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Jerry Jemmott | |
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![]() Jemmott at the Beacon Theatre with the Allman Brothers Band, March 23, 2009 | |
Background information | |
Birth name | Gerald Stenhouse Jemmott |
Born | The Bronx, New York, U.S. | 22 March 1946
Genres | Soul, funk, jazz, blues, blues rock |
Occupation(s) | Musician, composer, educator |
Instrument(s) | Bass guitar, double bass |
Years active | 1958–present |
Labels | Atlantic, P-Vine, Whachagonnado? |
Website | jerryjemmott |
Gerald Stenhouse Jemmott (born March 22, 1946) is an American bass guitarist. Jemmott was one of the chief session bassists of the late 1960s and early 1970s, working with many of the period's well-known soul, blues, and jazz artists. [1] He has won two Grammy Awards.
Born in Morrisania, Bronx, New York City, in 1946, Jerry Jemmott began playing upright (acoustic) bass at the age of eleven after he discovered Paul Chambers. After switching to electric bass guitar, he was discovered by saxophonist King Curtis in 1967. [1] With his connection through Curtis to Atlantic Records, he soon began recording with other Atlantic recording artists, including Aretha Franklin, Ray Charles, Wilson Pickett, the Rascals, Roberta Flack, and Margie Joseph. He also recorded with B.B. King, Freddie King, Chuck Berry, Otis Rush, Champion Jack Dupree, and Mike Bloomfield, and accompanied Herbie Hancock, Freddie Hubbard, Erroll Garner, Les McCann, Eddie Harris, Houston Person, George Benson, Archie Shepp, Lionel Hampton, Herbie Mann, Eddie Palmieri, and Charles Earland. He played the bass line on the song "Mr. Bojangles" and contributed to B.B. King's "The Thrill Is Gone". Jemmott and Duane Allman would fly down to Muscle Shoals, to record for Atlantic. In 1971 King Curtis recorded his Rhythm & Blues hit, "Live at Filmore West" with Jerry Jemmott, Bernard Purdie, Billy Preston, and other members of the Kingpins.
After a near-fatal 1972 auto accident in Manhattan that also involved Roberta Flack and guitarist Cornell Dupree, Jemmott temporarily quit playing bass due to injuries he sustained, but would return in 1975 in the midst of the closure of many of the recording studios, due to emergence of compact home recording studios that utilized the syncing of the drum machine with the synthesizer, the precursor to the decline of recording industry and the emerging acceptance of the sound of digital recordings. He continued to work in film and theater as an arranger and conductor [1] with John Williams and the Boston Pops Orchestra. He was cited as a major influence by Jaco Pastorius, who incorporated Jemmott's funk bass lines into his own style. [2] Jemmott hosted the instructional video Modern Electric Bass (1985) which featured advice from Pastorius.
Jemmott began his solo career in 1978, playing jazz, blues, R&B, reggae, and soul as Jerry Jemmott & Souler Energy, a group that over the years included Steve Berrios, Eric Gale, Neal Creque, Patience Higgins, Lou Marini, Seldon Powell, Bernard Purdie, Arlen Roth, and Melvin Sparks. Later he formed Jerry Jemmott's The Right Reverend Jakie Neckbone Jubilee Special, [3] and performed a mix of his original "cool groove" songs with his classic hits, in addition to presenting his "Soul Kitchen" improvisation workshops and clinics. That band members were singers Tina Fabrique, Connie Fredericks - Malone, Frankie Paris, Angel Rissoff, Catherine Russell, and Stan Wright. Drummers Tony Thunder Smith, Tom Kaelin, and others. During this period he was also a member of the Jimmy Owens Quartet, who made several trips to Europe, The Middle East and Africa for the U.S State Department, along with Dizzy Gillespie, the Heath Brothers, and Sonny Fortune . The group included guitarist Eric "Fabulous J" Johnson, drummer Daryl Washington, brother of Grover Washington Jr. During this period of creative he got drummer Herbie Lovelle out of retirement to record Robert Johnson's music for producers Gene Heimlich and Clark Dimond. The album was Incarnation and it featured vocalist/actor Tucker Smallwood and guitarist Arlen Roth, guitarist Pat Conte, TC James on keyboards and Jemmott on bass. Of note it was not released until 1994 with non existent exposure, but was reissued in 2019 as The Incarnation Blues Band On Soulitude Records.
Jemmott recorded solo albums for P-Vine Records, Caught in the Low Beam and The New York View, and Make It Happen! for WhatchaGonnaDo Records. He has written articles, books, and released audio and video bass instruction materials. He is the recipient of the 2001 Bass Player magazine's Lifetime Achievement Award and Chairman of the Electric Bass Department at the Richard Davis Foundation for Young Bassists.
In 2006, he joined Gregg Allman's backing band ("Gregg Allman & Friends"), in addition to Cornell Dupree's Soul Survivors. That same year, he was one of many guests at The Allman Brothers Band's 40th anniversary at the Beacon Theatre in New York City. In 2014 he rejoined Aretha Franklin on the David Letterman Show, Rolling in The Deep. He developed a universally recognizable ColorSoundMusic Learning System envisioned by Herbie Lovelle that he teaches at his Clinics and Workshops.
