| Smackwater Jack | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 1971 | |||
| Recorded | 1971 | |||
| Studio | A & R Studios Sound Ideas Studios | |||
| Genre | Jazz | |||
| Length | 42:48 | |||
| Label | A&M | |||
| Producer | Phil Ramone | |||
| Quincy Jones chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz Recordings |  [2] |
Smackwater Jack is a 1971 studio album by Quincy Jones. [3] Tracks include the theme music to Ironside and The Bill Cosby Show .
| Chart (1971) | Peak position |
|---|---|
| US Billboard 200 [5] | 56 |
| US Top R&B/Hip-Hop Albums (Billboard) [6] | 11 |
Strait Out of the Box is the first box set album by American country music artist George Strait. It contains four albums' worth of music, dating from 1976 to 1995. It mainly consists of Strait's singles, except for a select few that he decided to exclude. They were replaced by his choice of album cuts and several studio outtakes. It also contains his three singles recorded in the 1970s for indie label D Records, one of which, "I Just Can't Go on Dying Like This", was re-recorded for Strait's 2013 album Love Is Everything.
L.A. Is My Lady is the 57th and final solo studio album by Frank Sinatra, released in 1984 and produced by Quincy Jones. While the album was Sinatra's last, he recorded five further songs, only four of which have been officially released.
Blues Cross Country is a 1962 studio album by Peggy Lee, principally arranged by Quincy Jones, with some arrangements by Benny Carter. The album can be described as a concept album, consisting of a musical journey across the United States through swinging blues songs, many of which were written by Lee with other contributors.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
The Original Jam Sessions 1969 is an album by Quincy Jones and Bill Cosby that was released in 2004. The album was recorded as backing music for The Bill Cosby Show in 1969.
The Quintessence is an album by Quincy Jones and his orchestra. It was released in 1962 and was his only album for Impulse! One critic called it "the sound of the modern, progressive big band at its pinnacle."
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
Walking in Space is a 1969 studio album by Quincy Jones. The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner. Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical Hair. "Dead End" is also from Hair and "Killer Joe" features Ray Brown on bass and Grady Tate on drums.
Gula Matari is a 1970 studio album by Quincy Jones.
You've Got It Bad Girl is a 1973 album by the American jazz musician/producer Quincy Jones.
"Smackwater Jack" is a song written by Gerry Goffin and Carole King. It was first released on King's 1971 album Tapestry and then on the second single from that album, along with "So Far Away", charting at number 14 on the Billboard Hot 100. It was subsequently covered by many artists, most famously by Quincy Jones as the title song of his 1971 album Smackwater Jack.
I Heard That!! is a 1976 double album by Quincy Jones.
Manufacturers of Soul is an album by soul music vocalist Jackie Wilson and jazz pianist and bandleader Count Basie featuring performances of jazz versions of contemporary R&B/soul hits recorded in 1968 and released on the Brunswick label.
Golden Boy is an album by Quincy Jones which was released by Mercury in 1964. The album includes three versions of the theme from the musical Golden Boy with three original compositions and jazz versions of pop hits.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
A House Full of Love: Music from The Bill Cosby Show is a studio album by American jazz saxophonist Grover Washington Jr. recorded together with an ensemble of various musicians. The album was released in 1986 through Columbia Records label. Most of the compositions in the record were written by Bill Cosby, Stu Gardner and Arthur Lisi.
Woodstock – Back to the Garden: 50th Anniversary Experience is a live album by various artists, packaged as a box set of ten compact discs. Released by Rhino Records during the summer leading up to the fiftieth anniversary of the Woodstock Music and Art Fair, it contains selections from every performance at the music festival, which took place on August 15–18, 1969, in Bethel, New York. The discs also include stage announcements and miscellaneous audio material. The package contains essays by producer Andy Zax and Jesse Jarnow, details about the performers and notable festival figures, and photographs. This box set is a compilation derived from its limited edition parent box set. A smaller three-CD or five-LP sampler was also released.
