The Knick | |
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Genre | |
Created by | |
Written by |
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Directed by | Steven Soderbergh |
Starring |
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Composer | Cliff Martinez |
Country of origin | United States |
Original language | English |
No. of seasons | 2 |
No. of episodes | 20 (list of episodes) |
Production | |
Executive producers |
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Producer | Michael Polaire |
Production location | New York |
Cinematography | Steven Soderbergh (as Peter Andrews) |
Editors | Steven Soderbergh (as Mary Ann Bernard) |
Running time | 42–57 minutes |
Production companies | AMBEG Screen Products Anonymous Content Extension 765 |
Original release | |
Network | Cinemax |
Release | August 8, 2014 – December 18, 2015 |
The Knick is an American medical period drama television series on Cinemax created by Jack Amiel and Michael Begler and directed by Steven Soderbergh. The series follows Dr. John W. Thackery (Clive Owen) and the staff at a fictionalized version of the Knickerbocker Hospital (the Knick) in New York during the early twentieth century. Amiel and Begler wrote the majority of the episodes and are executive producers. Owen, Soderbergh, Gregory Jacobs, and Michael Sugar (Anonymous Content) were executive producers. Steven Katz was the supervising producer and also writer, Michael Polaire was the producer and David Kirchner the associate producer.
The show premiered on Cinemax on August 8, 2014. [1] On July 10, 2014, Cinemax renewed The Knick for a ten-episode second season, [2] which premiered on October 16, 2015. [3] In March 2017, Cinemax announced the series was canceled. [4]
In September 2020, Soderbergh confirmed that a new season of The Knick was in development led by Barry Jenkins and André Holland, who would return as his character Dr. Algernon C. Edwards, and that original creators Jack Amiel and Michael Begler have written a pilot episode. [5] In April 2023, Begler confirmed that a spin-off series was still in development. The pilot script features Algernon Edwards and is set in 1919 Harlem. [6]
In New York City in 1900, the Knickerbocker Hospital operates with inventive surgeons, nurses and staff who struggle against the limitations of medical understanding and practice to minimize morbidity and mortality. Dr. John Thackery (partially based on historical figure William Stewart Halsted), the new leader of the surgery staff, balances his cocaine and opium addictions against his ambition for medical discovery and his reputation among his peers. [7] Dr. Algernon Edwards, a Harvard-educated Black American surgeon (probably based on the historical Daniel Hale Williams and Louis T. Wright) who trained in Paris, and is much more qualified than any other candidate, must fight for respect among the all-white hospital staff, as well as in the racially charged city. [8] While struggling to keep the lights on, the hospital attempts to attract a wealthy clientele, without sacrificing quality of care.
Production for season 1 began in September 2013 in New York City. [1] [12] Dr. Stanley Burns, founder and CEO of The Burns Archive, served as the on-set medical adviser on the series, and worked closely with production and the actors to make the hospital scenes realistic and authentic to the period. [1] Images from the Burns Archive became important references for everything from the antiseptic atomizers in the operating theater to an early X-ray machine, to the prosthetic worn by a recurring character. [13]
Jack Amiel and Michael Begler wrote the majority of the first-season episodes, and Steven Soderbergh directed all 10 episodes in the first season. [14] Soderbergh was also the director of photography and editor, under his usual pseudonyms Peter Andrews and Mary Ann Bernard, respectively. [15]
After the conclusion of the second season on December 18, 2015, it was announced that Cinemax had ordered a script for the season three premiere and a season outline, with negotiations for a third season. [16] In a December 2015 interview with director Steven Soderbergh, he confirmed that Dr. Thackery dies in the season two finale, and that it was all planned from the beginning, and Clive Owen only had a two-year contract for the series. Soderbergh also said, "I told them [Cinemax] that I'm going to do the first two years and then we are going to break out the story for seasons 3 and 4 and try to find a filmmaker or filmmakers to do this the way that I did. This is how we want to do this so that every two years, whoever comes on, has the freedom to create their universe." [17] However, Soderbergh decided, depending upon what those future seasons were, he would like to direct them. "We always envisioned The Knick in two-year increments and with the idea of annihilating what came before every two years. [18] In a 2021 interview Soderbergh outlined his original plan for a six-season series that would involve substantial leaps in time. Seasons 3 and 4 were to be set in the post-WWII era and seasons 5 and 6 in the immediate future. The entire cast and characters were to change. [19]
In March 2017, the series was officially canceled by Cinemax. Kary Antholis, Cinemax's program director, stated that "[d]espite our pride in and affection for the series, as well as our respect for and gratitude towards Steven Soderbergh and his team, we have decided to return Cinemax to its original primetime series fare of high-octane action dramas, many of which will be internationally co-produced." [4]
The first season of The Knick scored 75 out of 100 on Metacritic based on 37 reviews. [20] The review aggregator Rotten Tomatoes reports an 87% critics’ rating with an average rating of 8.3/10 based on 170 reviews. The website consensus reads: "The Knick is sincere, emotional period television that takes a down-to-earth, no-holds-barred approach to vital topics". [21]
After the first season aired, IGN reviewer Matt Fowler gave it an 8.6 out of 10 score, saying "The Knick was impressive, intense television - with fascinating, oft-gruesome topics brought ferociously to the forefront by Soderbergh's adept hand. It was hard to watch at times, both due to gore and pure depressing content, but it was always thought-provoking and incredibly well-rendered." [22] Keith Uhlich of The A.V. Club named the episode "Get the Rope" as his seventh favorite motion picture of 2014. [23]
The second season was scored by Metacritic at 85 out of 100, based on 17 reviews. [24] Rotten Tomatoes gave the second season a 97% approval rating with an average score of 8.55/10 based on 120 reviews, with the critical consensus: "The Knick delivers an addictive second season with stunning visuals, knockout performances, and disturbing moments adding up to a period drama that's anything but dated." [25]
