| Giblet Gravy | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1968 | |||
| Recorded | February 1968 | |||
| Studio | A&R Recording Studios and Capitol Recording Studios, New York City | |||
| Genre | Jazz | |||
| Length | 56:25 | |||
| Label | Verve | |||
| Producer | Esmond Edwards | |||
| George Benson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| allmusic.com |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
Giblet Gravy is the fourth album by jazz/soul guitarist George Benson.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Along Comes Mary" | Tandyn Almer | 3:02 |
| 2. | "Sunny" | Bobby Hebb | 2:56 |
| 3. | "What's New?" | Bob Haggart, Johnny Burke | 5:32 |
| 4. | "Giblet Gravy" | George Benson | 4:50 |
| 5. | "Walk On By" | Burt Bacharach, Hal David | 3:26 |
| 6. | "Thunder Walk" | Harold Ousley | 4:42 |
| 7. | "Sack O' Woe" | Cannonball Adderley | 3:08 |
| 8. | "Groovin'" | Eddie Brigati, Felix Cavaliere | 2:46 |
| 9. | "Low Down and Dirty" | Benson | 8:40 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 10. | "Billie's Bounce" | Charlie Parker | 6:14 |
| 11. | "What's New?" (Take 1) | Haggart, Burke | 5:41 |
| 12. | "What's New?" (Take 4) | Haggart, Burke | 5:28 |
| Total length: | 56:25 | ||
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Lite Me Up is a pop album with a strong disco-funk feel by Herbie Hancock. It was Hancock's twenty-eighth album and first release without producer David Rubinson since 1969. On this album, Hancock was influenced by his long-time friend, producer Quincy Jones and sessions included many musicians associated with Jones including Steve Lukather and Jeff Porcaro of Toto. The album was the first on which Hancock played the Synclavier, a digital polyphonic synthesizer.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Taru is an album recorded by jazz trumpeter Lee Morgan, recorded in 1968, but not released on the Blue Note label until 1980. The album features performances by Morgan, Bennie Maupin, John Hicks, George Benson, Reggie Workman and Billy Higgins.
Joyride is a 1965 studio album by jazz saxophonist Stanley Turrentine.
First Light is an album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group".
New York Big Band is a live album by George Russell released on the Italian Soul Note label in 1982, featuring performances by Russell with his New York Big Band recorded in 1978 and one track with The Swedish Radio Jazz Orchestra recorded in 1977 at the same concert that produced Vertical Form VI.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
Shape of Things to Come is the fifth studio album by the American guitarist George Benson, recorded in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Body Talk is a 1973 studio album by American guitarist George Benson, released on CTI Records.
The Teddy Charles Tentet is a 1956 jazz album featuring a tentet led by multi-instrumentalist Teddy Charles. Critically well received, the album is listed as one of the "Core Collection" albums in The Penguin Guide to Jazz and an essential recording in 2000's The Essential Jazz Records: Modernism to Postmodernism. Released originally in high fidelity vinyl by Atlantic, the album has been reissued on CD and LP multiple times since 2001.
Byrd at the Gate is an album by jazz guitarist Charlie Byrd, recorded at The Village Gate in 1963 and released on the Riverside label.
Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
Dot Com Blues is a 2001 album by the American jazz organist Jimmy Smith. The album was Smith's first recording for five years, and features guest appearances by B.B. King and Etta James.
Any Number Can Win is an album by the American jazz organist Jimmy Smith, arranged by Billy Byers and Claus Ogerman.
The New Sounds of Maynard Ferguson is an album by Canadian jazz trumpeter Maynard Ferguson recorded in 1963 which was originally released on the Cameo label.
McGriff's House Party is an album by organist Jimmy McGriff recorded in 1999 and released on the Milestone label the following year.
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