| Tell It Like It Is | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | Mid/End of July 1969 [1] | |||
| Recorded | April 29, 1969 (#6–7, 9) May 16, 1969 (#1–5) May 20, 1969 (#8, 10–11) | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 32:27 | |||
| Label | A&M/CTI SP 3020 | |||
| Producer | Creed Taylor | |||
| George Benson chronology | ||||
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| Singles from Tell It Like It Is | ||||
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Tell It Like It Is is the seventh album by American guitarist George Benson featuring performances recorded in 1969 and released on the A&M label. [2]
The Allmusic review states "Benson manages to transcend the blasting Latin-percussion-spiced production, the tight time limits, and all with often brilliantly tasty guitar fills and brief solos in many styles and three reverb-heavy vocals". [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
Instant Replay is the seventh studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
L.A. Is My Lady is the fifty-seventh and final solo studio album by American singer Frank Sinatra, released in 1984 and produced by Quincy Jones. While the album was Sinatra's last, he recorded five further songs, only four of which have been officially released.
Back on the Block is a 1989 studio album by Quincy Jones. The album features musicians and singers from across three generations, including Ella Fitzgerald, Miles Davis, Joe Zawinul, Ice-T, Big Daddy Kane, Sarah Vaughan, Dizzy Gillespie, George Benson, Luther Vandross, Dionne Warwick, Barry White, Chaka Khan, Take 6, Bobby McFerrin, Al Jarreau, Al B. Sure!, James Ingram, El DeBarge, Ray Charles and a 13-year-old Tevin Campbell.
Live the Life is an album by Michael W. Smith. One notable song on this album was "In My Arms Again," which Michael W. Smith wrote for the film Titanic. "Missing Person" also received airplay on Christian radio.
Set the Night to Music is an album released by Roberta Flack in 1991 on Atlantic Records. The title track, written by Diane Warren and originally the 11th track of Starship's 1987 album No Protection, was remade as a duet with Maxi Priest and reached number 6 on the Billboard Hot 100 and number 2 on the Hot Adult Contemporary chart. In Canada, "Set the Night to Music" peaked at number nine on the pop singles chart and number one on the Adult Contemporary chart. It became the 17th biggest Canadian Adult Contemporary hit of 1991.
Won't Be Blue Anymore is the fifth studio album by American country music artist Dan Seals. It was his most successful studio album; the only one to reach No. 1 on the Top Country Albums chart. The album featured some of Seals most popular songs, including "Bop" and "Meet Me in Montana", a duet with Marie Osmond. These and the third single, "Everything That Glitters ", all reached No. 1 on the Hot Country Songs chart. "Bop" was a major crossover hit, peaking at No. 10 on the Hot Adult Contemporary Tracks chart. The compact disc format of this album was released on the album's initial release. It has been out-of-print for more than 20 years and is highly collectible.
It Don't Mean a Thing If It Ain't Got That Swing is a studio album by American pianist, composer and bandleader Duke Ellington and singer Teresa Brewer originally released on Bob Thiele's Flying Dutchman label in 1973. It features the final studio recordings by Ellington.
How Insensitive is the fourteenth album by American pianist and arranger Duke Pearson featuring performances by Pearson's band augmented by a choir, recorded over three sessions in 1969 and released on the Blue Note label.
I Don't Care Who Knows It is an album by American pianist and arranger Duke Pearson featuring performances recorded between 1968 and 1970. The album was released on the Blue Note label in 1996.
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Great Scott!! is an album by American jazz organist Shirley Scott recorded in 1964 for the Impulse! label.
Earth Music is the second studio album by the American rock band the Youngbloods, released in 1967. The album did not succeed, failing to chart.
Songs and Stories is a studio album by George Benson. The album was released by Concord on August 25, 2009. The album was produced by John Burk and Marcus Miller and featured a host of guest musicians.
In Your Eyes is a 1983 album by George Benson. It is his only album produced by producer Arif Mardin. It includes the hit "Lady Love Me ".
From the Heart is an album by jazz vocalist Etta Jones which was recorded in early 1962 and released on the Prestige label.
Madison Blues – Live & Studio Recordings is a compilation album by British blues rock band Fleetwood Mac, released in 2003. It is a compilation of BBC session tracks and live concert material from the band's second post-Peter Green lineup, none of which had previously been officially released.
Our Mann Flute is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1966. The album features tracks from sessions that produced the albums The Common Ground (1960), My Kinda Groove (1964) along with more recent recordings.
Goodies is the sixth album by jazz guitarist George Benson recorded in 1968 and released on the Verve label.
The Sound of Feeling is a jazz album featuring two separate groups featuring Oliver Nelson recorded in late 1966 and released on the Verve label. The split album begins with five tracks by the Los Angeles based group The Sound of Feeling, featuring identical twin vocalists Alyce and Rhae Andrece and pianist Gary David with the addition of soloist Nelson. Four tracks are by the Encyclopedia of Jazz All Stars, a big band drawn from the ranks of top New York studio musicians, arranged and conducted by Nelson which were recorded to accompany Leonard Feather's Encyclopedia of Jazz in the Sixties.
Love Remembers is the 28th album by George Benson, released June 8, 1993. This album charted at No. 1 on Billboard's Contemporary Jazz Albums chart, as well as No. 7 on its Jazz Albums chart.
