Live Wire/Blues Power is a blues album by Albert King. It was recorded live in 1968 at the Fillmore Auditorium. Leftovers from the recordings were released on the albums Wednesday Night in San Francisco and Thursday Night in San Francisco.
Thursday Night in San Francisco is a blues album by Albert King, recorded live in 1968 at the Fillmore Auditorium. This album, together with Wednesday Night in San Francisco, contains leftovers recorded live on the same dates as Live Wire/Blues Power. Thursday Night in San Francisco, released in 1990, contains material recorded on June 27, 1968.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Blues Alive is a live album by Northern Irish guitarist Gary Moore, released in May 1993. It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums. It was by far the most successful of all his live albums, reaching number 8 on the UK Albums Chart and being certified Gold. Its release was preceded by the single "Parisienne Walkways" (live).
The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers were significant figures in the process that transformed rhythm and blues into rock and roll, which appealed to white audiences in the 1950s.
Completely Well, released in 1969, is a studio album by the blues guitarist B. B. King. It is notable for the inclusion of "The Thrill Is Gone", which became a hit on both the R&B/soul and pop charts and which earned him a Grammy Award for Best Male R&B Vocal Performance in 1970.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men. King's set list consisted mostly of slow blues songs, which had been hits earlier in his career. When King told ABC Records about the upcoming performance, he was advised to bring along press and recording equipment.
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician.
Guess Who is a studio album by B. B. King. It was released in 1972 by ABC Records.
Makin' Love Is Good for You is a 2000 album by American blues musician B. B. King, his thirty-eighth studio album.
Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California.
Singin' the Blues is the first LP album by American bluesman B.B. King, released in 1957 by the Bihari brothers on their Crown budget label. It is a compilation album whose songs were issued between 1951 and 1956 on singles by RPM Records and most had reached the Top 10 on Billboard's Race/R&B singles charts. King continued to perform and record several of the songs throughout his career, such as "Every Day I Have the Blues", "Woke Up This Morning", and "Sweet Little Angel".
My Kind of Blues is the seventh studio album by American bluesman B.B. King. According to biographer David McGee, the songs were recorded in 1958 at the Chess Records studios in Chicago. However, researcher Colin Escott identifies the recordings as being from a March 3, 1960 session, when King was under contract to the Bihari brothers and recorded in the Los Angeles area.
The Best of the Blues is a 2002 two-CD compilation album by Gary Moore. The first disc contains songs from his 1990s blues albums After Hours, Blues Alive, Blues for Greeny and, most prominently, Still Got the Blues. The second disc is entirely live. Both discs feature blues veterans Albert King, B. B. King and Albert Collins as guest artists.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
Together for the First Time... Live is a 1974 blues album by singer Bobby Bland and guitarist B. B. King. The duo later recorded Bobby Bland and B. B. King Together Again...Live. Bland and King toured together extensively in the 1970s and 1980s, which did much to keep their careers alive during a period of otherwise popular decline for the blues genre.
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
Blues Summit is the thirty-third studio album by B.B. King released in 1993 through the MCA label. The album reached peak positions of number 182 on the Billboard 200, and number 64 on Billboard's R&B Albums chart. The album won a Grammy Award in 1994 for Best Traditional Blues Album.
Dot Com Blues is a 2001 album by the American jazz organist Jimmy Smith. The album was Smith's first recording for five years, and features guest appearances by B.B. King and Etta James.
Rocks The Blues is the first album credited to musician Ike Turner. Released in 1963 from Crown Records, it contains mostly previously released singles from the 1950s.
