| Walking to New Orleans | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 26 April 2019 | |||
| Genre | Jazz | |||
| Label | Provogue | |||
| Producer | Kevin Shirley | |||
| George Benson chronology | ||||
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Walking to New Orleans is a studio album by American guitarist and singer George Benson, released by Provogue Records on 26 April 2019. [1] It is Benson's first recording since Inspiration: A Tribute to Nat King Cole , which was released in 2013.
Benson made this album as a tribute to Fats Domino and Chuck Berry. In an interview, Benson said: ″I'm a great appreciator of the music made by both of those guys″; ″Chuck Berry was a great showman and a great musician, and Fats Domino cut nothing but hit after hit after hit″.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Nadine (Is It You)" | Chuck Berry | 3:53 |
| 2. | "Ain't That a Shame" | Fats Domino, Dave Bartholomew | 3:49 |
| 3. | "Rockin' Chair" | Fats Domino, Alvin E. Young | 3:39 |
| 4. | "You Can't Catch Me" | Chuck Berry | 3:35 |
| 5. | "Havana Moon" | Chuck Berry | 4:54 |
| 6. | "I Hear You Knocking" | Dave Bartholomew | 3:45 |
| 7. | "Memphis, Tennessee" | Chuck Berry | 3:19 |
| 8. | "Walking to New Orleans" | Bobby Charles, Fats Domino, Dave Bartholomew | 4:08 |
| 9. | "Blue Monday" | Dave Bartholomew | 3:03 |
| 10. | "How You've Changed" | Chuck Berry | 3:21 |
| Region | Date | Format | Label |
|---|---|---|---|
| United States | 26 April 2019 | ||
New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals. The style is characterized by syncopated "second line" rhythms, a strong backbeat, and soulful vocals. Artists such as Roy Brown, Dave Bartholomew, and Fats Domino are representative of the New Orleans R&B sound.
Walking Man is the fifth studio album by singer-songwriter James Taylor. Released in June 1974, it was not as successful as his previous efforts, reaching only No. 13 on the Billboard Album Chart and selling 300,000 copies in the United States. Until 2008's Covers, it was Taylor's only studio album not to receive a gold or platinum certification from the RIAA.
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