Industry | Modern dance |
---|---|
Founded | 1948 |
Headquarters | Durham, North Carolina |
Area served | Research Triangle |
Key people | Jodee Nimerichter (director) Gaspard Louis |
Revenue | 3,531,400 United States dollar (2017) |
Website | www.americandancefestival.org |
The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. [1] Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.
In 1934 the Bennington Festival was established as a summer program at Bennington College where modern dance pioneers Hanya Holm, Martha Graham, Doris Humphrey and Charles Weidman came together to teach dance technique and perform new works. For one year, in 1939, Bennington moved the program to Mills College in Oakland, California, but it was back in Vermont by 1940. It ceased to exist after the summer of 1942. [2]
In 1948, a program based on the Bennington model was established at Connecticut College in New London, Connecticut, and called the New York University – Connecticut College School of Dance / American Dance Festival. In 1969, newly appointed director Charles Reinhart shortened the name to, simply, the American Dance Festival. After 30 years at the Connecticut College campus, the festival moved, in 1978, to the campus of Duke University in Durham, North Carolina.
Since its founding in 1934, The American Dance Festival has been the home to over six hundred and forty premieres, more than three hundred and forty commissions, and over fifty reconstructions by artists such as Martha Graham, José Limón, Merce Cunningham, Paul Taylor, Alvin Ailey, Twyla Tharp, Pilobolus, Meredith Monk, Martha Clarke, and many more.
Charles Reinhert was the director of the American Dance Festival from 1969-2011. In January 2012 Jodee Nimerichter was appointed director after having been a co-director with Charles from 2007-2011, and Associate Director from 2003-2007. [3]
Modern dance choreographers and companies who have given performances or taught there include José Limón, Pearl Lang, Bella Lewitzky, Sophie Maslow, Alwin Nikolais, Merce Cunningham, Ruth Currier, Erick Hawkins, Paul Taylor, Alvin Ailey, Twyla Tharp, Betty Jones, Paul Draper, William Bales, Eiko & Koma, Justin Tornow, Seán Curran, Wang Ramirez, Maguy Marin, Pilobolus and Anne Teresa De KeersmaekerRIOULT DANCE NY, Lines Ballet Company, Shen Wei Dance Arts, LMNO3, Heidi Latsky Dance, Bill T. Jones/Arnie Zane Dance Company.
In 1978, Madonna, who was at the time a dance major at the University of Michigan, was a summer dance student at the American Dance Festival. [4]
Numerous dance works have premiered at the American Dance Festival, many of them commissioned by ADF. The largest theater in the Carolinas, the Durham Performing Arts Center, was built partly as a showcase for the festival. [1] In 2016, the American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Dances, commissioned Pascal Rioult's Cassandra's Curse with music by Richard Danielpour.
ADF has given scholarships and awards out to accomplished dance figures. The Scholarship is entitled the Samuel H. Scripps/American Dance Festival Award for Lifetime Achievement in Choreography and is $50,000 given to one distinguished choreographer per year. These recipients include Merce Cunningham, Paul Taylor, Ohad Naharin, Pina Bausch, Twyla Tharp, Jose Limon, and others.
ADF also awards distinguished dance teachers. This award is entitled the Balasaraswati/Joy Anne Dewey Beinecke Endowed Chair for Distinguished Teaching. Recipients of this award include Gerri Houlihan, Gus Solomons Jr., Donna Faye Burchield, Jacylnn Villamil, Irene Dowd and others.
The American Dance Festival also offers internships during their summer session for both Arts Administration and Production. Interns are able to take one dance class per day and then the remainder of their day is filled with working in the ADF offices for those interested in Arts Administration, or learning the tools and skills of stage hand work and spending 40+ in the theater by being on the crew for every professional company throughout the festival. Both internships include a full tuition scholarship to the Six Week school. Applicants must apply for these internships, and selection is very competitive.
The American Dance Festival also offers classes year round in the Samuel H. Scripps Studio. The Studios offer classes for all ages and levels throughout the calendar year. During the summer session, the studio is used throughout the Six Week School in addition to spaces provided from Duke University.
In addition to the summer sessions and year-round programs based in Durham, NC, ADF also hosts a Winter Intensive in both New York City and Pasadena, CA. Both of these programs are for dancers ages 18+.
