Val Caniparoli | |
---|---|
Born | Val Caniparoli Renton, Washington (US) |
Occupation(s) | Choreographer, Principal character dancer with San Francisco Ballet |
Val Caniparoli is an American ballet dancer and international choreographer. [1] His work includes more than 100 productions for ballet, opera, and theater for over 50 companies, [2] and his career as a choreographer progressed globally even as he continued his professional dance career with the San Francisco Ballet. [3]
He joined the San Francisco Ballet as a dancer in 1973. [4] He was appointed to the position of principal character dancer with the San Francisco Ballet by Artistic Director Helgi Tomasson in 1987. [5] [6] [7]
Caniparoli was born in Renton, Washington, to Francisco Caniparoli, a clothing manufacturer, and Leonora (Marconi) Caniparoli, who worked at Boeing. [8] He attended Washington State University (WSU), where he studied music and theater. [9] When the First Chamber Dance Company was touring Eastern Washington, they did performances at WSU, and offered workshops in ballet. [10] Caniparoli attended one and was told he had talent, and should audition at the San Francisco Ballet School. [11] Thereafter he decided to pursue a career in ballet, and left WSU. [12] He received a scholarship from the Ford Foundation that enabled him to attend the San Francisco Ballet School. Caniparoli performed with San Francisco Opera Ballet, and in 1973, just a year and a half into his studies, he was offered a contract with San Francisco Ballet. In his debut season, he worked under Co-Artistic Directors Lew Christensen and Michael Smuin, [13] and later, under Helgi Tomasson. [14]
Caniparoli became interested in choreography when he attended a choreography workshop offered by the Pacific Northwest Ballet. [15] After that work, his choreography career expanded and he was appointed resident choreographer for the San Francisco Ballet in the mid-1980s. [16] In 1984, Caniparoli co-founded a choreographic collective called OMO in San Francisco, and a documentary about OMO's founding was broadcast that year on PBS. [17] In 1994, he created his first full-length ballet entitled Lady of the Camellias, based on the novel by Alexandre Dumas fils, and with a score by Frédéric Chopin. [18] Lady of the Camellias became one of Caniparoli's most popular works, and a part of the repertoire of several ballet companies, including Ballet West, Ballet Florida, Boston Ballet, Cincinnati Ballet, Tulsa Ballet, and Royal Winnipeg Ballet. [19]
Caniparoli was resident choreographer for Ballet West from 1993 to 1997, and for Tulsa Ballet from 2001 to 2006. [20] He continues to create works for San Francisco Ballet. [21]
In 1995, Caniparoli choreographed a new work entitled Lambarena, [22] set to a musical blend of J.S. Bach with Traditional African music composed by Pierre Akendengue and Hughes de Courson. [23] Lambarena has become another of Caniparoli's most popular creations, a blend of classical ballet and African dance. [24] This ballet has been performed more than 20 companies, including Atlanta Ballet, Boston Ballet, Cincinnati Ballet, Singapore Dance Theatre, San Francisco Ballet, and State Ballet of South Africa. [25] [26]
In 2002, Caniparoli was invited to choreograph a pas de deux to be performed by Evelyn Hart and Rex Harrington for Queen Elizabeth II to celebrate her Golden Jubilee visit to Canada. [27]
In May 2010, San Francisco's American Conservatory Theater (A.C.T.) premiered Tosca Cafe, a theater/dance work co-created and co-directed by Caniparoli and A.C.T.'s Carey Perloff; Caniparoli also did the choreography. [28] "'Tosca Cafe"', which started as The Tosca Project, chronicles a wide cast of characters who inhabit Tosca, a bar in the North Beach section of San Francisco in the same location for decades. [29] Caniparoli and Perloff saw this work as a unique opportunity for collaboration between dancers and actors. [30] Since its 2010 premiere in San Francisco, Tosca Cafe has been performed internationally. [31]
While growing up in Renton, Washington, Caniparoli studied music for 13 years. [32] His study included private lessons on alto saxophone, clarinet, and flute. [33] He credits his study of music with nurturing his eclectic interest in world music and composers, and varied genres. [34] He has become well known for his use of widely diverse music as a principal foundation for his choreographic work. [35] [36] He was also influenced by the dancing of film stars Gene Kelly and Fred Astaire. [37] Caniparoli's work has been described as "rooted in classicism but influenced by all forms of movement: modern dance, ethnic dance, social dancing, even ice skating." [38]
Caniparoli lives in San Francisco, California. [39]
In 2015, co-choreographed with Helgi Tomasson, a commercial for the 50th Anniversary Super Bowl with dancers from San Francisco Ballet.
