"Soul Bossa Nova" | |
---|---|
Single by Quincy Jones | |
from the album Big Band Bossa Nova | |
Released | December 20, 1962 |
Recorded | September 7, 1962 |
Studio | A & R Studios, New York City [1] |
Genre | |
Length | 2:50 |
Songwriter(s) | Quincy Jones |
Producer(s) | Quincy Jones |
"Soul Bossa Nova" is a popular instrumental, composed and first performed by American musician Quincy Jones. It appeared on his 1962 Big Band Bossa Nova album on Mercury Records. [3]
Jones said that it took him twenty minutes to compose the piece, [4] which features prominently a cuíca (responsible for the distinctive "laughing" in the first bars). Roland Kirk was the flute soloist, Lalo Schifrin was the pianist, Chris White was the bassist, Rudy Collins was the drummer, and Jerome Richardson was the alto flutist. [1] The album liner notes do not specify the brass players.
Rahsaan Roland Kirk, known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
Quincy Delight Jones Jr. was an American record producer, composer, arranger, conductor, trumpeter, and bandleader. Over the course of his seven-decade career, he received many accolades including 28 Grammy Awards, a Primetime Emmy Award, and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.
Dream Warriors were a Canadian hip hop duo from Toronto, Ontario, comprising King Lou and Capital Q. Described as "a pair of deft, intelligent rappers" by John Bush of AllMusic, they were major contributors to the jazz rap movement of the early 1990s. Their 1991 debut album, And Now the Legacy Begins, was cited by Bush as one of the finest alternative hip hop records of the golden era. Before the release of their second album Subliminal Simulation in 1994, the duo became a group with the addition of rapper Spek and DJ Luv. In 1996, they released a third album, The Master Plan, before the two new members left the group a year later. Though their subsequent releases did not garner similar commercial success as their debut, the duo released a well-received greatest hits album in 1999. Their final album, The Legacy Continues..., was released in 2002.
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Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
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"Number One Spot" is a song by American rapper Ludacris from his fifth studio album The Red Light District. The song heavily samples Quincy Jones' "Soul Bossa Nova", which was later used as the theme tune to the Mike Myers James Bond parody film series Austin Powers; the films' references play a major part in the song and its music video.
"Manhã de Carnaval", often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.
"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination at the 1968 Academy Awards. The song partially inspired the film Austin Powers: International Man of Mystery (1997).
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