Related Research Articles
Marlon Lu'Ree Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
Rapping is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip hop music, and so commonly associated with that genre that it is sometimes called "rap music".
Eric Lynn Wright, known professionally as Eazy-E, was an American rapper who propelled West Coast rap and gangsta rap by leading the group N.W.A and its label, Ruthless Records. He is often referred to as the "Godfather of Gangsta Rap".
Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell became the first Platinum and multi-Platinum hip hop record. The album was first certified as Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered as one of the most important albums in the history of hip hop music and culture.
Licensed to Ill is the debut studio album by the American hip hop group Beastie Boys. It was released on November 15, 1986, by Def Jam and Columbia Records. The album became the first rap LP to top the Billboard album chart, and was the second rap album to become a platinum album. It is one of Columbia Records' fastest-selling debut records to date and was certified Diamond by the Recording Industry Association of America in 2015 for shipping over ten million copies in the United States. The album received critical acclaim for its unique musical style, chemistry between the group members, and their stylized rapping. Since its release, Licensed to Ill has been ranked by critics as one of the greatest hip hop and debut albums of all time.
World Class Wreckin' Cru was an American electro group, during the 1980s in the Los Angeles area, that contributed to rap's development. Two of its members, Dr. Dre and DJ Yella, attained greater fame as members of N.W.A, which pioneered gangsta rap. A song by the Cru had also featured R&B singer Michel'le.
Radio is the debut studio album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Control is the third studio album by American singer Janet Jackson, released on February 4, 1986, by A&M Records. Her collaborations with the songwriters and record producers Jimmy Jam and Terry Lewis resulted in an unconventional sound: a fusion of rhythm and blues, rap vocals, funk, disco, and synthesized percussion that established Jackson, Jam and Lewis as the leading innovators of contemporary R&B. The distinctive triplet swing beat utilized on the record is also considered to be a precursor to the new jack swing genre. The album became Jackson's commercial breakthrough and enabled her to transition into the popular music market, with Control becoming one of the foremost albums of the 1980s and contemporary music.
Vibe is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version.
C.I.A., a name short for Ciminals' in Action!, replacing the earlier name Stereo Crew, was an American hip hop trio, K-Dee, Sir Jinx, and Ice Cube, on the Los Angeles rap scene in the 1980s. The trio debuted at parties thrown by Sir Jinx's cousin Dr. Dre. Dre was in one of the Los Angeles area's leading DJ crews, the World Class Wreckin' Cru, whose core members, including Dre, doubled as a successful electro rap group. In 1986, the Stereo Crew's single "She's a Skag" arrived on Epic Records, which soon dropped the group for poor sales.
"Hit 'Em Up" is a diss track by American rapper 2Pac, featuring the Outlawz. It is the B-side to the single "How Do U Want It", released on June 4, 1996. The song's lyrics contain vicious insults to several East Coast rappers, chiefly Shakur's former friend turned rival, The Notorious B.I.G.. The song was recorded at Can Am Studios in 1996. A previous version of the song was recorded in October 1995.
Albert Johnson, better known by his stage name Prodigy, was an American rapper and record producer.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Robert "Bobbito" Garcia, also known as DJ Cucumber Slice and Kool Bob Love, is an American DJ, radio host, author, and member of the Rock Steady Crew. He is known as a former co-host of hip hop radio show The Stretch Armstrong and Bobbito Show, alongside Adrian "Stretch Armstrong" Bartos, from 1990 until 1999. He later moved to Washington, D.C., where he currently hosts a new podcast on NPR called What's Good? alongside Bartos. Garcia was the announcer for the video game NBA Street Vol. 2.
"Ready or Not" is a song by American hip-hop group Fugees, from their second studio album, The Score (1996). The song contains a sample of "Boadicea" (1987) by Irish singer Enya, and its chorus is based on "Ready or Not Here I Come " by the Delfonics.
Hip-hop or hip hop music, also known as rap, and formerly as disco rap, is a genre of popular music that originated in the early 1970s by African Americans and Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "hip hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.
References
- ↑ Tom L. Nelson (January 2009). One Thousand Novelty and Fad Dances. AuthorHouse. pp. 98–. ISBN 978-1-4389-2638-4.
- ↑ Cheryl Ladd; Bob Hellman (5 April 2006). Token Chick: A Woman's Guide to Golfing with the Boys. Miamax. pp. 38–. ISBN 978-1-4013-5997-3.
- ↑ "How to do the Cabbage Patch ('80s Dances)". Archived from the original on 2015-09-25. Retrieved 2015-09-04.
- ↑ "How to Do the Cabbage Patch Hip-Hop Dance | Howcast - The best how-to videos on the web". Howcast. Retrieved 2016-10-20.
- ↑ Huntington, Carla Stalling (207). Hip Hop Dance: Meanings and Messages, p.43-4. McFarland. ISBN 978-0-7864-2991-2.
- ↑ Vibe Media Group (December 2004). Vibe. Vibe Media Group. pp. 224–.
- ↑ Peter Shapiro (January 2005). The Rough Guide to Hip-hop. Rough Guides. pp. 1987–. ISBN 978-1-84353-263-7.
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