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Live at the Apollo | ||||
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Live album by | ||||
Released | April 16, 1991 | |||
Recorded | November 10, 1990 | |||
Venue | Apollo Theater, New York City | |||
Genre | Blues | |||
Length | 43:34 | |||
Label | GRP | |||
Producer | Carl Griffin, Josiah Gluck, Sidney A. Seidenberg | |||
B.B. King chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Blues Recordings | [2] |
Live at the Apollo is a blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album. [3]
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
There Must Be a Better World Somewhere is a studio album by B. B. King, released in 1981. It was awarded the Grammy Award for Best Ethnic or Traditional Recording the following year.
Guess Who is a studio album by B. B. King. It was released in 1972 by ABC Records.
B.B. King in London is a studio album by B.B. King, recorded in London in 1971. He is accompanied by US session musicians and various British rock- and R&B musicians, including Ringo Starr, Alexis Korner and Gary Wright, as well as members of Spooky Tooth and Humble Pie, Greg Ridley, Steve Marriott, and Jerry Shirley.
Bobby Bland and B. B. King Together Again...Live is a live album recorded in 1976 at the Coconut Grove in Los Angeles by Bobby Bland and B. B. King.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
L.A. Midnight is the twentieth studio electric blues album by B.B. King released in 1972. It features two extended guitar jams with fellow guitarists Jesse Ed Davis and Joe Walsh. It also features Taj Mahal on harmonica and guitar.. "Can't You Hear Me Talking To You" also features Davis on guitar.
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
Central Park North is a 1969 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1969 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
One Kind Favor is B.B. King's forty-second and final studio album. Produced by T Bone Burnett, it was released on August 26, 2008, by Geffen Records.
Buddy & Soul is a 1969 live album by the Buddy Rich Big Band, recorded at the Whisky a Go Go club in West Hollywood, California.
Phantasies II is an album by the American jazz pianist Jaki Byard with the Apollo Stompers, recorded in 1988 and released on the Italian Soul Note label. The album follows Byard's big band tributes album Phantasies (1984).
Dinah Washington Sings Fats Waller is a seventh studio album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1990 as The Fats Waller Songbook. In the album Washington covers 12 songs that have been penned or performed by jazz pianist, organist, singer and songwriter Fats Waller. Allmusic details the album in its review as saying: "Dinah Washington Sings Fats Waller appropriately brings together Waller's vivacious songs and Washington's demonstrative vocal talents. The jazz diva effortlessly handles Waller classics while turning in particularly emotive renditions. Adding nice variety to the already strong set, Washington's husband at the time, saxophonist Eddie Chamblee, joins the singer for playful duets on "Honeysuckle Rose" and "Everybody Loves My Baby".
Mr. Drums: Buddy Rich & His Band Live on King Street, San Francisco is a 1985 recording made by jazz drummer Buddy Rich and his Big Band. It is the final album released during Rich's lifetime.
Joe Cool's Blues is an album by jazz trumpeter Wynton Marsalis and his father Ellis Marsalis that was released in 1995. The album reached a peak position of No. 3 on Billboard's Top Jazz Albums chart.
1929–1933 is a 1990 compilation album collecting material recorded by Henry "Red" Allen and his orchestra during the years 1929 to 1933. The first of five CDs released by Chronological Classics, the album is rated part of the "core collection" by the Penguin Guide to Jazz. Allen and Coleman Hawkins shared leadership of the band.
I Heard You Twice the First Time is a jazz album by Branford Marsalis that explores different aspects of the blues, featuring guest appearances from B.B. King, John Lee Hooker, Russell Malone, Wynton Marsalis and Linda Hopkins. It peaked at number 1 on the Top Jazz Albums chart. The album won the Grammy Award for Best Jazz Instrumental Performance, Individual or Group.
Dot Com Blues is a 2001 album by the American jazz organist Jimmy Smith. The album was Smith's first recording for five years, and features guest appearances by B.B. King and Etta James.
All Blues is an album by the GRP All-Star Big Band that won the Grammy Award for Best Large Jazz Ensemble Performance in 1996.
Blues Is King is a live album by blues musician, B.B. King. It was recorded in Chicago in 1966 and released by the BluesWay label in 1967.