Colorado Ballet | |
---|---|
General information | |
Name | Colorado Ballet |
Previous names | Colorado Concert Ballet |
Year founded | 1961 |
Founders | Freidann Parker and Lillian Covillo |
Principal venue | Ellie Caulkins Opera House |
Website | coloradoballet.org |
Artistic staff | |
Artistic Director | Gil Boggs |
Ballet Mistress | Sandra Brown and Lorita Travaglia |
Music Director | Adam Flatt |
Other | |
Orchestra | Colorado Ballet Orchestra |
Official school | Colorado Ballet Academy |
Associated schools | Colorado Ballet Academy |
Colorado Ballet encompasses a 31-member professional performing ballet company, a studio company for advanced dance students, an academy, and an education and outreach department. Based in downtown Denver, Colorado, Colorado Ballet serves more than 125,000 patrons each year.
The professional company performs primarily at the Ellie Caulkins Opera House in the Denver Performing Arts Complex and one show each year at the Robert and Judi Newman Center for Performing Arts at the University of Denver. Colorado Ballet performs classical ballets and contemporary dance works. The Colorado Ballet Orchestra performs with the Company at the Ellie Caulkins Opera House, either at three or four productions a year.
With an annual operating budget exceeding $7.8 million, the company employs more than 150 people on either a full-time or part-time basis during the year.
Colorado Ballet received the 2009 Colorado Masterpieces Award. As part of the award, Colorado Ballet toured Colorado in the 2009–2010 season as a part of American Masterpieces: Three Centuries of Artistic Genius initiative, funded by the Colorado Council on the Arts. [1]
Colorado Ballet has performed at the Vail International Dance Festival in 2011, 2015 and 2017. [2]
In 2013, Colorado Ballet purchased a building in Denver's Art District on Santa Fe. The company moved to its new location in August 2014. [3]
In 1961, Lillian Covillo and Freidann Parker established Colorado Concert Ballet to showcase talented students they had been teaching at their ballet school. Their first production, The Nutcracker , played to sold-out houses in Denver's Bonfils Theatre. By 1968, the Company hit the road for its first tour of the state. By 1976, Colorado Concert Ballet produced 33 performances of The Nutcracker and three other productions that season. By October of that year, Colorado Concert ballet achieved full professional status with a total roster of eight professional dancers. Two years later, the board of trustees changed the company's name to Colorado Ballet.
In 1987, Parker and Covillo conducted a nationwide search, at their own expense, for a new artistic director. With their choice of Martin Fredmann, they changed the course of Colorado Ballet. [4] Also that year, a lagging economy in Denver forced Colorado Ballet to look at an emerging national trend among dance companies and as a result entered into an alliance with Tampa Ballet. Colorado Ballet and Tampa Ballet joined forces, performing 18 weeks in Tampa and 18 weeks in Denver. The partnership remained successful for three years, and in 1990, the board of trustees decided to the dissolve the alliance and move the Company permanently to Denver.
In 1993, Colorado Ballet made its New York debut to favorable reviews. In 1995, the Company formed Colorado Ballet II, which is now known as Colorado Ballet's Studio Company. By the time the Company celebrated its 40th anniversary in the early 2000s, the organization's annual budget had grown to $5.1 million, with 30 professional dancers, 20 apprentices and an academy with 250 students. In March 2006, Gil Boggs, former principal dancer with American Ballet Theatre, was hired as the new artistic director.
After more than two decades of leasing a space near the Colorado State Capitol, Colorado Ballet purchased a building at the north end of Denver's Art District on Santa Fe in 2013. The Company renovated the space and moved into its new home in August 2014. [5]
During the 2016-2017 season, Colorado Ballet's ticketing revenue exceeded more than $4 million for the first time and more than 87,000 people watched Colorado Ballet's productions. [6] In December 2016, Colorado Ballet's The Nutcracker was named the best-loved Nutcracker in the 10th Annual Goldstar National Nutcracker Award contest, winning this coveted honor in a field that included more than 80 other productions throughout the U.S. [7]
The artistic leadership of the Colorado Ballet includes (as of 2017-2018 season):
Artistic Director: Gil Boggs, former principal dancer of American Ballet Theatre
Ballet Mistresses: Lorita Travaglia, Sandra Brown
Music Director/Principal Conductor: Adam Flatt
Associate Conductor: Catherine Sailer
Company Pianist: Natalia Arefieva
Academy Principal: Erica Fischbach
Colorado Ballet consists of 33 professional dancers from around the world (as of 2018-2019 season): [8]
The Studio Company is a pre-professional training program; members are selected by audition. The program is designed to offer young dancers training and experience working with the professional company.
