James Oscar Smith was an American jazz musician whose albums often appeared on Billboard magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.
Control is the third studio album by American singer Janet Jackson, released on February 4, 1986, by A&M Records. Her collaborations with the songwriters and record producers Jimmy Jam and Terry Lewis resulted in an unconventional sound: a fusion of rhythm and blues, rap vocals, funk, disco, and synthesized percussion that established Jackson, Jam and Lewis as the leading innovators of contemporary R&B. The distinctive triplet swing beat utilized on the record is also considered to be a precursor to the new jack swing genre. The album became Jackson's commercial breakthrough and enabled her to transition into the popular music market, with Control becoming one of the foremost albums of the 1980s and contemporary music.
Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Wild Bill Davis was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electronic organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis was the pacesetter among organists.
The Cat is a 1964 album by Jimmy Smith. It features Smith on Hammond B-3 organ with big band arrangements by composer Lalo Schifrin. The album reached number 12 on the Billboard 200 chart.
Body Heat is an album by Quincy Jones.
Movin' Wes is an album by the American jazz guitarist Wes Montgomery, released in 1964. It reached number 18 on the Billboard jazz albums chart in 1967, his second album to reach the charts after Bumpin'.
Yesterday's Love Songs/Today's Blues is a 1963 studio album by Nancy Wilson, arranged by Gerald Wilson. It was her highest charting album, entering the Billboard Top 200 on January 25, 1964, and ultimately reaching No. 4. It remained on the chart for 42 weeks. The 1991 CD edition featured a different cover image and added five bonus tracks drawn from other sessions with Gerald Wilson.
Midnight Special is an album by the American jazz organist Jimmy Smith, recorded in 1960 and released on the Blue Note label. The album was recorded at the same session that produced Back at the Chicken Shack (1960).
Prayer Meetin' is an album by the American jazz organist Jimmy Smith, recorded in 1963 and released on the Blue Note label. The album was rereleased on CD with two bonus tracks from the same session.
Rockin' the Boat is an album by the American jazz organist Jimmy Smith, recorded in 1963 and released on the Blue Note label.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Matriarch of the Blues is the twenty-fourth studio album by Etta James, released in December 2000 through the record label Private Music. The album's title reflects James' nickname as "matriarch of the blues". Marking James' return to blues following attempts at country music and jazz and pop standards, the album consists primarily of rhythm and blues covers. James' sons, Donto and Sametto, are credited as engineers, mixers, and producers, among other contributions; the album features Mike Finnigan on the Hammond organ, guitarist Leo Nocentelli, and performances on multiple instruments by Jimmy Zavala.
Soul People is an album by American saxophonists Sonny Stitt and Booker Ervin, and organist Don Patterson. Just like his previous Soul Shack, Soul People features heavily blues-drenched jazz. The original album was recorded in 1964 and issued by Prestige in early 1965. In 1993, it was reissued on CD by Prestige, featuring three additional tracks.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
Respect is a 1967 album by the American jazz organist Jimmy Smith.
Any Number Can Win is an album by the American jazz organist Jimmy Smith, arranged by Billy Byers and Claus Ogerman.
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