Ceremony | Category | Recipient(s) | Result |
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72nd Golden Globe Awards [26] | Best Actor – Television Series Drama | Clive Owen | Nominated |
19th Satellite Awards [27] | Best Drama Series | The Knick | Won |
Best Actor in a Drama Series | Clive Owen | Won | |
Best Supporting Actor in a Series, Miniseries or TV Film | Andre Holland | Nominated | |
Best Ensemble | Clive Owen, Andre Holland, Jeremy Bobb, Juliet Rylance, Eve Hewson, Michael Angarano, Chris Sullivan, Cara Seymour, Eric Johnson, David Fierro, Maya Kazan, Leon Addison Brown, Grainger Hines, and Matt Frewer | Won | |
Writers Guild of America Awards 2014 [28] | New Series | The Knick | Nominated |
74th Peabody Awards [29] | Peabody Award | The Knick | Won |
67th Primetime Emmy Awards [30] | Outstanding Directing for a Drama Series | Steven Soderbergh for "Method and Madness" | Nominated |
Outstanding Production Design for a Narrative Period Program | Howard Cumming, Henry Dunn, and Regina Graves for "Method and Madness" | tied | |
Outstanding Hairstyling for a Single-Camera Series | Jerry DeCarlo, Rose Chatterton, Suzy Mazzarese Allison, Victor De Nicola, and Christine Cantrell for "Get the Rope" | Nominated | |
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic) | Nicki Ledermann, Stephanie Pasicov, Sunday Englis, Cassandra Saulter, Michael Laudati, and LuAnn Claps for "Method and Madness" | Nominated | |
Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or a Special | Justin Raleigh, Kevin Kirkpatrick, Kelly Golden, Ozzy Alvarez, Danielle Noe, Bernie Eichholz, Michael Ezell, and Kodai Yoshizawa for "Crutchfield" | Nominated | |
6th Critics' Choice Television Awards [31] | Best Drama Series | The Knick | Nominated |
Best Actor in a Drama Series | Clive Owen | Nominated | |
Best Supporting Actor in a Drama Series | Andre Holland | Nominated | |
68th Directors Guild of America Awards [32] | Outstanding Directing – Drama Series | Steven Soderbergh for "Williams and Walker" | Nominated |
68th Primetime Emmy Awards [33] | Outstanding Directing for a Drama Series | Steven Soderbergh for "This Is All We Are" | Nominated |
The first season was released on Blu-ray and DVD in region 1 on August 11, 2015. The set contains all 10 episodes, plus three audio commentaries by cast and crew, and two-minute behind-the-scenes featurettes for the episodes. [34] The second season was released on Blu-ray and DVD in region 1 on August 2, 2016. Bonus features include several behind-the-scenes looks at the costumes and sets, including the extravagant ball constructed for the seventh episode, "Williams and Walker", as well as audio commentaries with cast and crew. [35]
"Method and Madness" is the series premiere of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on August 8, 2014.
"Mr. Paris Shoes" is the second episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on August 15, 2014.
"The Busy Flea" is the third episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on August 22, 2014.
"Where's the Dignity?" is the fourth episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on September 5, 2014.
"They Capture the Heat" is the fifth episode of the American medical period drama television series The Knick. The episode was written by Steven Katz, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on September 12, 2014.
"Start Calling Me Dad" is the sixth episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on September 19, 2014.
"Get the Rope" is the seventh episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on September 26, 2014.
"Working Late a Lot" is the eighth episode of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 3, 2014.
"The Golden Lotus" is the ninth episode of the American medical period drama television series The Knick. The episode was written by Steven Katz, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 10, 2014.
"Crutchfield" is the tenth episode and first season finale of the American medical period drama television series The Knick. The episode was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 17, 2014.
"Ten Knots" is the first episode of the second season of the American medical period drama television series The Knick. It is the eleventh overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 16, 2015.
"You're No Rose" is the second episode of the second season of the American medical period drama television series The Knick. It is the twelfth overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 23, 2015.
"The Best with the Best to Get the Best" is the third episode of the second season of the American medical period drama television series The Knick. It is the 13th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on October 30, 2015.
"Wonderful Surprises" is the fourth episode of the second season of the American medical period drama television series The Knick. It is the 14th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on November 6, 2015.
"Whiplash" is the fifth episode of the second season of the American medical period drama television series The Knick. It is the 15th overall episode of the series and was written by Steven Katz, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on November 13, 2015.
"There Are Rules" is the sixth episode of the second season of the American medical period drama television series The Knick. It is the 16th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on November 20, 2015.
"Williams and Walker" is the seventh episode of the second season of the American medical period drama television series The Knick. It is the 17th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on November 27, 2015.
"Not Well at All" is the eighth episode of the second season of the American medical period drama television series The Knick. It is the 18th overall episode of the series and was written by Steven Katz, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on December 4, 2015.
"Do You Remember Moon Flower?" is the ninth episode of the second season of the American medical period drama television series The Knick. It is the 19th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on December 11, 2015.
"This Is All We Are" is the tenth episode of the second season and series finale of the American medical period drama television series The Knick. It is the 20th overall episode of the series and was written by series creators Jack Amiel and Michael Begler, and directed by executive producer Steven Soderbergh. It originally aired on Cinemax on December 18, 2015. In March 2017, Cinemex cancelled the series, making the episode the series finale.