The Good Lord Bird | |
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![]() Official poster | |
Genre | |
Created by | |
Based on | The Good Lord Bird by James McBride |
Starring | |
Opening theme | "Come on Children, Let's Sing" by Mahalia Jackson [3] |
Country of origin | United States |
Original language | English |
No. of episodes | 7 |
Production | |
Executive producers |
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Production location | Richmond, Virginia |
Running time | 46–57 minutes |
Production companies |
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Original release | |
Network | Showtime |
Release | October 4 – November 15, 2020 |
The Good Lord Bird is a 2020 American historical drama television miniseries, based on the 2013 novel of the same name by James McBride. Focusing on John Brown's attack on American slavery, the series was created and executive produced by Ethan Hawke and Mark Richard. Produced by Jason Blum, through Blumhouse Television, it premiered on October 4, 2020, on Showtime. [5]
The series is told from the point of view of Henry "Onion" Shackleford (Joshua Caleb Johnson), a fictional enslaved boy, who is part of John Brown 's (Ethan Hawke) motley crew of abolitionist soldiers during the time of Bleeding Kansas, eventually participating in the famous 1859 raid on the Federal Armory at Harpers Ferry, Virginia (since 1863, West Virginia). Brown's raid failed to initiate a slave revolt as he intended, but it was one of the events that started the American Civil War. [6]
It is not just the story of Brown but that of those that accompanied him. According to Hawke, "If you really study this character, he asks a lot of you philosophically. He challenges why so many of us accept the unacceptable". Author James McBride was involved in the production and according to him, "John Brown is a real hero to me and to many Black people who are no longer alive. John Brown gave his life and two of his sons' lives to the cause of freedom for Black people, and he started the Civil War. They buried this man's story for a long time....". [7]
No. | Title | Directed by | Written by | Original release date | U.S. viewers (millions) | |
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1 | "Meet the Lord" | Albert Hughes | Mark Richard & Ethan Hawke | October 4, 2020 | 0.251 [10] | |
In 1858 territorial Kansas, young slave Henry Shackleford is taken on the run by fanatical abolitionist John Brown after his father is killed. Mistaking Henry for a girl and nicknaming him Onion, Brown adopts "her" into his ragtag band of soldiers, killing pro-slavery settlers in his crusade to liberate all slaves. Onion befriends Brown's son Frederick, who believes in the omen of the "Good Lord bird", and fellow runaway slave Bob joins Brown's men. When two of his sons are captured, Brown takes pro-slavery red shirts prisoner at the Battle of Black Jack, exchanging them with Army First Lieutenant J. E. B. Stuart for the return of his sons. After Frederick is shot in cold blood, his brothers are unwilling to continue the fight, and Brown rides off alone. | ||||||
2 | "A Wicked Plot" | Kevin Hooks | Erika L. Johnson & Mark Richard | October 11, 2020 | 0.254 [11] | |
Burying Frederick, his brothers plan to ride for Tabor, Iowa. Onion and Bob set off for Tabor themselves, but red shirts mistake Onion for a mixed-race woman and escort them to a hotel in Pikesville, Missouri instead. Bob is sent to a sawmill, while Onion becomes enamored with Pie, a prostitute who puts him to work cleaning floors in exchange for secretly teaching her to read. Brown's son Owen promises to return for Onion, and Pie betrays her fellow slaves for planning an insurrection. Their leader, Sibonia, is questioned by her preacher, who renounces the town as Sibonia and eight other slaves are hanged. Brown and his men storm the town, and Onion frees the slaves as he, Bob, and fellow slave Broadnax are rescued. | ||||||
3 | "Mister Fred" | Darnell Martin | Erika L. Johnson & Jeff Augustin | October 18, 2020 | 0.182 [12] | |
Stuart urges Brown to surrender, revealing a government bounty on his head. Brown informs a compatriot's widow that her husband has been killed, and Brown's men sign his Declaration of Liberty against slavery. Onion, still posing as a girl, travels with Brown by train to Rochester, New York, where Frederick Douglass delivers his July 4th speech and invites them to his home, which he shares with his Black wife, Anna, and his White lover, Ottilie. Douglass fears Brown's plan of action is too radical, while Onion has acquired a taste for liquor, and nearly runs away via the Underground Railroad, but changes his mind after meeting Douglass's associate Emperor, an escaped slave. | ||||||
4 | "Smells Like Bear" | Kevin Hooks | Mark Richard & Kristen SaBerre | October 25, 2020 | 0.235 [13] | |
Hunted by federal agents, Brown delivers a series of speeches, raising money and support for the abolitionist cause. He gives Hugh Forbes, a mercenary who claims to have fought with Giuseppe Garibaldi, a large payment to train his men, but Forbes leaves town with the money. Forced to reach Canada on foot, Onion is frustrated at still being made to follow a White man's orders. An understanding Brown leaves Onion with his grandmother's Bible and the chance for a free life, before making an impassioned call to arms in Chatham, Ontario. The audience is supportive, but questions Brown's yet-to-be-announced plan, until Harriet Tubman urges them to put their faith in Brown. He enlists several willing recruits, including Onion, and Brown reveals his plan to his men: raiding the federal armory at Harpers Ferry, Virginia and launching a guerrilla campaign not only to free nearby slaves, but start a civil war. | ||||||
