There Must Be a Better World Somewhere is a studio album by B. B. King, released in 1981. It was awarded the Grammy Award for Best Ethnic or Traditional Recording the following year.
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard.
Live at the Apollo is a blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album.
Gerald Stenhouse Jemmott is an American bass guitarist. Jemmott was one of the chief session bass guitarists of the late 1960s and early 1970s, working with many of the period's well-known soul, blues and jazz artists.
The Circle Game is the 1968 album from folk rock musician Tom Rush. He covers three songs from fellow singer-songwriter Joni Mitchell, as well as songs by Jackson Browne and James Taylor. Rush himself wrote "Rockport Sunday" and his classic, often-covered tune "No Regrets" which has become a folk standard and has been covered by several dozen artists, including Emmylou Harris, The Walker Brothers, Olivia Newton-John, indie-pop group Luna, and Curtis Stigers. In addition to his original rendition here, Rush himself later made a radically different version for Columbia Records featuring a screaming electric guitar solo.
Lucille is the fifteenth album by blues artist B. B. King. It is named for his famous succession of Gibson guitars, currently the Signature ES-355.
Indianola Mississippi Seeds is B. B. King's eighteenth studio album. It was released in October 1970 on ABC Records on LP and May 1989 on MCA Records on CD. On this album B. B. King mixed elements of blues and rock music. Producer Bill Szymczyk decided to follow up on the success of the hit "The Thrill Is Gone" by matching King with a musical all-star cast. The result was one of King's most critically acclaimed albums and one of the most highly regarded blues crossover albums of all time.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men. King's set list consisted mostly of slow blues songs, which had been hits earlier in his career. When King told ABC Records about the upcoming performance, he was advised to bring along press and recording equipment.
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician.
Guess Who is a studio album by B. B. King. It was released in 1972 by ABC Records.
Live in Japan is a live album by B. B. King recorded in Sankei Hall, Tokyo on March 4 and 7, 1971 and released 1971 only in Japan as double LP. It was reissued 1999 for the first time outside Japan.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998.
Bobby Bland and B. B. King Together Again...Live is a live album recorded in 1976 at the Coconut Grove in Los Angeles by Bobby Bland and B. B. King.
Singin' the Blues is the first LP album by American bluesman B.B. King, released in 1957 by the Bihari brothers on their Crown budget label. It is a compilation album whose songs were issued between 1951 and 1956 on singles by RPM Records and most had reached the Top 10 on Billboard's Race/R&B singles charts. King continued to perform and record several of the songs throughout his career, such as "Every Day I Have the Blues", "Woke Up This Morning", and "Sweet Little Angel".
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
Blues Around the Clock is an album by blues vocalist Jimmy Witherspoon which was recorded in 1963 and released on the Prestige label.
The London Muddy Waters Sessions is a studio album by Muddy Waters, released in 1972 on Chess Records. A follow-up to 1971's The London Howlin' Wolf Sessions, the concept was to combine American bluesmen with British blues/rock stars. The album was an attempt to capitalise on the increasing popularity of traditional blues music and blues artists in Britain.
Blues Is King is a live album by blues musician, B.B. King. It was recorded in Chicago in 1966 and released by the BluesWay label in 1967.
The Blues is the second album by blues artist B.B. King, released in 1958 by the Bihari brothers on their budget Crown label. The album collects 12 tracks that King recorded between 1951 and 1958 for Kent and RPM. As common practice with the record label, Crown released The Blues off the strength of the single "When My Heart Beats Like a Hammer", a Top 10 R&B chart single in 1958, to help sell a collection of less-popular songs. King's signature style of single-note riffs and powerful string bends is present on the album, however it is also commanded by horn-driven performances
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