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| Live at San Quentin | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | 1990 | |||
| Recorded | May 25, 1990 | |||
| Venue | San Quentin Prison | |||
| Genre | Blues | |||
| Length | 64:13 | |||
| Label | MCA | |||
| Producer |
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| B.B. King chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| The Penguin Guide to Blues Recordings | [2] |
| Select |   [3] |
Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California. [4]
Live Wire/Blues Power is a blues album by Albert King. It was recorded live in 1968 at the Fillmore Auditorium. Leftovers from the recordings were released on the albums Wednesday Night in San Francisco and Thursday Night in San Francisco.
Thursday Night in San Francisco is a blues album by Albert King, recorded live in 1968 at the Fillmore Auditorium. This album, together with Wednesday Night in San Francisco, contains leftovers recorded live on the same dates as Live Wire/Blues Power. Thursday Night in San Francisco, released in 1990, contains material recorded on June 27, 1968.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Live at the Apollo is a blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album.
The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers were significant figures in the process that transformed rhythm and blues into rock and roll, which appealed to white audiences in the 1950s.
Johnny Winter is Johnny Winter's second studio album. Columbia Records released the album in 1969, after signing Winter to the label for a reported $600,000. As with his first album, The Progressive Blues Experiment, Winter mixes some original compositions with songs originally recorded by blues artists. The album reached number 24 on the Billboard 200 albums chart.
Let the Good Times Roll: The Music of Louis Jordan is the thirty seventh studio album by B. B. King, released in 1999. It is a tribute album to jazz saxophonist and singer Louis Jordan, and is made up entirely of covers of songs written or performed by Jordan. The album was released in 1999 on MCA Records.
Completely Well, released in 1969, is a studio album by the blues guitarist B. B. King. It is notable for the inclusion of "The Thrill Is Gone", which became a hit on both the R&B/soul and pop charts and which earned him a Grammy Award for Best Male R&B Vocal Performance in 1970.
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician.
Guess Who is a studio album by B. B. King. It was released in 1972 by ABC Records.
Makin' Love Is Good for You is a 2000 album by American blues musician B. B. King, his thirty-eighth studio album.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
L.A. Midnight is the twentieth studio electric blues album by B.B. King released in 1972. It features two extended guitar jams with fellow guitarists Jesse Ed Davis and Joe Walsh. It also features Taj Mahal on harmonica and guitar.. "Can't You Hear Me Talking To You" also features Davis on guitar.
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
Blues Summit is the thirty-third studio album by B.B. King released in 1993 through the MCA label. The album reached peak positions of number 182 on the Billboard 200, and number 64 on Billboard's R&B Albums chart. The album won a Grammy Award in 1994 for Best Traditional Blues Album.
Dot Com Blues is a 2001 album by the American jazz organist Jimmy Smith. The album was Smith's first recording for five years, and features guest appearances by B.B. King and Etta James.
Rocks The Blues is the first album credited to musician Ike Turner. Released in 1963 from Crown Records, it contains mostly previously released singles from the 1950s.
Blues Is King is a live album by blues musician, B.B. King. It was recorded in Chicago in 1966 and released by the BluesWay label in 1967.
Live at Sugar Hill is a live album by blues musician John Lee Hooker recorded in California in 1962 and released by the Galaxy label. The album was reissued in 1974 by Fantasy as the first disc of the double LP Boogie Chillun which added ten additional previously unreleased recordings from the same concerts.
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