The Late Show: An Evening with Jaki Byard | ||||
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Live album by | ||||
Released | June 17, 2014 | |||
Recorded | Summer 1979 | |||
Venue | Keystone Korner, San Francisco, CA | |||
Genre | Jazz | |||
Length | 64:47 | |||
Label | HighNote HCD 7264 | |||
Producer | Joe Fields | |||
Jaki Byard chronology | ||||
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The Late Show: An Evening with Jaki Byard is a solo performance by American jazz pianist Jaki Byard recorded in 1979 and released as a live album on the HighNote label in 2014. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
AllMusic reviewer Steve Leggett states, "Byard was a jazz player by trade, but his real allegiance was to the piano itself, and few players have brought so much variety out of the instrument and still made it seem like it was all cut from the same elegant and comfortable cloth. All of that is on display here". [2]
All compositions by Jaki Byard except as indicated
John Arthur "Jaki" Byard was an American jazz multi-instrumentalist, composer, and arranger. Mainly a pianist, he also played tenor and alto saxophones, among several other instruments. He was known for his eclectic style, incorporating everything from ragtime and stride to free jazz.
Ray Willis Nance was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
Ella Returns to Berlin is a 1961 live album by Ella Fitzgerald, with a trio led by the pianist Lou Levy, and also featuring the Oscar Peterson trio.
No Cover, No Minimum is a live album by Billy Eckstine that was recorded in Las Vegas. The album was released by Roulette in 1960 and reissued by Blue Note in 1992 with ten additional tracks.
Digital at Montreux is a 1979 live album by Oscar Peterson, accompanied by Niels-Henning Ørsted Pedersen, recorded at the 1979 Montreux Jazz Festival.
Cornell 1964 is a live album by the Charles Mingus Sextet, featuring multi-instrumentalist Eric Dolphy. It was recorded at Cornell University in Ithaca, New York, on March 18, 1964.
Mingus at Monterey is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
To Them – To Us is an album of solo piano performances by the American jazz pianist Jaki Byard recorded in 1981 and released on the Italian Soul Note label.
Phantasies is an album by the American jazz pianist Jaki Byard with the Apollo Stompers, recorded in 1984 and released on the Italian Soul Note label.
Hi-Fly is an album by pianist Jaki Byard recorded in 1962 and released on the New Jazz label.
Out Front! is an album by pianist Jaki Byard recorded in 1964 and released on the Prestige label.
Freedom Together! is an album by pianist Jaki Byard recorded in 1966 and released on the Prestige label.
Solo Piano is an album by pianist Jaki Byard recorded in 1969 and released on the Prestige label.
Family Man is an album by pianist Jaki Byard recorded in 1978 and released on the Muse label.
Introspectivo is a studio album by American composer/arranger/pianist Clare Fischer, recorded in December 2004 and released in October 2005 on the Mexican label, M&L Music. Composed largely of previously unrecorded original compositions unearthed by his son Brent, this would be the 76-year-old Fischer's fifth and final strictly solo piano recording.
A Matter of Black and White is a live album of solo performances by American jazz pianist Jaki Byard recorded in 1978 and 1979 and released on the HighNote label.
Sunshine of My Soul: Live at the Keystone Korner is an album of a live solo performance by American jazz pianist Jaki Byard recorded in 1978 and released as a CD on the HighNote label in 2007.
The Great Session is an album led by pianist Duke Jordan recorded in 1978 and released on the Danish SteepleChase label in 1981.
Mingus in Europe Volume II is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 in Germany and released on the Enja label in 1980.
Dexterity is a 1988 live album by the jazz pianist George Shearing recorded at the second Fujitsu-Concord Jazz Festival. The singer Ernestine Anderson appears on two tracks. Shearing and Anderson would later record the album A Perfect Match.