Mingus Mingus Mingus Mingus Mingus is a studio album by the American jazz composer and bassist Charles Mingus which was released on January 9, 1964.
King Pleasure was an American jazz vocalist and an early master of vocalese, where a singer sings words to a well-known instrumental solo.
Donald Douglas Lamond Jr. was an American jazz drummer.
Jack Nimitz was an American jazz baritone saxophonist, nicknamed "The Admiral".
Go West, Man! is the second studio album by Quincy Jones. It was released in 1957 by ABC Records.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
Cuban Fire! is an album by Stan Kenton and his orchestra released in 1956 by Capitol Records. This was Stan Kenton's big band's first full-length recording of Afro-Cuban-styled music. The LP charted for four weeks in Billboard starting on September 15, 1956, peaking at #17. The concept of the original 1956 recording centers on the Cuban Fire! suite Kenton had commissioned from composer Johnny Richards. The 1991 CD re-issue is augmented with one extra track from the 1956 sessions and five cuts recorded four years later by the first of Kenton's mellophonium orchestras.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Dizzy and Strings is an album by trumpeter Dizzy Gillespie, released in 1955 by Norgran Records.
Afro is a studio album by the jazz trumpeter Dizzy Gillespie. It was released in November 1954 through Norgran Records. Gillespie worked with many Cuban musicians on the album.
James Theodore Powell was an American jazz saxophonist who played alto sax.
The Great Wide World of Quincy Jones is an album by Quincy Jones that was released by Mercury.
Jazz Abroad is a split album by American jazz drummer Roy Haynes and Quincy Jones with tracks recorded in Sweden in 1953 and 1954 and released by EmArcy.
Contemporary Concepts is an album by pianist and bandleader Stan Kenton with featuring performances of jazz standards recorded in 1955 and released on the Capitol label.
The Three and The Two is an album by drummer Shelly Manne, featuring multi-instrumentalist Jimmy Giuffre, pianist Russ Freeman, and trumpeter Shorty Rogers. It was recorded at two sessions in 1954, originally released on two 10-inch LPs, and re-released in 1960 on a 12-inch LP on the Contemporary label.
Live at the Theatre Boulogne-Billancourt/Paris, Vol. 2 is an album by Mingus Dynasty, billed as Big Band Charlie Mingus.
Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1 is an album by Mingus Dynasty, billed as Big Band Charlie Mingus.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