ADF has issued a series of humanities publications, including Philosophical Essays on Dance (1981), The Aesthetic and Cultural Significance of Modern Dance (1984), The Black Tradition in American Modern Dance (1988), its sequel, African American Genius In Modern Dance (1993), Dancing Across Cultures (1995), Reflections on the Home of an Art Form (1998), and Modern Dance, Jazz Music and American Culture (2000). In 2008, the ADF published a book by Dr. Gerald Myers, titled Who’s Not Afraid of Martha Graham?
Twyla Tharp is an American dancer, choreographer, and author who lives and works in New York City. In 1966 she formed the company Twyla Tharp Dance. Her work often uses classical music, jazz, and contemporary pop music.
The United States of America is the home of the hip hop dance, salsa, swing, tap dance and its derivative Rock and Roll, and modern square dance and one of the major centers for modern dance. There is a variety of social dance and performance or concert dance forms with also a range of traditions of Native American dances.
Ulysses Dove was a choreographer.
Jacob's Pillow is a dance center, school and performance space located in Becket, Massachusetts, in the Berkshires. The organization is known for a Summer dance festival. The facility also includes a professional school and extensive archives as well as year-round community programs. The facility itself was listed as a National Historic Landmark District in 2003.
Donald McKayle was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the recipient of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners Raisin (1973) and Sophisticated Ladies (1981), and he worked extensively in television and film. As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landmark productions, including House of Flowers (1958) and West Side Story (1957), where he served for a time as the production's dance captain. A Tony Award and Emmy Award nominee, McKayle held an endowed chair for the last decades of his life in the Dance Department at UC Irvine, where he was the Claire Trevor Professor of Dance. He previously served on the faculties of Connecticut College, Sarah Lawrence College, and Bennington College.
Capezio is the trade name of Capezio Ballet Makers Inc., an American manufacturer of dance shoes, apparel and accessories.
The Celebrity Series of Boston is a non-profit performing arts presenter established in Boston, Massachusetts by Boston impresario Aaron Richmond in 1938 as Aaron Richmond's Celebrity Series. Since its founding the Celebrity Series has evolved into one of New England's major presenting organizations with over 100 performance and outreach activities annually.
Martha Hill was one of the most influential American dance instructors in history. She was the first Director of Dance at the Juilliard School, and held that position for almost 35 years.
Harvey Lichtenstein was an American arts administrator. He is best known for his 32-year tenure (1967–99) as president and executive producer of the Brooklyn Academy of Music, or BAM, as it became known under his leadership. He led the institution to a renaissance, championing contemporary performance, establishing the Next Wave Festival, and providing a vital venue for dance, theater, music, and collaborations that bridged disciplines. The long list of artists who came to perform on BAM's stages under Lichtenstein's purview reads like a Who's Who of 20th-century performance, and includes Laurie Anderson, Pina Bausch, Peter Brook, Merce Cunningham, Philip Glass, Meredith Monk, Jerzy Grotowski, Mark Morris, Steve Reich, Twyla Tharp, and Robert Wilson. When Lichtenstein retired, the Doris Duke Charitable Foundation made the decision to honor his considerable accomplishments by foregoing its own naming rights and dedicating the BAM Harvey Theater in his honor.
Miami City Ballet is an American ballet company based in Miami Beach, Florida, led by artistic director Lourdes Lopez.
Samuel Henrick Scripps was a patron of the arts, and played a significant role in gaining support and recognition for theatre and dance companies throughout America in the second half of the twentieth century.
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
Richard Nelson was an American theatrical lighting designer.
Christine Dakin is an American dancer, teacher and director, a foremost exponent of the Martha Graham repertory and technique.
El Penitente is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask.
Kathryn Posin is an American choreographer known for her musical and sculptural fusing of ballet and modern dance genres. In addition to choreographing, she has also taught technique and composition at several American universities. Her most recent season with The Kathryn Posin Dance Company commissioned by 92nd Street Y in February 2016 received an award from the Lower Manhattan Cultural Council and an Arts Works Grant from the NEA in 2017.
Jodee Nimerichter is an American arts administrator and film producer. She currently serves as the executive director of the American Dance Festival.
Gaspard Louis is a Haitian dancer, choreographer, and artistic director. A former dancer with Pilobolus, he is the founder and artistic director of the modern dance company Gaspard and Dancers. Louis is also on the faculty at North Carolina Central University and the American Dance Festival.
Merrill La Monte Brockway was an American television producer known for producing the PBS television series Dance in America.
www.americandancefestival.org RIOULT An Eccentric Sendoff for a Festival’s Leader