The Cabbage Patch is a hip-hop dance move which involves moving ones clenched fists together in front of the body in a horizontal, circular motion. [1] [2] The hips may be gyrated in sync with these arm movements.
The dance became popular in the 1980s, showing up in many dance clubs in North America. The dance's name is derived from the Cabbage Patch Kids dolls or the use of "cabbage" as slang for paper money. There are many online videos demonstrating how to do the dance. [3] [4] The dance was originally celebratory and often associated with being cool. [5]
Several songs about the dance have been released:
Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred.
Eric Lynn Wright, known professionally as Eazy-E, was an American rapper who propelled West Coast rap and gangsta rap by leading the group N.W.A and its label, Ruthless Records. He is often referred to as the "Godfather of Gangsta Rap".
Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell is notable for being the first Platinum and multi-Platinum hip hop record. The album was first certified Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered to be one of the greatest and most important albums in the history of hip hop music and culture.
Licensed to Ill is the debut studio album by the American hip hop group Beastie Boys. It was released on November 15, 1986, by Def Jam and Columbia Records. The album became the first rap LP to top the Billboard 200 chart, and was the second rap album to be certified Platinum by the Recording Industry Association of America (RIAA). It is one of Columbia Records' fastest-selling debut records to date and was certified Diamond by the RIAA in 2015 for shipping over ten million copies in the United States. The album received critical acclaim for its unique musical style, chemistry between the group members, and their stylized rapping. Since its release, Licensed to Ill has been ranked by critics as one of the greatest hip hop and debut albums of all time.
World Class Wreckin' Cru was an American electro group, during the 1980s in the Los Angeles area, that contributed to rap's development. Two of its members, Dr. Dre and DJ Yella, attained greater fame as members of N.W.A, which pioneered gangsta rap. A song by the Cru had also featured R&B singer Michel'le.
Radio is the debut studio album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Control is the third studio album by American singer Janet Jackson, released on February 4, 1986, by A&M Records. Her collaborations with the songwriters and record producers Jimmy Jam and Terry Lewis resulted in an unconventional sound: a fusion of rhythm and blues, rap vocals, funk, disco, and synthesized percussion that established Jackson, Jam and Lewis as the leading innovators of contemporary R&B. The distinctive triplet swing beat utilized on the record is also considered to be a precursor to the new jack swing genre. The album became Jackson's commercial breakthrough and enabled her to transition into the popular music market, with Control becoming one of the foremost albums of the 1980s and contemporary music.
Vibe is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version.
Done with Mirrors is the eighth studio album by American rock band Aerosmith, released on November 4, 1985. It marked the return to the band of guitarists Joe Perry, who left in 1979 and Brad Whitford, who departed in 1981. The band's first album on Geffen Records, it was intended as their ‘comeback’. However, the record failed to live up to commercial expectations despite positive reviews.
C.I.A., a name short for Cru’In Action!, replacing the earlier name Stereo Crew, was an American hip hop trio, K-Dee, Sir Jinx, and Ice Cube, on the Los Angeles rap scene in the 1980s. The trio debuted at parties thrown by Sir Jinx's cousin Dr. Dre. Dre was in one of the Los Angeles area's leading DJ crews, the World Class Wreckin' Cru, whose core members, including Dre, doubled as a successful electro rap group. In 1986, the Stereo Crew's single "She's a Skag" arrived on Epic Records, which soon dropped the group for poor sales.
Southernplayalisticadillacmuzik is the debut studio album by the American hip hop duo Outkast, released on April 26, 1994, by LaFace Records and Arista Records. Having befriended each other two years prior, rappers André 3000 and Big Boi pursued recording music as a duo and worked with production team Organized Noize, leading to a record contract with LaFace. With the team producing, Outkast recorded the album at the Dungeon, D.A.R.P. Studios, Purple Dragon, Bosstown, and Doppler Studios, all in their hometown of Atlanta, Georgia.
"Hit 'Em Up" is a diss track by American rapper 2Pac, featuring the Outlawz. It is the B-side to the single "How Do U Want It", released on June 4, 1996. The song's lyrics contain vicious insults to several East Coast rappers, chiefly Shakur's former friend turned rival, the Notorious B.I.G.. The song was recorded at Can Am Studios on April 19, 1996. A previous version of the song was recorded on October 31, 1995.
Albert Johnson, better known by his stage name Prodigy, was an American rapper and record producer. He was best known for being in the rap duo Mobb Deep along with Havoc, yet Johnson still had a solo career.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Robert "Bobbito" Garcia, also known as DJ Cucumber Slice and Kool Bob Love, is an American DJ, radio host, author, and member of the Rock Steady Crew. He is known as a former co-host of hip hop radio show The Stretch Armstrong and Bobbito Show, alongside Adrian "Stretch Armstrong" Bartos, from 1990 until 1999. He later moved to Washington, D.C., where he currently hosts a new podcast on NPR called What's Good? alongside Bartos. Garcia was the announcer for the video game NBA Street Vol. 2.
"Ready or Not" is a song by American hip-hop group Fugees, from their second studio album, The Score (1996). The song contains a sample of "Boadicea" (1987) by Irish singer Enya, and its chorus is based on "Ready or Not Here I Come " by the Delfonics.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.