The Hully Gully is a type of unstructured line dance often considered to have originated in the 1960s, but is also mentioned some forty years earlier as a dance common in the black juke joints in the first part of the twentieth century. [1] In its modern form it consisted of a series of dance steps called out by the MC. Each step was relatively simple and easy to execute; however, the challenge was to keep up with the speed of each step.[ citation needed ]
The phrase "Hully Gully" or "Hull da Gull" comes from a folk game in which a player shakes a handful of nuts or seeds and asks his opponent "Hully Gully, how many?" [2]
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The Hully Gully was started by Frank Rocco at the Cadillac Hotel in Miami Beach, Florida. In 1959 The Olympics sang the song "Hully Gully", which involved no physical contact at all. In 1961 the Olympics version of the song was popularized in the south of England by the first version of Zoot Money's Big Roll Band and involved the audience facing the stage in lines and dancing the steps of the "Southampton jive". [3] The same tune appeared in 1961 in a song by the Marathons, entitled "Peanut Butter", which was later used for the Peter Pan Peanut Butter commercial during the 1980s. Tim Morgan sang different lyrics to the song "Peanut Butter" as well, however, only mentioning the Skippy" brand. There was another song about the dance by the Dovells, entitled "Hully Gully Baby". The Jive Five had a hit called "Hully Gully Callin' Time"; Ike & Tina Turner had a song in their repertoire known as "If You Can Hully Gully (I Can Hully Gully Too)". [4] Ed Sullivan mentioned the Cadillac Hotel as "Home of the Hully Gully" on his weekly show, featuring some dancers from Frank Rocco's revue. Known as "Mr. Hully Gully", Rocco then toured America (including the 1964 New York World's Fair—he danced it with Goldie Hawn) and Europe, where over the next year he taught the dance at the NATO Base in Naples, Italy, in Rome, and all over Europe.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world; this increased popularity helped to renew samba and contributed to the modernization of Brazilian music in general.
The swing revival, also called retro swing and neo-swing, was a renewed interest in swing music and Lindy Hop dance, beginning around 1989 and reaching a peak from the early/mid to late 1990s. The music was generally rooted in the big bands of the swing era of the 1930s and 1940s, but it was also greatly influenced by rockabilly, boogie-woogie, the jump blues of artists such as Louis Prima and Louis Jordan, and the theatrics of Cab Calloway. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music.
Koogle was a flavored peanut spread marketed by Kraft, introduced in 1971. It was available in several flavors, including chocolate, cinnamon, vanilla and banana.
The Vibrations were an American soul vocal group from Los Angeles, California, active from the mid-1950s to 1976. Most notable among the group's hit singles were "My Girl Sloopy" (1964) and "Love in Them There Hills" (1968). The quintet's members included Don Bradley, Carl Fisher, Dave Govan, James Johnson and Ricky Owens.
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
The hand jive is a dance particularly associated with music from the 1950s, rhythm and blues in particular. It involves a complicated pattern of hand moves and claps at various parts of the body, following and/or imitating the percussion instruments. It resembles a highly elaborate version of pat-a-cake. Hand moves include thigh slapping, crossing the wrists, fist pounding, hand clapping, and hitchhike moves.
Daniel Joseph Anthony Meehan, professionally known as Tony Meehan, was a founder member of the British group the Drifters, with Jet Harris, Hank Marvin and Bruce Welch, which would evolve into the Shadows. He played drums on early Cliff Richard and the Shadows hits and on early Shadows instrumentals.
"(Baby) Hully Gully" is a song written by Fred Sledge Smith and Cliff Goldsmith and recorded by The Olympics. Released in 1959, it peaked at number 72 on the Billboard Hot 100 in February 1960 and sparked the Hully Gully dance craze.
"Zoot Suit Riot" is a song by the American ska-swing band the Cherry Poppin' Daddies, written by vocalist and frontman Steve Perry for the band's 1997 compilation album of the same name on Mojo Records.
"Wooly Bully" is a song originally recorded by rock and roll band Sam the Sham and the Pharaohs in 1964. Based on a standard 12-bar blues progression, it was written by the band's frontman, Domingo "Sam" Samudio. It was released as a single on the small Memphis-based XL label (#906) in 1964 and was picked up in 1965 by MGM. The song was recorded at Sam C. Phillips Recording Studio at 639 Madison Avenue in Memphis, the successor to Phillips' original Sun Studio. It proved to be the only recording made at the studio to achieve national success.
"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included a number 3 placing on the UK charts.
"Deeper Shade of Blue" is a song by British dance-pop group Steps, released as the fourth single from their second studio album, Steptacular (1999), on 3 April 2000. The song was originally recorded by English singer-songwriter Tina Cousins, but aside from a few promotional 12-inch vinyl discs pressed in 1998, her version remains unreleased. "Deeper Shade of Blue" entered the UK Singles Chart at number four and spent one more week in the top 10 before falling down the charts. After a total of nine weeks, it left the top 100.
Neil Citron is a Toronto-born Canadian guitarist, Grammy Award-winning recording engineer, and songwriter who has played with Lana Lane, and briefly with heavy metal band Quiet Riot in 2006, among numerous other music industry credits. He has also worked on the films My Big Fat Greek Wedding, That Thing You Do!, and Ricki and the Flash.
Mashed Potatoes is Steve Alaimo's second album for Checker Records. Like his previous album, it capitalizes on a dance craze, only this time, the Mashed Potato.
Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" (jazz) was played and was adopted more widely in African-American society, peaking in the 1940s.
This is a summary list of all the top singles in the VG-lista, the official Norwegian hit-chart, from 1964 to 1994. For detailed listings week by week for number-one positions from 1995 onwards, see List of number-one songs in Norway.
Fred Sledge Smith, often credited as Fred Smith, was an American R&B songwriter and record producer, who worked in particular with The Olympics, Bob & Earl, Bill Cosby, and the Watts 103rd Street Rhythm Band.