5 | "Hiving the Bees" | Haifaa al-Mansour | Mark Richard & Lauren Signorino | November 1, 2020 | 0.206 [14] | |
Onion and Cook, a new recruit, arrive in Maryland, where Cook rents a farmhouse as a base of operations, but his womanizing draws the attention of a neighbor, Mrs. Hoffmaster. Forced to pose as Cook's female servant, Onion tries to enlist slaves from Colonel Louis Washington's plantation, and Heyward Shepherd, a free Black railroad worker, agrees to bring reinforcements by train. Brown and his men arrive with his pregnant daughter-in-law Martha and his daughter Annie. Onion is smitten with Annie, while Douglass refuses to support Brown's plan, declaring it a suicide mission, but Emperor joins instead. Mrs. Hoffmaster's suspicions force Brown to launch the attack earlier than planned, and Onion is sent away to safety with Annie and Martha. Realizing he forgot to give Shepherd's password to Brown, Onion reveals he is a boy before kissing Annie and racing to warn the others. | ||||||
6 | "Jesus Is Walkin'" | Kate Woods | Mark Richard & Erika L. Johnson | November 8, 2020 | 0.190 [15] | |
Brown and his men raid the armory in the night, taking hostages and preparing to seize thousands of rifles, which Owen and Bob wait at the farmhouse to receive. Onion arrives too late, as Brown's son Jason stops Heyward's train but, confronted without the password, he shoots and kills Heyward. The raiders realize the wave of supporters Brown hopes to rally to their side are not coming, but he remains certain of divine victory. By morning, the raid is discovered, as Brown, Onion, and the others barricade themselves in the armory's fire engine house. Brown releases an elderly hostage, followed by another in exchange for breakfast, but a deadly gunfight soon erupts. Onion, Bob, and Cook escape to the nearby plantation, where Washington's slave Jim takes his master as another hostage. They rejoin the others, and the mayor of Harpers Ferry is killed attempting to negotiate with an increasingly erratic Brown. Federal troops surround the armory, and Brown's son Oliver dies in his arms. | ||||||
7 | "Last Words" | Michael Nankin | Mark Richard & Ethan Hawke | November 15, 2020 | 0.317 [16] | |
Narration from Douglass suggests the failed raid at Harpers Ferry helped ignite the Civil War, ultimately securing the end of slavery. Stuart gives the raiders until dawn to surrender, but they are resigned to their fate, Black and White alike. While Brown and his men make their last stand, Onion escapes with the hostages. Unsure if Stuart recognizes him, Onion is returned to Bob and Owen, revealing himself as a boy, and they learn Brown has been taken prisoner. Owen departs for his family's farm, and Bob sets off for a job to buy his own family out of slavery. Onion arranges to visit Brown on the eve of his execution, praying together in his cell and sharing a heartfelt goodbye. Asked why he never questioned Onion's disguise, Brown reassures him that he loved him all the same. Living as a young Black man again, Onion is turned away from Brown's hanging, but imagines his final words to be, "What a beautiful country." |
Music in the miniseries is composed of Black musical genres: gospel, blues, and spirituals. Most is performed by Black artists or groups, with the theme song "Come On Children, Let's Sing", a gospel song, sung by Mahalia Jackson. Songs featured in the series include:
Ethan Hawke and Jason Blum adapted the 2013 novel, The Good Lord Bird , for a limited series that premiered on October 4, 2020, on Showtime. [17] The series was created and executive produced by Hawke and Mark Richard. Jason Blum, via Blumhouse Television, served as a production partner on the miniseries. [18] [19] Albert Hughes, Kevin Hooks, Darnell Martin, and Haifaa al-Mansour, Michael Nankin, and Kate Woods each directed an episode. [20]
In August 2019, Daveed Diggs and Wyatt Russell signed on to portray Frederick Douglass and First Lieutenant J. E. B. Stuart. [21] [22] [23] In July 2019, Joshua Caleb Johnson and Rafael Casal joined the cast as Henry "Onion" Shackleford and John Cook. [24]
Principal photography for the series began in July 2019, in Powhatan, Virginia, near Richmond. [25] [26]
For the series, review aggregator Rotten Tomatoes reported an approval rating of 98% based on 52 reviews, with an average rating of 8.5/10. The website's critics consensus reads, "Ethan Hawke dazzles in The Good Lord Bird, an epically irreverent adaptation that does right by its source material's good word." [27] On Metacritic, the series has a weighted average score of 84 out of 100 based on reviews from 25 critics, indicating "universal acclaim". [28]
In response to John Lahr's profile of Ethan Hawke, [29] The New Yorker published a letter to the editor, [30] written by Marty Brown, a descendant of John Brown. In the letter, Marty Brown welcomes the effort to bring John Brown's story to a wider audience but notes that his characterization in the series does not reflect the work of Brown's historians and biographers. [31]