 | This article relies largely or entirely on a single source .(November 2018) |
Gancho means "hook" in Spanish and Portuguese, and describes certain "hooking actions" in some dances of Latin American heritage, in Argentine Tango (leg action) and Salsa (arm action and foot action) in particular.
In Argentine Tango, a gancho is a sharp move when a dancer hooks a leg around a partner's leg by bending the knee and then straightening. [1] Both male and female partners may perform ganchos, however when followers perform them, they often happen as a consequence of their trailing leg running into one of the leader's (purposefully positioned) legs. This hooking may be done both from either side of the partner's leg.
In Salsa, the term "gancho" is used in two senses.
One is a synonym of the Hook Turn.
Another one is an arm action, usually performed by the man. The man holds the lady's left hand by his right hand at approximately the shoulder level, the joined arms are bent in the elbows. With hands still joined, the man hooks his elbow by a motion from the inside to the outside over the lady's arm and slightly presses the inside of his arm to the outside of the lady's arm, drawing the lady closer. This gancho action may be done by the either arm or by both arms, either simultaneously or in turn. The hand grip may either be kept, or immediately released after the hook. Exits from the resulting position vary.
In partner dancing, connection is physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer directs the movements of the other dancer by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers without a distinct leader or follower. Connection refers to a host of different techniques in many types of partner dancing, especially those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
In ballroom dancing, directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
Dips are common to many partner dance styles.
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
Strikes can be offensive moves in professional wrestling, that can sometimes be used to set up an opponent for a hold or for a throw. There are a wide variety of strikes in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.
Samba de Gafieira is a partner dance to various Brazilian samba musical rhythms. Unlike street and club forms of Brazilian samba, it evolved as a ballroom dance.
A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions.
The following is a glossary of figure skating terms, sorted alphabetically.
The death spiral is a figure skating term used to describe a spin involving two partners in the discipline of pair skating, in which one partner lowers the other partner while the partner getting close to the ice arches backward on one foot. It was created by German professional skater Charlotte Oelschlägel and her husband Curt Newmann in the 1920s. Suzanne Morrow and Wallace Diestelmeyer from Canada were the first pair team to perform the death spiral one-handed, at the 1948 Olympic Games. In the 1960s, Soviet pair team Liudmila Belousova and Oleg Protopopov created three death spirals: "the backward-inside, forward-inside and forward-outside death spirals, which they originally named the Cosmic Spiral, Life Spiral and Love Spiral, respectively". The International Skating Union (ISU), the governing body that oversees figure skating, allows for variations of arm holds and pivot positions. Senior pair skating teams must perform different types of death spirals in their short programs and free skating programs.
Figure skating lifts are required elements in two disciplines of figure skating: pair skating and ice dance. There are five groups of lifts in pair skating, categorized in order of increasing level of difficulty. Judges look for the following when evaluating pair lifts: speed of entry and exit; control of the woman's free leg when she is exiting out of the lift, with the goal of keeping the leg high and sweeping; the position of the woman in the air; the man's footwork; quick and easy changes of position; and the maintenance of flow throughout the lift. Twist lifts are "the most thrilling and exciting component in pair skating". They can also be the most difficult movement to perform correctly. They require more strength and coordination than many other pair elements, and are usually the first or second element in a program. According to the International Skating Union (ISU), "the Woman must be caught in the air at the waist by the Man prior to landing and be assisted to a smooth landing on the ice on a backward outside edge on one foot" during a twist lift. A pair lift and twist lift is required in the short program of pair skating; a well-balanced free skating program in pair skating must include lifts.
A pin is a predicament in wrestling that ends a match regardless of when it occurs. Some situations that near pins but do not meet the criteria, such as having only one shoulder down or having the defending wrestler blocked in a neck bridge, are rewarded with exposure points known as near fall points or back points.
Figures of Argentine tango are elements of Argentine tango.
Ice dance, a discipline of figure skating, has required elements that make up a well-balanced rhythm dance program and free dance program, which must be performed during competitions. They include: the dance lift, the dance spin, the step sequence, turn sequences, and choreographic elements. The elements must be performed in specific ways, as described by published communications by the International Skating Union (ISU), unless otherwise specified. The ISU has also provided a list of illegal movements.
It consists of raising the leg and briefly bending it around a partner's leg...
 | This dance-related article is a stub. You can help Wikipedia by expanding it. |