| From Left to Right | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January/February 1971 [1] | |||
| Recorded | October 14 & 21, November 13, 1969, March 26 & 28, April 23 & 29, May 1 & 20, 1970 San Francisco, CA | |||
| Genre | Jazz | |||
| Label | MGM | |||
| Bill Evans chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971.
Explorations is an album by jazz pianist Bill Evans that was originally released on Riverside label in 1961. The album won the Billboard Jazz Critics Best Piano LP poll for 1961.
The following is a listing of the jazz pianist Bill Evans' original albums. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more. He broke new ground in many of his piano trio, duet and solo recordings. Several of those won or were nominated for Grammy Awards.
Bill Evans at the Montreux Jazz Festival is a 1968 album by the American jazz pianist Bill Evans, recorded live at that year's Montreux Jazz Festival. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.
Together Again is a 1977 studio album by singer Tony Bennett, accompanied by jazz pianist Bill Evans. It was originally issued on Bennett's own Improv Records label, which went out of business later that year, but was subsequently reissued on Concord.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by Evans, bassist Eddie Gómez, and drummer Eliot Zigmund in August 1977, and released after Evans' death in September 1980.
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
California Here I Come is a live album by jazz pianist Bill Evans. It was recorded in 1967, but not released on the Verve label until 1982 as a double LP. It peaked at number 12 on the Billboard Jazz Album charts in 1983 and was reissued on CD in 2004. The pieces were recorded at the Village Vanguard, where Evans had previously recorded the sets that appeared on the highly influential Waltz for Debby and Sunday at the Village Vanguard, both later comprised on the definitive collection The Complete Village Vanguard Recordings, 1961.
Alone is an album by jazz musician Bill Evans, recorded in late-1968 for Verve Records.
At Shelly's Manne-Hole is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label. The trio featured Chuck Israels, who followed Scott LaFaro on bass in autumn 1961, and Larry Bunker on drums, who just joined the reformed trio, after Paul Motian had left. An additional eight performances recorded during the trio's May, 1963 engagement at Shelly's Manne-Hole were released on the album Time Remembered.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until 1980.
The Bill Evans Trio "Live" is a live album by American jazz pianist Bill Evans and his Trio, released in 1971 and recorded in 1964. Additional tracks have been released in 1997 on "The Complete Bill Evans on Verve" box set.
Trio '65 is a studio album by American jazz pianist Bill Evans and his Trio, released in 1965.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Waltz for Debby is a 1964 album in English and Swedish by the American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund.
Pieces of Dreams is an album by jazz saxophonist Stanley Turrentine, his first recording for the Fantasy label after associations with Blue Note Records and CTI, featuring performances by Turrentine with an orchestra arranged and conducted by Gene Page. The CD rerelease added three additional tracks.
Stan Getz & Bill Evans is an album by jazz saxophonist Stan Getz and pianist Bill Evans recorded in 1964 for the Verve label, but not released until 1973.
Montreux III is a live album by jazz pianist Bill Evans with bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label. The album was the third of Evans' Montreux concert recordings to be released, following Montreux II (1970) and the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Half Moon Bay is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Bach Dancing and Dynamite Society, in Half Moon Bay, California in 1973 and released on the Milestone label in 1998.
Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky.
