San Francisco Ballet School

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San Francisco Ballet School
Logo for the San Francisco Ballet School.jpg
General information
NameSan Francisco Ballet School
Previous namesSan Francisco Operatic and Ballet School
Year founded1933 (1933)
Founders Gaetano Merola
Principal venueSan Francisco Ballet Building
455 Franklin Street
San Francisco, California 94102
Website school.sfballet.org
Senior staff
Director Helgi Tomasson
Artistic staff
Deputy DirectorPatrick Armand

San Francisco Ballet School was founded in 1933 as part of the San Francisco Operatic and Ballet School when Gaetano Merola, the founder of the San Francisco Opera, perceived a need for an institution where dancers could be trained to perform in opera productions. [1]

Contents

History

Under the direction of founding ballet director, Adolph Bolm, the San Francisco Operatic and Ballet School opened in 1933 and offered classes in ballet, tap, modern, and interpretive dance. The school was located in the William Taylor Hotel, with affiliate branch schools in nearby Bay Area locations Berkeley, Burlingame, Marin County, San Mateo, and Oakland. After Bolm left in 1937, new Opera ballet mistress Mildred Hirch added a fencing master during her year-long direction; Willam Christensen, previously director of the Oakland Branch School, became SF Opera ballet master and full school director in 1938.

As San Francisco Opera Ballet expanded its touring schedule, it became increasingly difficult for Christensen to serve in both of his professional capacities. In 1940, his brother Harold Christensen took over the position of school director. In 1942, the two Christensen brothers purchased both the ballet company and the school from the Opera Association, renaming the company San Francisco Ballet. Harold Christensen continued as director of the newly named San Francisco Ballet School until his retirement in 1975.

Under Harold Christensen, a nonprofessional curriculum flourished alongside its professional training, with programs targeted at students from very young children to working adults. However, the School became and remained a strictly classical academy for the 33 years that Christensen served as its head. This was particularly advantageous in light of the many directorial changes at SF Ballet, as school students who became company members were able to provide valuable continuity in the face of multiple directorial changes. [2]

Ford Foundation support

The Ford Foundation established its first ballet training program in 1958; beginning in 1959, the Foundation offered grants covering tuition and expenses for advanced ballet students selected to attend either New York City Ballet's School of American Ballet or San Francisco Ballet School. In 1963, the Foundation then awarded a substantial ten-year grant to the SF Ballet School, establishing it, along with the School of American Ballet, as vocational schools of national stature. The grants awarded by the Foundation allowed the two schools to conduct nationwide auditions, with the SF Ballet School focusing on the Western states. When the grant ended, the School was able to support its own audition process, which has extended to include the Eastern U.S. since 1979. [2]

Prix de Lausanne

San Francisco Ballet School has a longstanding relationship with the Prix de Lausanne, awarding full one-year scholarships to the winners of the Swiss-based competition.

School programs

Admission to the school is by audition only. All students are accepted on a trial basis, with a yearly renewal process that involves evaluation by the faculty and associate director. Students may be awarded merit-based scholarships and Dance in Schools Continuing Scholarships by the School associate director, and they may apply for need-based financial aid.

School-year program

The School is in session from September to June, with students at Levels 1 through 3 attending classes two or three days a week and students at Level 4 and up attending five to six days a week. Advanced students must attend during the regular school day; many must make accommodations to their regular school schedules. [3] The curriculum includes classes in contemporary dance, corps de ballet, music, conditioning/floor barre, and character dance. The program culminates in the year-end SF Ballet School Student Showcase, which offers the public an opportunity to experience the work of students at all levels of the School. Performance proceeds support the scholarship programs. [4]

Stage experience

In addition to their performances in the annual Student Showcase at the end of the school year, students have other performance opportunities. Approximately 150 students are chosen by audition to dance in the yearly San Francisco Ballet production of Nutcracker . Students also have the opportunity to dance in productions such as Romeo and Juliet , The Sleeping Beauty , Giselle , Don Quixote , Coppélia, and Swan Lake . The most advanced students may also dance with SF Ballet in repertory and participate in company tours. Students may also have the opportunity to participate in performances of the San Francisco Opera and other ballet companies that tour the Bay Area. [2]

