Jawole Willa Jo Zollar (born December 21, 1950) is an American dancer, teacher and choreographer of modern dance. She is the founder of the Urban Bush Women dance company.
One of six children, she was born Willa Jo Zollar in Kansas City, Missouri, to parents Alfred Zollar Jr. and Dorothy Delores Zollar. [1] From age seven to seventeen, Zollar received her dance education from Joseph Stevenson, former student of Katherine Dunham. [2] Zollar also had early training in Afro-Cuban and other native dance forms which later helped to shape her teaching aesthetic. [3] She received a Bachelor of Arts in dance from the University of Missouri at Kansas City and her Master of Fine Arts from Florida State University. She has been a professor at Florida State University's School of Dance since at least 2011, when she was named the Robert O. Lawton Distinguished Professor of Dance. [4] In 1980, Zollar moved to New York City, where she studied under Dianne McIntyre, artistic director for Sounds in Motion Dance Company. [2] In 1984, she left the company and established her own, called the Urban Bush Women, which became the first major dance company consisting of all-female African-American dancers. [2]
Zollar's choreographic style is influenced by the dance traditions of Black Americans—modern dance, African dance, and social dance. [3] Her movement synthesizes influences from modern dance (a combination of Dunham, Graham, Cunningham, and Limón techniques), Afro-Cuban, Haitian, and Congolese dance. [2] She emphasizes the use of weight and fluidity as opposed to creating clean shapes. [5] From her Afro-Cuban dance training she employs a strong sense of dynamic timing, rhythmic patterns, and continuous flow of movement. She derives many of her movement ideas from African-American culture—allowing the "church testifying, emotional energy shap[e] the form, and the rawness of that form, like you have in jazz," she says. [6]
In her choreography, Zollar creates avant-garde dance-theater productions that speak from the Black female perspective. [3] Her pieces are collaborative performances between dancers, vocalists, artists, actors, composers and musicians, including vocalizations, a cappella singing, storytelling, and social commentary. Through these mediums, Zollar pushes towards social awareness and change. Zollar also explores African-American folk traditions and the reality of the Black woman's experience, tackling uncomfortable and controversial social topics such as abortion, racism, sexism, and homelessness, in a hard-edged and straightforward way. [7] Many dance critics say that Zollar's company makes a point to show the reality of African-American culture, revealing how Black Americans express themselves when not in the presence of whites. [2]
Zollar was director and choreographer of the Houston, Texas, world premiere Oct. 20, 2023, of "Intelligence," an opera based on the true story of a southern female spy for the Union in the American Civil War. [8] [9]
Pearl Eileen Primus was an American dancer, choreographer and anthropologist. Primus played an important role in the presentation of African dance to American audiences. Early in her career she saw the need to promote African dance as an art form worthy of study and performance. Primus' work was a reaction to myths of savagery and the lack of knowledge about African people. It was an effort to guide the Western world to view African dance as an important and dignified statement about another way of life.
Pearl Lang was an American dancer, choreographer and teacher renowned as an interpreter and propagator of the choreography style of Martha Graham, and also for her own longtime dance company, the Pearl Lang Dance Theater. She is known for Appalachian Spring (1944), American Masters (1985) and Driven (2001)
Gawain Garth Fagan, CD is a Jamaican modern dance choreographer. He is the founder and artistic director of Garth Fagan Dance, a modern dance company based in Rochester, New York.
The New York Dance and Performance Awards, also known as the Bessie Awards, are awarded annually for exceptional achievement by independent dance artists presenting their work in New York City. The broad categories of the awards are: choreography, performance, music composition and visual design. The Bessie Awards were established in 1983.
Hattie Gossett is an African-American feminist playwright, poet, and magazine editor. Her work focuses on bolstering the self-esteem of young black women.
Urban Bush Women (UBW), founded in 1984 by Jawole Willa Jo Zollar, is a Brooklyn, New York-based non-profit dance company and professional African-American women's dance company. The ensemble performs choreography by Zollar and several other choreographers, often with a focus on the experiences of women of African descent.
The Philadelphia Dance Company is a professional dance company based in Philadelphia, Pennsylvania, that specializes in contemporary dance. The organization was founded in 1970 by artistic director Joan Myers Brown. The company tours both nationally and internationally, in addition to their regular appearances locally at the Kimmel Center for the Performing Arts, the Painted Bride Art Center, and other venues in the Philadelphia area.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
Daniela Malusardi is an Italian choreographer, teacher and dancer.
The Dorothy and Lillian Gish Prize or Gish Prize is given annually to "a man or woman who has made an outstanding contribution to the beauty of the world and to mankind's enjoyment and understanding of life." It is among the most prestigious and one of the richest prizes in the American arts. The 2019 winner Walter Hood received $250,000. The founders Dorothy Gish (1898–1968) and Lillian Gish (1893–1993) were sisters, famous as actresses from the silent era of film and mid-century theatre. About the prize, established in Lillian Gish's will, she said: "It is my desire, by establishing this prize, to give recipients of the prize the recognition they deserve, to bring attention to their contributions to society and encourage others to follow in their path." It was established in 1994 by the Dorothy and Lillian Gish Prize Trust and is administered by JPMorgan Chase Bank.
Camille A. Brown is an American dancer, choreographer, director, and dance educator. Four-time Tony Awards nominees, she started her career working as professional dancer with Ronald K. Brown's company in the early 2000s. In 2006 she founded her own dance company, the Camille A. Brown & Dancers, producing severals dance productions, winning a Princess Grace Awards and a Bessie Award.
Dayton Contemporary Dance Company, which was founded in 1968 by Dayton, Ohio native, Jeraldyne Blunden, is the oldest modern dance company in Ohio, and one of the largest companies of its kind between Chicago and New York City.
The Madras Devadasis Act is a law that was enacted on 9 October 1947 just after India became independent from British rule. The law was passed in the Madras Presidency and gave devadasis the legal right to marry and made it illegal to dedicate girls to Hindu temples. The bill that became this act was the Devadasi Abolition Bill.
Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Dianne McIntyre is an American dancer, choreographer, and teacher. Her notable works include Their Eyes Were Watching God: A Dance Adventure in Southern Blues , an adaptation of Zora Neal Hurston's novel Their Eyes Were Watching God, as well as productions of why i had to dance,spell #7, and for colored girls who have considered suicide when the rainbow is enuf, with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.
Amara Tabor-Smith is a San Francisco Bay Area-based choreographer and performer noted for significant contributions to dance that draw on, celebrate, and reconfigure African-American and women's history.
Nadine George-Graves is an academic who works at the intersection of African American studies, gender studies, and dance and theater history. She holds the Naomi Willie Pollard Endowed Chair at Northwestern University with appointments in the Department of Performance Studies and Department of Theatre. She is also the executive co-editor of Dance Research Journal. She has a PhD in Theater and Drama from Northwestern University, and a BA in Philosophy and Theater Studies from Yale University.
Nia Love is a dancer and choreographer based in New York City. She is a radical thinker, artist, performer and professor that focuses on Modern dance, Post-Modern dance, and West African dance. She is known for her spiritual relationships to movement and performance, as well as her personal work that is critical of structural racism and examines the role of women in dance through her poetry, movement and art.
Joya Powell, also known as Joya Powell-Goldstein, is a Bessie Award-winning choreographer, educator, and activist. As the founding artistic director of Movement of the People Dance Company, she is known for creating politically scorching dance-theatre that confronts issues of race and justice.
James Frazier is an American dance artist, arts administrator, and Dean of the Florida State University College of Fine Arts.