Choreography from Lambarena featured on Sesame Street with dancers Lorena Feijoo and Lorna Feijoo.
Caniparoli appeared on PBS in The San Francisco Ballet in CinderellaDance in America (the Great Performances Series) in the role of Cinderella's father. In addition, he appeared in three television specials:
The Nutcracker, Op. 71, is an 1892 two-act classical ballet by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination. The plot is an adaptation of E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on The Sleeping Beauty, assisted by Lev Ivanov. Although the complete and staged The Nutcracker ballet was not initially as successful as the 20-minute Nutcracker Suite that Tchaikovsky had premiered nine months earlier, it soon became popular.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
The Royal Winnipeg Ballet is Canada's oldest ballet company and the longest continuously operating ballet company in North America.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today."
Michael Smuin was an American ballet dancer, choreographer and theatre director. He was co-founder and director of his own dance company, the Smuin Ballet in San Francisco.
Lawrence Pech is a dancer, choreographer and teacher currently living and working in the San Francisco Bay Area.
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The Museum of Performance + Design, formerly the San Francisco Performing Arts Library & Museum, is located in the Bayview District of San Francisco, California at 2200 Jerrold Avenue, Ste. T. The Museum collects and makes accessible materials about the performing arts, with a special emphasis on documenting and preserving the San Francisco Bay Area’s rich and diverse performing arts heritage from the Gold Rush to the present. The museum produces public and educational programs, provides library services to researchers, and conservation and archival services to performing arts institutions. The Museum's collection includes personal papers of prominent artists, original costumes and design renderings, audio-visual recordings of live performances, original artwork, other artifacts, and ephemera. The Museum also serves as the official archives for many local performing arts organizations including the San Francisco Ballet, San Francisco Opera, Stern Grove Festival, and the San Francisco Ethnic Dance Festival.
National Choreographers Initiative (NCI) is a non-profit dance organization based in Irvine, California, that promotes the development of choreographers from all over the United States in the professional ballet world. NCI hosts a three-week workshop with selected professional dancers, who have auditioned from various ballet companies throughout the United States. The choreographers each produce a work in progress, which are then showcased at the Irvine Barclay Theatre. These performances are open to the public and are held every year in late July. National Choreographers Initiative was founded in 2004 by Molly Lynch. The rehearsals and dancer accommodations are hosted by the Claire Trevor School of the Arts at the University of California, Irvine campus.
Eglė Špokaitė is a Lithuanian ballet dancer, most notably a Principal Ballerina for the Lithuanian National Opera and Ballet Theatre (1989–2011) and the only ballet dancer on the List of Famous Lithuanians. She co-founded the Egle Špokaitė Ballet School in Vilnius, Lithuania (2008), where she also served as artistic director. In the United States, she founded the Ballet Institute of San Diego dance school (2016). Špokaitė is also a choreographer, actress, and public speaker. She's the winner of the Lithuanian National Prize, as well as numerous other awards and honors. She lives and works between San Diego, CA and Vilnius.
Norbert Vesak, one of Canada's leading choreographers in the 1970s, was a ballet dancer, choreographer, theatrical director, master teacher, dance columnist, lecturer, and opera ballet director, known for his unique, flamboyant style and his multimedia approach to classical and contemporary choreography. He is credited with helping to bring modern dance to Western Canada.
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