Colorado Ballet's 2018–2019 season will open on October 5, 2018. [9]
Sleeping Beauty (choreography by Marius Petipa, music by P. I. Tchaikovsky)
The Nutcracker (choreography by Marius Petipa, music by P. I. Tchaikovsky)
The Wizard of Oz (choreography by Septime Webre, music by Matthew Pierce)
Tour de Force (collaborative production with choreography by artistic staff members of Colorado Ballet, Garrett Ammon of Wonderbound, and Cleo Parker Robinson of Cleo Parker Robinson Dance Ensemble)
Ballet MasterWorks: Carmina Burana (choreography by Fernand Nault, music by Carl Orff)
Colorado Ballet's 2017-2018 season opened on October 6, 2017. [10]
Dracula (choreography by Michael Pink, music by Philip Feeney)
The Nutcracker (choreography after Marius Petipa, music by P. I. Tchaikovsky)
Romeo and Juliet (choreography by Derek Deane, music by Sergei Prokofiev)
Ballet Director's Choice (includes Pillar of Fire choreographed by Antony Tudor, music by Arnold Schoenberg; Brief Fling choreographed by Twyla Tharp, music by Michel Colombier and Percy Grainger; and a third work)
Colorado Ballet's 2016-2017 season opened on October 7, 2016. [11]
Swan Lake (choreography after Marius Petipa and Lev Ivanov set and updated by former American Ballet Theatre principals Amanda McKerrow and John Gardner and Sandra Brown, Ballet Mistress for Colorado Ballet, music by P. I. Tchaikovsky)
The Nutcracker (choreography after Marius Petipa, music by P. I. Tchaikovsky)
Ballet MasterWorks (includes The Firebird choreographed by Yuri Possokhov, music by Igor Stravinsky; Serenade choreographed by George Balanchine, music by P.I. Tchaikovsky; and Petite Mort choreographed by Jiří Kylián, music by Wolfgang Amadeus Mozart)
The Little Mermaid (choreography by Lynne Taylor-Corbett, music by Michael Moricz), opening with Bruch Violin Concerto No.1 choreographed by Clark Tippet, music by Max Bruch)
Colorado Ballet's 2015-2016 season opened on October 2, 2015. [12]
La Sylphide (choreography by August Bournonville, music by Herman Severin Løvenskiold)
The Nutcracker (choreography after Marius Petipa, music by P.I. Tchaikovsky)
Alice in Wonderland (choreography by Septime Webre, music by Matthew Pierce)
Ballet Director's Choice (includes The Angel of Buenos Aires by Lorita Travaglia, Wolfgang (for Webb) by Dominic Walsh, Light Rain pas de deux by Gerald Arpino and It's Not a Cry pas de deux by Amy Seiwert)
Colorado Ballet's 2014-2015 season opened on September 26, 2014. [13]
A Midsummer Night's Dream (choreography by Christopher Wheeldon, music by Felix Mendelssohn)
Dracula (choreography by Michael Pink, music by Philip Feeney)
The Nutcracker (choreography after Marius Petipa, music by P.I. Tchaikovsky)
Ballet MasterWorks (includes Concerto Barocco choreographed by George Balanchine, music by Johann Sebastian Bach; Fancy Free (ballet) choreographed by Jerome Robbins, music by Leonard Bernstein; and a new work)
Peter and the Wolf (choreography by Michael Smuin, music by Sergei Prokofiev, opening with Bruch Violin Concerto No.1 choreographed by Clark Tippet, music by Max Bruch)
Giselle (music by Adolphe Adam)
The Nutcracker (music by P.I. Tchaikovsky)
Cinderella (music by Prokofiev)
Director's Choice (Traveling Alone choreographed by Amy Seiwert; Edwaard Liang's Feast of the Gods; and a new work)
The Sleeping Beauty (choreographed by Marius Petipa, music by P.I. Tchaikovsky)
The Nutcracker (music by P.I. Tchaikovsky)
Ballet MasterWorks (includes Igor Stravinsky's The Rite of Spring with choreography by Glen Tetley, George Balanchine's Theme and Variations with music by P.I. Tchaikovsky, and a new work by Val Caniparoli of San Francisco Ballet
Light/The Holocaust and Humanity Project (choreography by Stephen Mills of Ballet Austin)
Swan Lake (choreographed by Marius Petipa and Lev Ivanov, music by P.I. Tchaikovsky)
