The Shake (dance)

Last updated

The Shake was a fad dance of mid-1960s, characteristic of "tense jerkiness" [1] of limbs and head shaking, basically with no particular danced moves or steps.

It superseded the twist in popularity by 1965. It was an individualistic dance, with no steps, legs trembling, arms arbitrarily gesticulating and head shaking. No partner was necessary. Part of the "mod" subculture, it evolved from the blue beat style and was danced under the loud and hypnotic music of rhythm and blues typified by Chuck Berry. [2] Frances Rust cites a description by a contemporary who mentioned "feeling like being very drunk" under in influence of the ostinato beat of the electric guitar, as an anecdotal support for research of the influence of music on central nervous system. [3]

The central theme from the British TV series The Avengers is based on The Shake LP (1965) by Laurie Johnson, which capitalized on the dance craze of the time. [4]

See also

Related Research Articles

<span class="mw-page-title-main">Psychedelic rock</span> Genre of rock music

Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.

Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.

<span class="mw-page-title-main">Tambourine</span> Handheld drum with metal jingles

The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit, or they can be held in the hand and played by tapping, hitting, or shaking the instrument.

<i>The Avengers</i> (TV series) British espionage television series created in 1961

The Avengers is a British espionage television series, created in 1961, that ran for 161 episodes until 1969. It initially focused on David Keel, aided by John Steed. Hendry left after the first series; Steed then became the main character, partnered with a succession of assistants. His most famous assistants were intelligent, stylish, and assertive women: Cathy Gale, Emma Peel, and Tara King. Dresses and suits for the series were made by Pierre Cardin.

<span class="mw-page-title-main">Hippie</span> Person associated with 1960s counterculture

A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during the 1960s and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, in San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.

<span class="mw-page-title-main">Square dance</span> Dance for four couples arranged in a square

A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances are part of a broad spectrum of dances known by various names: country dances, traditional dances, folk dances, barn dances, ceilidh dances, contra dances, Playford dances, etc. These dances appear in over 100 different formations, of which the Square and the Longways Set are by far the most popular formations.

Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.

Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world; this increased popularity helped to renew samba and contributed to the modernization of Brazilian music in general.

Shake, The Shakes, Shaking, or Shakin' may refer to:

Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.

<span class="mw-page-title-main">Latin dance</span> Wide range of dances originating in Latin America, Cuba and Puerto Rico

Latin dance is a general label, and a term in partner dance competition jargon. It refers to types of ballroom dance and folk dance that mainly originated in Latin America.

<span class="mw-page-title-main">Prince Buster</span> Jamaican musician (1938–2016)

Cecil Bustamente Campbell, known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.

Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop.

<span class="mw-page-title-main">Swinging Sixties</span> Youth-driven cultural revolution centred in London in the 1960s

The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late 1960s, emphasising modernity and fun-loving hedonism, with Swinging London denoted as its centre. It saw a flourishing in art, music and fashion, and was symbolised by the city's "pop and fashion exports", such as the Beatles, as the multimedia leaders of the British Invasion of musical acts; the mod and psychedelic subcultures; Mary Quant's miniskirt designs; popular fashion models such as Twiggy and Jean Shrimpton; the iconic status of popular shopping areas such as London's King's Road, Kensington and Carnaby Street; the political activism of the anti-nuclear movement; and the sexual liberation movement.

Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.

"A Touch of Brimstone" is the twenty-first episode of the fourth series of the 1960s British spy television series The Avengers, starring Patrick Macnee as John Steed and Diana Rigg as Emma Peel. It was filmed c. December 1965, and was first broadcast on British television on 15 February 1966. The episode was directed by James Hill and written by Brian Clemens. The plot involves Steed and Peel infiltrating the Hellfire Club whilst investigating harmful pranks on high profile political and business figures.

Dr. Catherine "Cathy" Gale is a fictional character played by Honor Blackman, on the 1960s British series The Avengers. She was the first regular female partner of John Steed, following the departure of Steed's original male co-star, Dr David Keel. She made her first appearance at the start of the series' second season in 1962.

Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.

<i>September in the Rain</i> (film) 1937 American film

September in the Rain is a 1937 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on December 18, 1937.

References