Here Comes the Whistleman | ||||
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Live album by | ||||
Released | February 1967 | |||
Recorded | March 14, 1965 | |||
Genre | Jazz | |||
Label | Atlantic | |||
Producer | Roland Kirk, Joel Dorn | |||
Roland Kirk chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Here Comes the Whistleman is a live album by jazz multi-instrumentalist Roland Kirk recorded in March 1965 at Atlantic Studios in New York, and released in February 1967. [3] It was his first release on the Atlantic label and features performances by Kirk with pianists Lonnie Liston Smith and Jaki Byard, bassist Major Holley and drummer Charles Crosby. [4]
The AllMusic review by Thom Jurek states: "His band for the occasion is stellar ... This is the hard jump blues and deep R&B Roland Kirk band". [1]
Rahsaan Roland Kirk, known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
John Arthur "Jaki" Byard was an American jazz multi-instrumentalist, composer, and arranger. Mainly a pianist, he also played tenor and alto saxophones, among several other instruments. He was known for his eclectic style, incorporating everything from ragtime and stride to free jazz.
Volunteered Slavery is an album by jazz multi-instrumentalist Roland Kirk containing portions of his 1968 Newport Jazz Festival performance along with studio recordings from July 1969. It was released on the Atlantic label and features performances by Kirk with Rahn Burton, Vernon Martin, Jimmy Hopps and Joseph "Habao" Texidor, Dick Griffin, Charles McGhee, Sonny Brown, Charles Crosby and the "Roland Kirk Spirit Choir".
Lonnie Liston Smith Jr. is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.
Rip, Rig and Panic is a 1965 jazz album by multi-instrumentalist Roland Kirk. It features a quartet of Kirk, Jaki Byard (piano), Richard Davis (bass), and Elvin Jones (drums); they were described as "the most awesome rhythm section he ever recorded with". The session was held at Rudy Van Gelder's Englewood Cliffs studio. The set is made up primarily of original Kirk compositions.
Major "Mule" Holley Jr. was an American jazz upright bassist.
Now Please Don't You Cry, Beautiful Edith is an album by the jazz multi-instrumentalist Roland Kirk, released on the Verve label in 1967. It contains performances by Kirk with Lonnie Liston Smith, Ronnie Boykins and Grady Tate.
A Meeting of the Times is an album by jazz multi-instrumentalist Rahsaan Roland Kirk and vocalist Al Hibbler recorded in March 1972 in New York City, and released in December of that year. It features performances by Kirk and Hibbler with Hank Jones, Ron Carter and Grady Tate with an additional track recorded by Kirk with Leon Thomas, Lonnie Liston Smith, Major Holley and Charles Crosby from the sessions that produced Here Comes the Whistleman (1965).
The Jaki Byard Experience is an album by jazz pianist Jaki Byard, originally released on the Prestige label in 1968, featuring performances by Byard with Roland Kirk, Richard Davis and Alan Dawson.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Tonight at Noon is an album by the jazz bassist and composer Charles Mingus, released on the Atlantic label in 1964. It compiles tracks recorded at two sessions – the 1957 sessions for the album entitled The Clown and the 1961 sessions for Oh Yeah but is considered a studio album. These tracks have since been added to the CD re-releases of their respective albums as bonus tracks.
Improvisations is an album of piano duets by the American jazz pianists Ran Blake and Jaki Byard, recorded in 1981 and released on the Italian Soul Note label.
Phantasies II is an album by the American jazz pianist Jaki Byard with the Apollo Stompers, recorded in 1988 and released on the Italian Soul Note label. The album follows Byard's big band tributes album Phantasies (1984).
Jaki Byard Quartet Live! is an album by pianist Jaki Byard recorded in 1965 and originally released on the Prestige label as two long LP records and later reissued in 1992 as a single CD.
The Last from Lennie's is an album by pianist Jaki Byard's Quartet recorded in 1965 at the same performances that produced Jaki Byard Quartet Live! and first released on the Prestige label in 2003.
On the Spot! is an album by the pianist Jaki Byard recorded in 1967 apart from one track from the 1965 live recordings that produced Jaki Byard Quartet Live!. It was released on the Prestige label.
Family Man is an album by pianist Jaki Byard recorded in 1978 and released on the Muse label.
The Complete Town Hall Concert is a live album by the American bassist, composer and bandleader Charles Mingus, recorded at The Town Hall in New York City and first released on the United Artists label in 1962 as Town Hall Concert. The album was rereleased with additional tracks on the Blue Note label in 1994 as The Complete Town Hall Concert.
Sunshine of My Soul: Live at the Keystone Korner is an album of a live solo performance by American jazz pianist Jaki Byard recorded in 1978 and released as a CD on the HighNote label in 2007.
Live at the Royal Festival Hall is an album by pianists Jaki Byard and Howard Riley.