The Nutcracker (music by P.I. Tchaikovsky)
Peter Pan (choreography by Michael Pink, music by Philip Feeney)
Tribute (choreography by Emery LeCrone, Jodie Gates and Amy Seiwert)
Anniversary Triple Bill (Feast of the Gods - choreography by Edwaard Liang, "…smile with my heart" - choreography by Lar Lubovitch and The Faraway - choreography by Matthew Neenan)
Dracula (choreography by Michael Pink, music by Philip Feeney)
The Nutcracker (music by P.I. Tchaikovsky)
Romeo and Juliet (choreography by Alun Jones)
Great Galloping Gottschalk (choreographed by Lynne Taylor-Corbett, music by Louis Moreau Gottschalk)
Rodeo (choreographed by Agnes de Mille, music by A. Copland)
Don Quixote (choreographed by Marius Petipa, music by Ludwig Minkus)
The Nutcracker (music by P.I. Tchaikovsky)
Beauty and the Beast (choreographed by Domy Reiter-Soffer, music by Seen-yee Lam)
Echoing of Trumpets (choreographed by Antony Tudor)
Since 1961, The Nutcracker has been in the Colorado Ballet's repertoire every holiday season. Although primarily a classical ballet company, the Company's repertoire ranges from classical to contemporary ballets. [14]
Ballet | Choreographer | Composer |
---|---|---|
...smile with my heart | L. Lubovitch | M. Laird (Fantasie on Themes by R. Rodgers) |
Afternoon of a Faun | V. Nijinsky, staged by I. Youskevitch | C. Debussy |
ALICE (in wonderland) | S. Webre | M. Pierce |
Among Silken Cords | L. Wymmer | W.A. Mozart |
Apollo | G. Balanchine, staged by P.Neary | I. Stravinsky |
Appalachian Spring | M. Graham, staged by T. Capuccilli, J. Herring, J. Eibler | A. Copland |
Archetypes | E. LeCrone | T. Riley |
Ave Maria | D. Rhoden | Giulio Caccini, vocals by Kagen Paley |
A Little Love | M. Fredmann | Songs sung by Nina Simone |
Beauty and the Beast | M. Fredmann | M. Ravel |
Billy the Kid | E. Loring, staged by H. Sayette | A. Copland |
Bruch Violin Concerto No. 1 | C. Tippet | M. Bruch |
Buffalo Bill's Saloon | A. Erb | R. Jarboe, performed by Tim and Molly O'Brien |
Carmina Burana | G. Gonzales, P. Renzetti, J. Wallace | C. Orff |
Celts | L. York | Traditional Irish music |
Centennial Suite | M. Fredmann | R. Thompson |
Cinderella (3 Acts) | M. Fredmann | S. Prokofiev |
Company B | P. Taylor, staged by R. Andrien | Songs recorded by The Andrews Sisters |
Concerto Barocco | G. Balanchine, staged by P. Neary | J.S. Bach |
Configurations | C. Goh, staged by J. Schergen | S. Barber |
Coppélia | M. Fredmann | L. Delibes |
Cry and Silence | M. Murdmaa | K. Sink |
Diana and Actaeon (pas de deux) | A. Vaganova | C. Pugni |
De Profundis | J. Lang | Arvo Pärt |
Don Quixote (3 Acts) | M. Petipa/ A. Gorsky | L. Minkus |
Dracula | M. Pink | P. Feeney |
Dreamspace | M. Fredmann | G. Mahler, W. Piston, H. Hanson, C. Ives, S. Coleridge-Taylor, A. Hovhaness |
The Dying Swan | M. Fokine, staged by N. Krassovska | C. Saint-Saens |
Earth Tribe | R. Harris | D. Ross; Romanthony |
Echoing of Trumpets | A. Tudor | B. Martinu |
Elysium | T. Korobeynikova | Meredith Monk and Kronos Quartet |
Embellish | Jodie Gates | Wolfgang Amadeus Mozart |
Façade | F. Ashton, staged by A. Grant | W. Walton |
Feast of the Gods | E. Liang | O. Respighi |
Firebird | Y. Possokhov | I. Stravinsky |
Flames of Paris (solo) | J. Lang | R. Schumann |
Giselle (2 Acts) | J. Perrot/J. Coralli, staged by Gil Boggs | A. Adam |
Great Galloping Gottschalk | Lynne Taylor-Corbett, staged by Jeff Gribler | Louis Moreau Gottschalk |
The Hunchback of Notre Dame | T. Ishida | C. Pugni |
The Hunchback of Notre Dame | M. Pink | P. Feeney |
In the Upper Room | T. Tharp, staged by S. Washington | P. Glass |
Inversion | J. Wallace | S. Barber |
JamNation | D. McKayle | C. Dobrian, K. Akagi, L. Armstrong, C. Parker, D. Ellington, A.C. Jobin, D. Reinhart, S. Grapelli, J. Johnson |