In 2023, Jemmott published his autobiography, MAKE IT HAPPEN!: The Life and Times of "The Groovemaster", Bassist Jerry Jemmott, in collaboration with editor William Knoblauch. [4]
With Nina Simone
With Erma Franklin
With Lorraine Ellison
With King Curtis
With King Curtis and Champion Jack Dupree
With Lightnin' Rod
With Carly Simon
With Al Kooper
With Aretha Franklin
With Janis Ian
With Freddie Hubbard
With George Benson
With Wilson Pickett
With Gil Scott Heron
With Mike Bloomfield and Al Kooper
With Candido Camero
With Hank Crawford
With Ben E. King
With Archie Shepp
With Eddie Harris
With B.B. King
° Live and Well (ABC Records, 1968)
With Herbie Mann
With Laura Nyro
With Houston Person
With Shirley Scott
With The Thad Jones & Mel Lewis Orchestra
William Thomas "Champion Jack" Dupree was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Cornell Luther Dupree was an American jazz and R&B guitarist. He worked at various times with Aretha Franklin, Bill Withers, Donny Hathaway, King Curtis, and Steve Gadd, appeared on Late Night with David Letterman, and wrote a book on soul and blues guitar, Rhythm and Blues Guitar. He reportedly recorded on 2,500 sessions.
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Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
Charles Walter Rainey III is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones. Rainey is credited for playing bass on more than 1,000 albums, and is one of the most recorded bass players in the history of recorded music.
David "Fathead" Newman was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.
Delaney & Bonnie were an American duo of singer-songwriters Delaney Bramlett and Bonnie Bramlett. In 1969 and 1970, they fronted a rock/soul ensemble, Delaney & Bonnie and Friends, whose members at different times included Duane Allman, Gregg Allman, Eric Clapton, George Harrison, Leon Russell, Bobby Whitlock, Dave Mason, Steve Howe, Rita Coolidge, and King Curtis.
Bernard Lee "Pretty" Purdie is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time-keeping and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle." He was inducted into the Modern Drummer Hall of Fame in 2013.
This Girl's in Love with You is the sixteenth studio album by American singer Aretha Franklin, released on January 15, 1970 by Atlantic Records. It reached Billboard's Top 20 and was reissued on compact disc through Rhino Records in 1993. Her version of The Beatles' "Let It Be" was the first recording of the song to be commercially issued. Songwriter Paul McCartney sent Franklin and Atlantic Records a demo of the song as a guide.
Aretha Live at Fillmore West is a live album by American singer Aretha Franklin. Released on May 19, 1971, by Atlantic Records. It was reissued on compact disc in 1993 through Rhino Records. An expanded, limited edition 4-CD box set entitled, Don't Fight the Feeling: The Complete Aretha Franklin & King Curtis Live at Fillmore West was released by Rhino in 2005. This was limited to 5000 numbered copies. In addition, there is a guest duet vocal by Ray Charles on "Spirit in the Dark".
Push Push is a 1971 instrumental album by jazz flutist Herbie Mann, on his Embryo Records label with Atlantic, which features rock guitarist Duane Allman. The record explored a range of popular genres, such as R&B, rock and funk music to create what AllMusic calls a "generally appealing, melodic and danceable" album with an "impressive crew of musicians".
Everett Barksdale was an American jazz guitarist and session musician.
Thomas Clark Cogbill was an American bassist, guitarist and record producer known for his work in R&B, soul and country music.
Mourning In the Morning is an album by the American blues singer and guitarist Otis Rush, released in 1969. Characterized as his first album, Rush had been cutting singles since 1955. The album fuses Rush's deep blues sound with soul and rock. The album was panned by many critics, but has since developed a cult following.
Live at Fillmore West is an album by King Curtis, released in 1971. The album showcases the concert he played with his band the Kingpins at the Fillmore West venue in San Francisco in March 1971 who were supporting and backing soul singer Aretha Franklin. A week after its release in August 1971, Curtis was stabbed to death outside his brownstone apartment in New York City.
Gene Orloff was an American violinist, concertmaster, arranger, contractor and session musician.
Jimmy Lewis was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s. He died in 2000.
The Very Best of Aretha Franklin, Vol. 1 is a compilation album by singer Aretha Franklin, released by Rhino Records in March 1994. The album compiles 13 of her first 14 singles for Atlantic Records all of which were recorded during the 1960s. The original recordings were produced by Jerry Wexler, and this compilation was certified platinum by the RIAA.
The Atlantic Singles Collection 1967–1970 is a compilation album of singer Aretha Franklin, released by Rhino Records in September 2018. The album contains her first 17 singles for Atlantic Records released in the United States from her debut for the label "I Never Loved a Man " of February 1967 through "Border Song " of October 1970. The Amazon sales website identifies these as digitally remastered versions of the original mono issues, although that is not indicated in the set's liner notes or packaging. The original recordings were produced by Jerry Wexler, at times in collaboration with Tom Dowd and Arif Mardin.