Modern dance in the United States is a form of contemporary dance that was developed in the United States in the 20th century. African American modern dance also developed a distinct style.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Lester Iradell Horton was an American dancer, choreographer, and teacher.
Ulysses Dove was a choreographer.
Robert Joffrey was an American dancer, teacher, producer, choreographer, and co-founder of the Joffrey Ballet, known for his highly imaginative modern ballets. He was born Anver Bey Abdullah Jaffa Khan in Seattle, Washington to a Pashtun father from Afghanistan and a mother from Italy.
Gawain Garth Fagan, CD is a Jamaican modern dance choreographer. He is the founder and artistic director of Garth Fagan Dance, a modern dance company based in Rochester, New York.
Judith Ann Jamison is an American dancer and choreographer. She is the artistic director emerita of Alvin Ailey American Dance Theater.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
Jessica Iwanson, is a choreographer and artistic director of Iwanson International School of Contemporary Dance in Munich, Germany.
Robert Garland is the artistic director of the Dance Theatre of Harlem, where he was a principal dancer and their first official resident choreographer. He has also choreographed for the New York City Ballet, The Royal Ballet, San Francisco Ballet, and the Oakland Ballet, among many others.
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
Revelations is the best-known work of the modern dance choreographer Alvin Ailey. It is also the signature work of the Alvin Ailey American Dance Theater, which premiered an extended version of the work in 1960, when Ailey was 29 years old. Set to spirituals, gospel, and blues music and influenced by the choreographer's own Christian upbringing, it presents a vision of the historical African American experience from a church-inspired perspective. The three sections of the final 36-minute revised version depict the suffering of slavery, baptismal joy, and a choral church celebration.
Robert Battle is a dancer, choreographer and the Artistic Director of Alvin Ailey American Dance Theater.
Dancer and choreographer Ronald K. Brown founded the dance company Evidence in New York in 1985. Brown's work incorporates modern dance, Senegalese Sabar and other West African movement vocabularies, Afro-Caribbean dance, and contemporary urban dance from around the world. He has choreographed numerous works for his own company, as well as for Philadanco, Alvin Ailey American Dance Theater, the Jacob's Pillow Dance Festival, the Maimouna Keita West African Dance Company, and many others. Brown has received numerous awards, including a Guggenheim Fellowship, a Bessie Award, a Black Theater Alliance Award, and an Audelco Award for the choreography of Regina Taylor's musical Crowns. He has also been a guest artist at The Sharon Disney Lund School of Dance at CalArts. He studied dance with Mary Anthony.
Elisa Monte is an American artistic director, choreographer, and dancer who founded Elisa Monte Dance in New York City. Monte's first choreographic work, Treading (1979), defined her as an important innovator and contributor to contemporary dance. Her signature style, recognized as "daring, intense, and passionate, is classical and highly athletic."
George W. Faison is an American dancer, choreographer, teacher, and theater producer, and winner of a 1975 Tony, a Drama Desk Award, and a 1991 nominee for the Emmy Award for choreography. He was a featured dancer with the Alvin Ailey American Dance Theater, founder of the George Faison Universal Dance Experience, and co-founder/producing artistic director of the Faison Firehouse Theater.
Tracy Inman is an American dancer, choreographer, and educator who performed with the Alvin Ailey American Dance Theater. He is currently the co-director of The Ailey School and a choreographer & consultant for the television series Pose.
Troy Powell also known as Troy O'Neil Powell is an American dancer, choreographer, educator, and director. He is a former principal dancer with the Alvin Ailey American Dance Theater and former artistic director of AAADT's second company, Ailey 2. Powell was fired in July 2020 after an independent investigation into allegations of sexual abuse at the Ailey School concluded that he had engaged in "inappropriate communications" with students who were interested in joining the Ailey 2.
Donald Byrd is an American modern dance choreographer, known for themes relating to social justice, and in particular, racism.
Hope Boykin is an American dancer, choreographer, educator, director, writer, and speaker who is a former member of the Alvin Ailey American Dance Theater. Her mission is to create and share "within an environment of acceptance, brings new levels of awareness. Exploring, developing, and teaching a sound and healthy approach to movement and expression, promotes growth. Lifting and leading young and aspiring artists to a secure foundation and a concrete understanding evolves a confidence and an assurance which will be unmatched. There are no limits." She has inspired many with her journey to sharing her continued explorations with others on her path to search for hope. She continues to exhibit that her voice is indeed relevant and continues to remain significant within the dance community and world today.