La Bayadere (Act II) | M. Petipa, staged by M. Stavitskaya | L. Minkus |
Land Beyond Horizons | H. Garza | T. Bell |
La Sylphide | A. Bournonville, staged by Z. Dubrovskaya, S. Kozadeyev | H. Lovenskjold |
La Vivandiere | A. Saint-Leon, staged by P. Renzetti | C. Pugni |
Le Beau Danube | L. Massine, staged by G. Verdak | J. Strauss II |
Le Spectre de la Rose | M. Fokine, staged by T. Armour | C. Von Weber |
Light/The Holocaust & Humanity Project | Stephen Mills | Steve Reich (Tehillim), Evelyn Glennie (Rhythm Song), Michael Gordon (Weather), Arvo Pärt (Tabula Rasa), Philip Glass (Tirol Concerto) |
The Little Mermaid | Lynne Taylor-Corbett | Michael Moricz |
Masquerade Suite | M. Fredmann | A. Khatchaturian |
A Midsummer Night's Dream | C. Wheeldon | F. Mendlessohn |
Miraculous Mandarin | S. Kozadayev | B. Bartok |
Mon Dieu (solo) | M. Fredmann | Sung by Edith Piaf |
Nine Sinatra Songs | T. Tharp, staged by S. Washington | Songs recorded by F. Sinatra |
The Nutcracker (2 Acts) | M. Fredmann, Additional Choreography by S. Brown, staged by L. Travaglia and S. Brown | P.I. Tchaikovsky |
Of Blessed Memory | S. Welch | J. Cantaloube |
Picture of Sedalia | P. Pucci | S. Joplin |
Peter Pan | G. Conzales/ A. Thompson | L. Delibes |
Peter Pan | Michael Pink | Philip Feeney |
Petite Mort | Jiří Kylián | W. A. Mozart |
Pounds and Stomps | D. Varone | Songs by the Yardbirds |
Rachmaninov Second | K. Uralsky | S. Rachmaninov |
Raymonda (Act III) | M. Petipa, staged by M. Stavitskaya | A. Glazunov |
Ricordanza | M. Fredmann | F. Liszt |
The Rite of Spring | Glen Tetley | Igor Stravinsky |
The River | A. Ailey, staged by M. Chaya | D. Ellington |
Rodeo | A. de Mille, staged by P. Sutherland | A. Copland |
Romeo & Juliet (3 Acts) | M. Fredmann | S. Prokofiev |
Rubies | G. Balanchine, staged by B. Cook | I. Stravinsky |
Sachertorte | M. Fredmann | Strauss Family |
Second Exposure | D. Grand Moultrie | R. Romaneiro |
Serenade | G. Balanchine, staged by P. Neary | P.I. Tchaikovsky |
Silent Woods (pas de deux) | M. Fredmann | A. Dvorak |
Size Nine Spirit | P. Pucci | B. Goodman |
The Sleeping Beauty | Marius Petipa, staged by M. Daukayev, J. Labsan | P.I. Tchaikovsky |
Soul of Porcelain | O. Messina | P.I. Tchaikovsky |
Stars and Stripes | G. Balanchine, staged by B. Cook | J.P. Sousa |
Swan Lake (4 Acts) | M. Petipa/L. Ivanov, staged by S. Kozadayev, Z. Dubroskaya, A. McKerrow, & J. Gardner | P.I. Tchaikovsky |
Talisman (pas de deux) | M. Petipa | R. Drigo |
Theme and Variations | George Balanchine, staged by P. Neary | P.I. Tchaikovsky |
Things Left Unsaid | A. Seiwert | F. Mendelson |
Traveling Alone | A. Seiwert | M. Richter |
Troy Game | R. North, staged by J. Moss | B. Downes |
Vital Sensations | D. Moultrie | Puente, Sidestepper, R. Size/ Reprazent |
Western Symphony | G. Balanchine, staged by B. Cook | H. Kay |
When the Lad for Longing Sighs | M. Fredmann, J. Levinson | G. Butterworth |
Where the Wild Things Are | S. Webre | R. Woolf |
Who Cares? | G. Balanchine, staged by J. Fugate | G. Gershwin |
Wingborne | L. Houlton | A. Dvorak |
Winter Moons | P. Tate | J. Tate |
Without Words | T. Shimazaki | T. Kako, R. Eno, L.M. Gottschalk, F. Mendlessohn |
Yes, Virginia, Another Piano Ballet | P. Anastos | F. Chopin |
The Colorado Ballet Academy is the official school of the Colorado Ballet Company, located in Denver, CO. The academy provides training to students ages 1 ½ through adult, beginner through professional
The academy begins teaching students from ages 3 through 6 for creative dance and pre-ballet, two classes that lay the foundation for further study of classical ballet
Beginning at age seven, students are placed in Level 1 and advance according to age, experience, and ability. The academy curriculum is designed to guide students from their first introduction to the art through a full course of ballet study. During their time at Colorado Ballet Academy, students take classes in technique, pointe work, pas de deux, modern, jazz as well as vital conditioning classes.
