Good King Bad | ||||
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Studio album by | ||||
Released | June 1976 | |||
Recorded | July 1 & 8, October 9, and December 4–5, 1975 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 42:09 | |||
Label | CTI | |||
Producer | Creed Taylor | |||
George Benson chronology | ||||
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Good King Bad is the thirteenth studio album by American guitarist George Benson featuring performances recorded in 1975 and released by CTI Records in 1976. [1]
The Allmusic review states "The R&B elements get stronger, the sound and mix are more attuned to the dancefloor, yet this brings out the best in George Benson's funky side. Thanks in part to the more rigid beat, Benson pares down his style to its rhythmic essentials, refusing to spray notes all over the place at random, and as a result, the record cooks and dances". [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
Don't Mess With Mister T. is a Stanley Turrentine album produced by Creed Taylor on his label, CTI. It was arranged by Bob James and recorded at Van Gelder Studio in June 1973.
Turn This Mutha Out is a 1977 album by Idris Muhammad. Produced and arranged by CTI/Kudu staff arranger David Matthews, it was aimed more at the R&B/dance market than the jazz market. One of only a few Kudu albums not produced by label owner Creed Taylor himself, Turn This Mutha Out spawned two pop and R&B hits, the title track and "Could Heaven Ever Be Like This."
Shape of Things to Come is the fifth studio album by the American guitarist George Benson, recorded in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Taking Off is a studio album by David Sanborn, released in 1975 on Warner Bros. Records. The album reached number 19 on Billboard's Jazz Albums chart.
Three is the third album by jazz musician Bob James.
BJ4 is the fourth album by jazz pianist Bob James. Released in 1977, the album charted at number three on the Jazz Album Charts. This would be his last CTI album before starting his label Tappan Zee Records, named for one of the tracks on this album.
Heads is the fifth album by the jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed by Columbia Records. All of his Tappan Zee albums are distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
In the Beginning is a double album by flutist Hubert Laws released on the CTI and recorded at Rudy Van Gelder's studio in 1974. The album was later reissued on CTI as two separate volumes entitled Then There Was Light.
The Chicago Theme is an album by flautist Hubert Laws recorded at Rudy Van Gelder's Studio in New Jersey in 1974 and released in 1975 on the CTI label.
Anything Goes is an album by bassist Ron Carter recorded at Rudy Van Gelder's Studio in New Jersey in 1975 and released on the Kudu label.
The Rape of El Morro is an album by American arranger/conductor and composer Don Sebesky featuring performances recorded in 1975 and released on the CTI label.
Benson & Farrell is an album co-led by American guitarist George Benson and jazz saxophonist and flutist Joe Farrell; both artists had previously released several albums on the CTI label and had also contributed to the albums Free, CTI Summer Jazz at the Hollywood Bowl, and Giant Box.
End of a Rainbow is the debut album by American vocalist and songwriter Patti Austin recorded in 1976 and released on the CTI label.
Towering Toccata is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1976 and released on the CTI label.
Space is a compilation album by George Benson released in 1978 on CTI Records. It features his rendition of Sam & Dave's "Hold On, I'm Coming" recorded during the Good King Bad sessions as well as some additional songs from his Carnegie Hall performance.
Pacific Fire is an archival studio album by George Benson released in 1983 by CTI Records. This album consists of unreleased tracks recorded during the 1975 Good King Bad sessions. It is credited as the final release for CTI before the label temporarily folded until the 1990s. It was given its first ever official CD issue as a Japanese only release in 2017.
Tico Rico is a 1977 jazz/funk album recorded by saxophonist Hank Crawford and produced by Creed Taylor on the Kudu Records label. The music featured CTI recording artists including Eric Gale, Steve Gadd, Jon Faddis and Randy Brecker. It appeared at number 31 on Billboard Magazine's Best Selling Jazz LPs on October 8, 1977 and peaked at number 28.
Don't Stop the Music is the third album by the American jazz fusion group, the Brecker Brothers. It was released by Arista Records in 1977.
Legend is the ninth studio album by American singer John Legend. It was released on September 9, 2022, through John Legend Music Inc. and Republic Records.