Trainee Program

The San Francisco Ballet School Trainee Program, established in 2004, is a one- to two-year pre-professional program for advanced students who have been invited to join by San Francisco Ballet's artistic director and the School's associate director. Trainees ranging in age from 16 to 19 participate in daily classes, as well as rehearse and perform SF Ballet repertory and works staged specifically for them. Trainees also participate in workshops and in community outreach, and they perform regularly with San Francisco Ballet and throughout the Bay Area in a variety of settings, including some overseas. [5]

Summer session

The School's summer session offers two programs for student dancers ages 12 to 18 at the intermediate and advanced/pre-professional levels. Program 1 is a three-week intermediate program. Program 2 is a four-week intensive program for advanced and pre-professional students. [6]

Pre-ballet program

Prior to 2015, the School's Pre-ballet program was for children aged six and seven. Starting in 2015, the pre-ballet program was expanded to include classes for children aged four and five. Pre-ballet requires no audition, though class size is limited. The program's classes meet once a week; the children focus on basic ballet technique, proper body alignment, and musicality. After completing the program, students of age who wish to continue their studies must audition to enter the SF Ballet School at Level 1. [7]

Outreach and education

The San Francisco Ballet Center for Dance Education supports community programs touching over 25,000 people annually and donates over 4,000 tickets to the community.[ citation needed ]

Dance In Schools

Established in 1979, Dance in Schools and Communities (DISC) teaches dance and movement to 3,500 students in the San Francisco Unified School District. Of these students, 60-70 are chosen to attend San Francisco Ballet on a continuing education scholarship. [8]

Community Matinees

Two times a season, San Francisco Ballet holds community matinees for students across the Bay Area. These matinees are shortened programs with excerpts of ballets the company is currently performing.

Leadership

After the retirement of Harold Christensen in 1975, Richard L. Cammack was brought in as School director by the SF Ballet Company's new co-director, Michael Smuin. Under Cammack's leadership, SF Ballet School was federally approved for foreign students and received authorization from the California Department of Education. [2] Cammack also oversaw the School's move to its current state-of-the-art facilities on Franklin Street in 1983.

When Helgi Tomasson became San Francisco Ballet's new artistic director and leader of the School in 1985, he appointed San Francisco Ballet ballerina Nancy Johnson as its head. In 1993, Lola de Avila was appointed to lead the School (Associate Director, SF Ballet School), and she held that position until 1999. When de Avila left, Gloria Govrin stepped into the position. De Avila returned in 2006 to serve as associate director until 2012. Patrick Armand was appointed associate director of the San Francisco Ballet School in September 2012, after serving for two years as principal of the SF Ballet School Trainee Program. [9]

Notable alumni

Notable alumni of the school include: [10]

Related Research Articles

The School of American Ballet (SAB) is an American classical ballet school and is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet.

San Francisco Ballet U.S. ballet company

San Francisco Ballet is a ballet company, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, under the direction of Helgi Tomasson. San Francisco Ballet was the first professional ballet company in the United States. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today".

Adolph Bolm

Adolph Rudolphovich Bolm was a Russian-born American ballet dancer and choreographer, of German descent.

Pittsburgh Ballet Theatre

The Pittsburgh Ballet Theatre is an American professional ballet company based in the Strip District of Pittsburgh, Pennsylvania and United States.

Prix de Lausanne

The Prix de Lausanne is an international dance competition held annually in Lausanne, Switzerland. The competition is for young dancers seeking to pursue a professional career in classical ballet, and many former prize winners of the competition are now leading stars with major ballet companies around the world. The competition is managed by a non-profit foundation organised by the Fondation en faveur de l'Art chorégraphique and is maintained by various sponsors, patrons and donors.

Lewellyn Farr Christensen was a ballet dancer, choreographer and director for many companies. He was largely associated with George Balanchine and the San Francisco Ballet, which he directed from 1952–1984. Other companies Christensen was a part of include Ballet Caravan, directed by Lincoln Kirstein, and Ballet Society, directed by Kirstein and Balanchine.

Merola Opera Program

The Merola Opera Program is a San Francisco based training program for opera singers, coaches, and stage directors.

Katita Waldo is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.

The New Jersey Ballet is a ballet company based in Livingston, New Jersey in the United States, founded in 1958 by native New Jerseyan Carolyn Clark and her fellow dancer, George Tomal.