The Colorado Ballet Academy's designed method follows a structured sequence of training stages intended to increase student's technical skills, stamina and discipline in accordance with their age and physical development.
Academy students perform in showcase performances as well as Colorado Ballet's professional ballets, including the annual productions of The Nutcracker. The academy is located in downtown Denver.
Colorado Ballet's Education and Community Engagement department serves in-need students, teachers, families, people with disabilities and lifelong learners in Colorado. Colorado Ballet's outreach programs make more than 35,000 contacts each year in 225 schools/organizations.
Education & Outreach Includes:
Be Beautiful Be Yourself - Based on Boston Ballet's "Adaptive Dance" program and supported by the Anna and John J. Sie Center for Down Syndrome at Children's Hospital Colorado and the Global Down Syndrome Foundation, the Be Beautiful Be Yourself Dance program provides 10 weekly dance classes to ten 5-9 year-old-children with Down syndrome.
Five by Five Project - The 5 X 5 Project is the Mayor's Office for Education and Children's program designed to offer Head Start families opportunities to give their children five cultural experiences by the age of five. Colorado Ballet has been a partnering organization in this program for four years.
Leap N Learn (formerly (Dance Renaissance) - Leap N Learn is an after school residency that lasts 10–15 weeks, classes focus on creative movement and ballet. The students study a variety of dance concepts while working on spatial awareness, problem solving, and strengthening the body and brain. The program culminates with a performance for the parents, school, and community.
Rhythm and Grace - Rhythm & Grace is an adaptation of the nationally recognized Dance for PD® model created by the Mark Morris Dance Group and the Brooklyn Parkinson Group. This national model is offered in more than 40 communities in the U.S. and Europe. The Parkinson Association of the Rockies is the first Parkinson's-oriented Colorado organization to bring this dance-focused method of physical therapy to the Denver community. Since its inception in September 2011, approximately 50 individuals with Parkinson's disease have participated in the program.
School workshops, assemblies and field trips - Colorado Ballet's education and outreach department offers school workshops and assemblies teaching students about dance. In addition, the department offers students discounted tickets to the professional Company's final dress rehearsal for selected shows each season.
The Nutcracker, Op. 71, is an 1892 two-act classical ballet by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas' 1844 short story The Nutcracker, itself a retelling of E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on The Sleeping Beauty, assisted by Lev Ivanov. Although the complete and staged The Nutcracker ballet was not initially as successful as the 20-minute Nutcracker Suite that Tchaikovsky had premiered nine months earlier, it became popular in later years.
The Mariinsky Ballet is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia.
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique, its flowing, precise movements, and its ethereal qualities.
Marius Ivanovich Petipa, born Victor Marius Alphonse Petipa, was a French and Russian ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history.
Les Ballets Trockadero de Monte Carlo is an all-male drag ballet troupe that parodies the conventions of romantic and classical ballet. The company's current artistic director is Tory Dobrin.
