| A Simple Matter of Conviction | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 1967 [1] | |||
| Recorded | October 4, 1966 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
| Genre | Jazz | |||
| Length | 37:36 | |||
| Label | Verve V6-6785 | |||
| Producer | Creed Taylor | |||
| Bill Evans chronology | ||||
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A Simple Matter of Conviction is an album by jazz pianist Bill Evans, released in 1967 on Verve. It's the second and last collaboration between Evans and Shelly Manne after their 1962 Empathy album.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Writing for Allmusic, music critic Bob Rusch wrote of the album: "What separated this from the average good Bill Evans date was the inclusion of Shelly Manne on drums, who inventively pushed and took unexpected chances." [2]
Sheldon "Shelly" Manne was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs.
Intermodulation is a 1966 jazz album by pianist Bill Evans and jazz guitarist Jim Hall. It is a follow-up to their 1962 collaboration Undercurrent.
Empathy is a 1962 album by jazz musicians Bill Evans and Shelly Manne. It was recorded and released by Verve Records, the label Evans joined a year after the recording session. The album came about when Manne and Evans were sharing a bill at New York's Village Vanguard nightclub, and Verve producer Creed Taylor proposed a studio collaboration for the two bandleaders. Riverside Records, Evans' label during 1962, allowed Evans to participate, and the trio was completed by Manne's bass player of the time, Monty Budwig. The album features some classic jazz standards and two songs by Irving Berlin from the 1962 musical Mr. President. The sculpture on the album cover was by Sheldon Machlin.
My Fair Lady, recorded by "Shelly Manne & His Friends" and released in 1956 by Contemporary Records, is the first album ever made consisting entirely of jazz versions of tunes from a single Broadway musical. It was an instant hit and became one of the best-selling jazz albums of its day.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
At Shelly's Manne-Hole is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label. The trio featured Chuck Israels, who followed Scott LaFaro on bass in autumn 1961, and Larry Bunker on drums, who just joined the reformed trio, after Paul Motian had left. An additional eight performances recorded during the trio's May, 1963 engagement at Shelly's Manne-Hole were released on the album Time Remembered.
Sonny Rollins and the Contemporary Leaders is a 1958 album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last studio record Rollins made in the 1950s. Following the recording of "Sonny Rollins and the Contemporary Leaders", Rollins toured Europe in the spring of 1959, then took a hiatus from recording and performing in public that ended in 1962 with his LP The Bridge.
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Thelonious Monk at the Blackhawk is an album by jazz pianist Thelonious Monk. It was originally issued on the Riverside label as RLP 12-323 (mono)/1171 (stereo) and Original Jazz Classics OJCCD 305–2 in 1987.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
Sarah Vaughan with Michel Legrand is a 1972 studio album by Sarah Vaughan, arranged by Michel Legrand.
Four! is a 1958 album by Hampton Hawes, originally released on the Contemporary label and reissued in 1991 by Original Jazz Classics.
On the Road is an album by Art Farmer recorded in Los Angeles in 1976 and originally released on the Contemporary label.
The West Coast Sound is an album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at sessions in 1953 and 1955 and released on the Contemporary label. The album features Manne's first recordings for Contemporary from 1953—eight tracks originally released on a 10-inch album—along with an additional four tracks from 1955.
At the Black Hawk 1 is a live album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at the Black Hawk in San Francisco, California, in 1959 and released on the Contemporary label. The album was the first volume of four originally released in 1960. In 1991, the albums were re-released on CD with bonus tracks along with a fifth volume of unreleased recordings, and a Complete Live at the Black Hawk box-set was released in 2010.
At the Black Hawk 2 is a live album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at the Black Hawk in San Francisco, California, in 1959 and released on the Contemporary label. The album was the second volume of four originally released in 1960. In 1991, the albums were re-released on CD with bonus tracks along with a fifth volume of unreleased recordings, and a Complete Live at the Black Hawk box-set was released in 2010.
At the Black Hawk 4 is a live album by drummer Shelly Manne's group Shelly Manne & His Men, recorded at the Black Hawk in San Francisco, California, in 1959 and released on the Contemporary label. The album was the last volume of four originally released in 1960. In 1991, the albums were re-released on CD with bonus tracks along with a fifth volume of unreleased recordings, and a Complete Live at the Black Hawk box set was released in 2010.
Hampton Hawes at the Piano is an album by American jazz pianist Hampton Hawes, recorded in 1976 and released on the Contemporary label in 1978. The album was Hawes's final recording before his death in 1977 and was the first to be released posthumously.
Strings & Trombones is an album by Bud Shank, featuring Bob Brookmeyer, which was recorded in 1954 and 1955 for the Pacific Jazz label. The album compiles Shank's earlier 10-inch LPs Bud Shank and Bob Brookmeyer and Bud Shank and Three Trombones.
This is the discography for American jazz drummer Shelly Manne.
