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| Jazz Abroad | ||||
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| Studio album by | ||||
| Released | 1955 | |||
| Recorded | November 10, 1953 and October 3, 1954 | |||
| Studio | Stockholm, Sweden | |||
| Genre | Jazz | |||
| Length | 45:07 | |||
| Label | EmArcy | |||
| Roy Haynes chronology | ||||
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| Quincy Jones chronology | ||||
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Jazz Abroad is a split album by American jazz drummer Roy Haynes and Quincy Jones with tracks recorded in Sweden in 1953 and 1954 and released by EmArcy. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Side A:
Side B:
Side A:
Side B:
Genius + Soul = Jazz is a 1961 album by American musician Ray Charles, featuring big band arrangements by Quincy Jones and Ralph Burns. Charles is accompanied by two groups drawn from members of The Count Basie Band and from the ranks of top New York session players. It was recorded at Van Gelder Studio in two sessions on December 26 and 27, 1960 and originally released on the Impulse! label as Impulse! A–2.
Greetings and Salutations is a 1975 big band jazz album recorded by the Swedish Radio Jazz Group with Thad Jones, Mel Lewis and Jon Faddis as guest bandleader / performers. The album was nominated for a 1978 Grammy award in the Best Jazz Instrumental Performance - Big Band category.
The Swingin' Miss D is the sixth studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.
Left & Right is an album by the jazz multi-instrumentalist Roland Kirk, released on the Atlantic label in 1969. It contains performances by Kirk with Jim Buffington, Julius Watkins, Frank Wess, Rahn Burton, Vernon Martin and Roy Haynes, with Warren Smith, Richard Williams, Dick Griffin, Benny Powell, Pepper Adams, Alice Coltrane, Jimmy Hopps, Daniel Jones and Gerald "Sonny" Brown featuring on an extended track with orchestration by Gil Fuller.
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
Memorial is a 1956 jazz album by trumpeter Clifford Brown issued posthumously. It was originally released on the Prestige label as PRLP 7055. It principally includes fast bop pieces, also arranged for a brass section. Ira Gitler, who was supervising session for Prestige label at the time, confessed he was greatly impressed by Brown: "When Brownie stood up and took his first solo on "Philly J J", I nearly fell off my seat in the control room. The power, range and brilliance together with the warmth and invention was something that I hadn't heard since Fats Navarro" Tracks 1-4 were recorded abroad with a Swedish All Star Group. Tracks 5-9 were recorded in New York as a Tadd Dameron led 10 inch LP minus the alternate take. Clifford and Benny Golson were the only horn soloists.
Clark Terry is the debut album by American jazz trumpeter Clark Terry featuring tracks recorded in early 1955 and released on the EmArcy label.
Moods is the 1954 debut album by American jazz saxophonist Paul Quinichette featuring compositions and arrangements by Quincy Jones released on the EmArcy label. The tracks were recorded on two session dates in November 1954 with two different line-ups, an (almost) regular jazz sextet with flutist Sam Most as second horn player and two guitarists. The second session featured an Afro-Cuban combo with Herbie Mann on flute and also on tenor saxophone and Latin percussion instead of a drum set. The difference between the two sessions was preserved in splitting the album with the later recorded Latin jazz session on the LP's A-side, the more straight ahead approach on the other.
Jam Session featuring Maynard Ferguson is an album by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in early 1954 and released on the EmArcy label. The album was Ferguson's first 12-inch LP and was released on CD compiled with Jam Session featuring Maynard Ferguson as Hollywood Jam Sessions in 2005.
Maynard Ferguson Octet is an album by Canadian jazz trumpeter/trombonist Maynard Ferguson featuring tracks recorded in 1955 and released on the EmArcy label.
Maynard Ferguson's Hollywood Party is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in early 1954 and originally released on the EmArcy label as a 10-inch LP but reissued as a 12-inch album. The album was released on CD compiled with Jam Session featuring Maynard Ferguson as Hollywood Jam Sessions in 2005.
In the Land of Hi-Fi with Georgie Auld and His Orchestra is an album by American jazz saxophonist and bandleader Georgie Auld featuring tracks recorded in 1955 and released on the EmArcy label.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
Quincy – Here We Come is an album led by trumpeter Benny Bailey, trombonist Åke Persson and drummer Joe Harris featuring performances recorded in Sweden in 1959 and originally released on the Swedish Metronome label. The album was released in the US in 1960 as The Music of Quincy Jones on Argo Records. The album is one of the earliest devoted solely to the compositions of Quincy Jones and emerged from his work in Europe in the late 1950s.
Quincy's Home Again is an album by Quincy Jones with performances by Harry Arnold's Orchestra. The album was recorded in Sweden in 1958 and released by Metronome label. The album was also released in the U.S. as Harry Arnold + Big Band + Quincy Jones = Jazz! by EmArcy.
I Dig Dancers is an album Quincy Jones that was released by Mercury with performances recorded in Paris and New York City.
Introducing Jimmy Cleveland and His All Stars is the debut album led by American trombonist Jimmy Cleveland featuring tracks recorded in 1955. It was released on the EmArcy label.
The Happy Cats is an album by trumpeter Joe Newman's Sextet recorded in early 1957 for the Coral label.
Triple Play is an album by American jazz saxophonist Johnny Hodges recorded in 1967 and released on the RCA Victor label.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
