding, flexing and cortortioning. It was developed by youth from West Oakland and organized by dancer Jeriel Bey, who coined the name "turf dancing," or "Turfin" and named his Organization The Architeckz™. Bey named the dance form as an acronym for "Taking Up Room on the Floor." [1] [2] [3] The style was originally known by the terms "having fun with it" or "hitting it", but these names didn't seem marketable. However, another claim for the nomenclature considers the acronym as a backronym and that turf dancing originated as a way to describe dances that different "turfs" (locations or territories) from Oakland performed to represent where they were from (the same as "blocks" or "sets"). The dance form had its earliest influences in the Boogaloo movement of the mid-1960s, but it developed into a distinctive dance style. [4]

Contents

History

The dance form can be traced back to the traditions of the Boogaloo movement in Oakland, California in the 1960s, [4] [2] developing into a separate genre of dance in the 1990s. Along with hyphy music, it came to be seen as distinctively representative of Oakland. [5] The movement rose to prominence in 2002 following Jeriel Bey's establishment of his group, "The Architeckz™."

Turfing is a social critique and recognition of lost African American lives, police brutality, and race relations in Oakland. [6] This form of expression uniquely addresses African American deaths, while using art to create a politicized awareness of brutality against people of color. [7] [8] It is also seen as a means to humanize blackness, spread community, empathy, and peace in the same streets black lives were taken. [9] Apart from being a unique hood dance form, turfing represents a collective movement, and is part of the street culture in the East Bay. [10] [11]

Turf dancing was first displayed on videos from artists such as Baby Bash, Keak Da Sneak, and E-40 by innovative and influential turf dancers (and creators of the turfing Lifestyle) Jeriel Bey. Along Demetrius Zigler, Chare' Johnson, Rawnay, Ronald "Head" Singleton & Yun Shep, and Dav 2.0. [5] Turf dance had been promoted as a means of dispute resolution within the Oakland community, [5] and in 2005 The Architeckz built on this concept of dance battle by engaging krump dancers from Los Angeles in city-level competition. [1] Friendly rivalries with dancers from New York City and Memphis, Tennessee [2] have developed as well. The artist E-40 brought international attention to the movement with his 2006 single Tell Me When to Go. [12] In 2012 Alonzo (Turf) Jones [13] a.k.a. Retro, a turf dancer and skateboarder from California's Bay Area competed on the TV talent competition America's Got Talent (in season 7). [14]

Foundation

The foundation of turf dance is based on a series of dances with different "turfs" in Oakland displayed. Some of these foundation dances are "two step," "brookfield," "auntie," "shaking," "the busta," "cliffhangers," "tsunamis" and "traces". Turf dance also includes "story telling" which is a style based on pantomime "life stories" or "everyday activities". Turfing incorporates other dance style concepts such as tutting, flexing, waving and animation. Turf dance is an improvisational, free-flowing form of dance that is based on the idea of pure cause and effect but focuses on storytelling, the creation of optical illusions, and the display of distinctive personal style. Dance elements include Boogaloo, popping, locking, and miming. [15] Gliding is heavily used in turf dance because it enables the creation of optical illusions. "Going dumb," or completely letting one's emotions loose on the dance floor, is also a distinctive part of the tradition. [16]

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<span class="mw-page-title-main">Popping</span> Street dance style

Popping is a street dance adapted out of the earlier Boogaloo cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s. Popping would be eventually adapted from earlier Boogaloo movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a pose, pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. It was popularized by a Fresno & Long Beach-based dance group called the Electric Boogaloos that mixed popping techniques to boogaloo. Closely related illusory dance styles and techniques are often integrated into popping to create a more varied performance. These dance styles include the robot, waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.

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<span class="mw-page-title-main">Electric boogaloo (dance)</span>

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References

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  2. 1 2 3 Zamora, Jim Herron (2007-03-10). "Architeckz look to build outlet for Oakland youth / Dance troupe channels emotions through 'turf dancing,' a younger sibling of 1980s break dancing". San Francisco Chronicle. p. B 1. Retrieved 2009-02-17.
  3. Savion-Royant, Yoram (1 May 2008). "Letter Home" (PDF). Berkeley.edu. Judith Lee Stronach Baccalaureate Prize Project, University of California Berkeley. Retrieved April 24, 2017. TURF stands for Taking Up Room on the Floor
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  7. 1. "Conscious Quiet as a Mode of Black Visual Culture." Black Camera: The New Series, vol. 8, no. 1, Fall 2016, pp. 146–154.
  8. Bragin, Naomi Elizabeth, (Author). "Black Street Movement: Turf Dance, YAK Films and Politics of Sitation in Oakland, California." ["Collected Work: Dance and the social city. Published by: Birmingham, AL: Society of Dance History Scholars, 2012. Pages: 51–57.
  9. Simms, Renee. "Immortal Dance in the Age of Michael Brown." Southwest Review, no. 1, 2017, p. 74.
  10. "From Streets To Stage, Two Dance Worlds See Harmonization And Chaos." Weekend Edition Saturday, 23 Jan. 2016. Literature Resource Center.
  11. Sommer, Sally. "Balletic Breakin'." Dance Magazine, vol. 86, no. 1, Jan. 2012, p. 90.
  12. Stelfox, Dave (2007-11-15). "Why doesn't the UK have hip-hop dance crazes?". The Guardian . Retrieved 2009-02-17.
  13. Color, Mad (2012-06-01). "Alonzo 'Turf' Jones Brings the Art of Extreme Hip Hop Contortionism to the Masses on 'America's Got Talent'". popscampaign.org. p. 1. Archived from the original on 2012-06-09. Retrieved 2012-07-02.
  14. "America's Got Talent Auditions". NBC.com. 2012-07-02. Archived from the original on 2012-07-06. Retrieved 2012-07-02.
  15. "East Bay Express – Best Of". www.eastbayexpress.com. Retrieved 2009-02-17.
  16. Hesse, Monica (2008-01-20). "There is an escape in dance". The Washington Post. p. M02. Retrieved 2009-02-17.