Chicago Opera Ballet was a Chicago dance company located in downtown Chicago and established in 1910.

Oklahoma City Ballet Arts organization based in Oklahoma

The Oklahoma City Ballet is a professional dance company and school located in Oklahoma City. The company began under the artistic direction of Ballet Russe de Monte Carlo dancers Yvonne Chouteau and Miguel Terekhov in the Science and Arts Foundation building on the Oklahoma City Fairgrounds,

Kansas City Ballet

The Kansas City Ballet (KCB) is an American professional ballet company based in Kansas City, Missouri. The company was founded in 1957 by Russian expatriate Tatiana Dokoudovska. The KCB presents five major performances each season to include an annual production of The Nutcracker. In the 2016–2017 season, KCB grew to an all-time high with 30 company dancers, 15 second company dancers, 64 full-time and part-time staff, and a network of over 400 local volunteers. The KCB, its school, and its staff are all housed in, operate from, and rehearse at the Todd Bolender Center for Dance and Creativity, a renovated, seven-studio, office, and rehearsal facility in Kansas City, Missouri, that opened in August 2011. The company performs at and is the resident ballet company at the nearby Kauffman Center for the Performing Arts, a performance venue in downtown Kansas City that opened in September 2011.

Youth America Grand Prix (YAGP) is the world's largest non-profit international student ballet competition and scholarship program, open to dance students of all nationalities, 9–19 years old. YAGP annually conducts regional auditions in the United States and around the world, with the Final Round of the competition held in New York City every April.

Edna L. McRae was an American dancer, choreographer and dance teacher, often called the grand dame of the Chicago ballet community.

Goh Ballet Academy is a school of classical ballet in Vancouver, British Columbia. Founded in 1978, the Goh Ballet Academy is an internationally renowned institute, recognized for its high caliber ballet training and performances, providing students with advanced knowledge to prepare them for a serious career in the field of dance. Former principal dancer of the National Ballet of Canada, Chan-hon Goh is currently the director of the academy.

Evelyn Cisneros-Legate is an American ballerina. Evelyn, who is Mexican American, is considered the first prima ballerina in the United States of Hispanic heritage. She holds an honorary doctorate from Mills College and the University of California at Monterey Bay.

The Dutch National Ballet Academy of Amsterdam (NBA) is the premier school for classical ballet in the Netherlands. Young talented dancers receive a ballet education at the highest level. The NBA brings ballet dancers up to the professional standard that is required by top international ballet companies, such as the Dutch National Ballet.

Gisella Caccialanza was an American prima ballerina and teacher who danced in theater, opera and film productions. She studied ballet under Italian teacher Giovanni Rosi, and then with ballet dancer Enrico Cecchetti at La Scala in Milan, Italy. Caccialanza danced with Viennese choreographer Albertina Rasch, the School of American Ballet, the New Opera Company, and the San Francisco Ballet, with which she later taught and coached.

Nikisha Fogo Swedish ballet dancer

Nikisha Fogo is a Swedish ballet dancer who is currently a principal dancer with the San Francisco Ballet and previously a principal at the Vienna State Ballet.

References

  1. Gereben, Janos. "From Merola to S.F. Ballet School Showcase". San Francisco Classical Voice. Retrieved October 14, 2013.
  2. 1 2 3 4 Steinberg, Cobbett (1983). San Francisco Ballet: The First Fifty Years. San Francisco: Chronicle Books. ISBN   0-9611194-0-3.
  3. "SF Ballet School website" . Retrieved October 13, 2014.
  4. "SF Ballet School website" . Retrieved October 13, 2014.
  5. "SF Ballet School website" . Retrieved October 13, 2014.
  6. "SF Ballet School website" . Retrieved October 13, 2014.
  7. "SF Ballet School website" . Retrieved December 11, 2015.
  8. "Dance in Schools and Communities: San Francisco Ballet". www.sfballet.org. Archived from the original on March 24, 2012.
  9. "SF Ballet School website" . Retrieved October 13, 2014.
  10. "deballet.com". Archived from the original on December 11, 2013.

Further reading

Coordinates: 37°46′43″N122°25′18″W / 37.77849°N 122.4218°W / 37.77849; -122.4218