Lev Ivanovich Ivanov was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of La Fille Mal Gardée. He is most famous as the choreographer of Acts II and IV of Swan Lake, which include the Dance of the Little Swans, Act II of Cinderella, and The Nutcracker, which he choreographed alongside Marius Petipa.
Ekaterina Sergeyevna Maximova was a Soviet and Russian ballerina of the second part of the 20th century who was internationally recognised. She was a prima ballerina of the Bolshoi Theatre for 30 years, a ballet pedagogue, winner of international ballet competitions, Laureate of many prestigious International and Russian awards, a professor in GITIS, Honorary professor at the Moscow State University, Academician of the Russian Academy of Arts, and an Executive Committee member of the Russian Center of Counseil International De La Danse, UNESCO.
The Minnesota Ballet is a ballet company and school located in Duluth, Minnesota in the St. Louis County Depot. Founded in 1965 by Donna Harkins and Jan Gibson as the Duluth Civic Ballet, the company has since expanded into a touring company with seventeen professional artists. From 1992 to 2007 the Artistic Executive Director of the Minnesota Ballet was Allen Fields, who retired to become Artistic Director Emeritus. Fields acquired rights to works by choreographers including Agnes de Mille, Antony Tudor, and George Balanchine. He was succeeded by Robert Gardner. In 2019 Karl von Rabenau was appointed Artistic Director. The Minnesota Ballet entered its 54th season in 2019/20.
Ivan Alexandrovich Vsevolozhsky was the Director of the Imperial Theatres in Russia from 1881 to 1898 and director of the Hermitage from 1899 to his death in 1909.
The Sergeyev Collection is an assemblage of materials that document the repertory of the Imperial Ballet of St. Petersburg as it existed at the turn-of-the 20th century. The collection consists primarily of choreographic notation and music for many of the notated works. Also included are designs for stage décor and costumes, photos, and theatre programmes for performances of the Imperial Ballet at the turn-of-the 20th century. The choreographic notations of the Sergeyev Collection record—in varying degrees of detail—the original works and revivals of the choreographer Marius Petipa, who served as Premier Maître de ballet of the St. Petersburg Imperial Theatres from 1871 until 1903. Also included is notation for choreography by Lev Ivanov, who served as Second Maître de ballet of the St. Petersburg Imperial Theatres from 1885 until his death in 1901. The dance sections of several operas are also among the notated choreographies of the Sergeyev Collection, the majority of which are the work of Petipa and Ivanov, respectively.
Sir Anthony James Dowell is a retired British ballet dancer and a former artistic director of the Royal Ballet. He is widely recognized as one of the great danseurs nobles of the twentieth century.
The 1895 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet Swan Lake,, . This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes, three acts, four scenes or, more rarely, in two acts, four scenes. Originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky, it was first presented as The Lake of the Swans by the Ballet of the Moscow Imperial Bolshoi Theatre on 20 February/4 March 1877 in Moscow, Russia. Although the ballet is presented in many different versions, most ballet companies today base their stagings both choreographically and musically on this revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented on 15 January/27 January 1895, at the Imperial Mariinsky Theatre in St. Petersburg, Russia instead of the original version.
Wayne Eagling is a Canadian ballet dancer, now retired. After more than twenty years as a popular member of The Royal Ballet in London, he became well known as an international choreographer and company director.
Wonderbound is a contemporary ballet company based in Denver, Colorado. It is the second largest ballet company in the state.
Choreographer George Balanchine's production of Petipa and Tchaikovsky's 1892 ballet The Nutcracker is a broadly popular version of the ballet often performed in the United States. Conceived for the New York City Ballet, its premiere took place on February 2, 1954, at City Center, New York, with costumes by Karinska, sets by Horace Armistead and lighting and production by Jean Rosenthal.
Svetlana Aleksandrovna Lunkina is a Russian-Canadian ballerina who is a principal dancer with the National Ballet of Canada.
Elena Evseeva is a Russian ballerina, soloist of the Mikhailovsky (2001—2008) and the Mariinsky theaters. People's Artist of the Republic of Udmurtia.
Francisco Moncion was a Dominican-born American ballet dancer and choreographer who was a charter member of the New York City Ballet. Over the course of his long career, spanning some forty years, he created roles in major works by George Balanchine, Jerome Robbins, and others. He was also an amateur painter.
World Ballet Series is a ballet program of the World Ballet Company, a touring ballet company, based in Los Angeles.