The Samuel H. Scripps American Dance Festival Award for Lifetime Achievement in Choreography is presented each year at the American Dance Festival in Durham, North Carolina. The award and its cash prize, currently $50,000, is given to modern dance choreographers in order to recognize their influence on the art form.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Helen Tamiris was an American choreographer, modern dancer, and teacher.
The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.
Capezio is the trade name of Capezio Ballet Makers Inc., an American manufacturer of dance shoes, apparel and accessories.
Martha Clarke is an American theater director and choreographer noted for her multidisciplinary approach to theatre, dance, and opera productions. Her best-known original work is The Garden of Earthly Delights, an exploration in theatre, dance, music and flying of the famous painting of the same name by Hieronymus Bosch. The production was honored with a Drama Desk Award for Unique Theatrical Experience, an Obie Award for Richard Peaslee's original score, and a Los Angeles Drama Critics Circle Award for choreography.
Judith Ann Jamison is an American dancer and choreographer. She is the artistic director emerita of Alvin Ailey American Dance Theater.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
Cedar Lake Contemporary Ballet was a New York City-based contemporary ballet company.
Samuel Henrick Scripps was a patron of the arts, and played a significant role in gaining support and recognition for theatre and dance companies throughout America in the second half of the twentieth century.
The Martha Graham Dance Company, founded by Martha Graham in 1926, is both the oldest dance company in the United States and the oldest integrated dance company. The company is critically acclaimed in the artistic world and has been recognized as "one of the great dance companies of the world" by the New York Times and as "one of the seven wonders of the artistic universe" by the Washington Post.
Stuart Hodes was an American dancer, choreographer, dance teacher, dance administrator and author. He was Martha Graham's partner, danced on Broadway, in TV, film, in recitals, and with his own troupe. His choreography has appeared on the Boston Ballet, Dallas Ballet, Harkness Ballet, Joffrey Ballet, San Francisco Ballet and other troupes. He taught at the Martha Graham School, Neighborhood Playhouse, NYC High School of Performing Arts, headed dance at NYU School of the Arts and Borough of Manhattan Community College. He was Dance Associate for the NY State Council on the Arts, dance panelist for the National Endowment for the Arts, president of the National Association of Schools of Dance, and a member of the First American Dance Study Team to China in 1980, returning in 1992 to teach the Guangzhou modern dance troupe.
El Penitente is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask.
Muna Tseng is a Chinese-American dancer, choreographer, author and lecturer. She has lived in New York since 1978 and in 1984 founded Muna Tseng Dance Projects in New York City. She created over 40 dance productions and performed in over 30 cities and festivals in 15 countries. Since 1990 she has been the director and executrix of her late brother Tseng Kwong Chi's photography archive. She has served for several years on the 'Current Practice' subcommittee for the annual Bessie Awards, also known as the New York Dance and Performance Awards.
Blakeley White-McGuire born in Baton Rouge, Louisiana, is a dancer, choreographer, répétiteur, and educator. She is a Principal Guest Artist and former Principal Dancer of Martha Graham Dance Company. Described by Gia Kourlas of the New York Times as having a "powerful technique and dramatic instinct with an appealing modern spunk", White-McGuire has received widespread critical acclaim as a Graham dancer.
Troy Powell also known as Troy O'Neil Powell is an American dancer, choreographer, educator, and director. He is a former principal dancer with the Alvin Ailey American Dance Theater and former artistic director of AAADT's second company, Ailey 2. Powell was fired in July 2020 after an independent investigation into allegations of sexual abuse at the Ailey School concluded that he had engaged in "inappropriate communications" with students who were interested in joining the Ailey 2.
Karen Brown is an American ballerina, educator, répétiteur, ballet mistress, and director. She is noted for her long career as a principal dancer with the Dance Theatre of Harlem and as the first African-American woman to lead a ballet company.
Mariko Sanjo is a Japanese modern dancer, choreographer, director based in New York City and Japan.
Sachiyo Ito is an artist and choreographer of classical, traditional, and contemporary Japanese dance, and arts educator in the United States since 1972.
Yuriko Kimura (木村百合子) is a modern dancer, and was a primary dancer for the Martha Graham Dance Company from 1967 to 1985. Various dance critics, such as Anna Kisselgoff and Clive Barnes from the New York Times, who often reviewed Yuriko's performances, referred to her dancing as "incandescent", and to Kimura as one of the "most outstanding performers in modern dance today" and "a brilliant technician for whom no movement seems impossible". She was born in Kanzawa, Japan.