| Blue in Green: The Concert in Canada | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1991 | |||
| Recorded | August 1974 | |||
| Genre | Jazz | |||
| Length | 50:48 | |||
| Label | Milestone | |||
| Bill Evans chronology | ||||
| ||||
Blue in Green: The Concert in Canada is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded in Camp Fortune, Gatineau, Quebec, Canada in 1974 and released on the Milestone label in 1991. [1]
The Allmusic review by Scott Yanow awarded the album 4½ stars and states: "The tight and almost telepathic musical communication between the musicians, the strong repertoire and the appreciative audience make this a fairly definitive recording by this classic unit". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
But Beautiful is a jazz album by the Bill Evans Trio with Stan Getz, recorded live in Europe in 1974 and released in 1996.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
Marty Morell is a jazz drummer who was a member of the Bill Evans Trio for seven years—longer than any other drummer. Before joining Evans, he worked with the Al Cohn-Zoot Sims Quintet, Red Allen, Gary McFarland, Steve Kuhn, and Gábor Szabó.
Affinity is an album by American jazz pianist Bill Evans released in 1979, featuring Belgian harmonica player Toots Thielemans. Bill Evans plays a Rhodes piano on many of the tracks. It is the recording debut for bassist Marc Johnson.
What's New is an album by jazz pianist Bill Evans with flautist Jeremy Steig which was released in 1969 on the Verve label.
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971. It was recorded with his regular bassist Eddie Gómez and drummer Marty Morell and with an orchestra arranged and conducted by Michael Leonard. This was the first album on which Evans played a Fender Rhodes electric piano.
Living Time is an album by the Bill Evans George Russell Orchestra recorded in 1972 and released on the Columbia label, featuring performances by Evans with an orchestra conducted by Russell.
Jazzhouse is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s on the Milestone label. The same concert also produced the album You're Gonna Hear From Me.
You're Gonna Hear From Me is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until 1988 on the Milestone label. The same concert also produced the album Jazzhouse.
Montreux II is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Montreux Jazz Festival in Switzerland in 1970 and released on the CTI label. The album was the second of Evans' Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Montreux III is a live album by jazz pianist Bill Evans with bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label. The album was the third of Evans' Montreux concert recordings to be released, following Montreux II (1970) and the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976. Additional recordings from Evans's 1974 Village Vanguard performances were also issued on the album Re: Person I Knew, released posthumously in 1981. Since We Met was digitally remastered and reissued as a CD in 1991 on Original Jazz Classics.
The Tokyo Concert is a live album by jazz pianist Bill Evans with bassist Eddie Gómez and drummer Marty Morell recorded at the Yūbin Chokin Hall in Tokyo, Japan, in 1973 and released on the Fantasy label.
Half Moon Bay is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Bach Dancing and Dynamite Society, in Half Moon Bay, California in 1973 and released on the Milestone label in 1998.
Symbiosis is an album by jazz pianist Bill Evans with an orchestra playing a two-movement work composed by conductor Claus Ogerman, recorded in February 1974 and originally released on the German MPS label.
Piano Player is a compilation of recordings featuring jazz pianist Bill Evans released in 1998 on the Columbia label.
Momentum is a live album recorded in 1972 at Groningen, the Netherlands, by American jazz pianist Bill Evans with a trio including Eddie Gómez on bass and Marty Morell on drums.
Eloquence is an album composed of songs played by jazz musicians Bill Evans and Eddie Gomez between the years of 1973 and 1975. It was released posthumously in 1982 on Fantasy Records.
