Highlife | ||||
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Studio album by | ||||
Released | Early August 1963 [1] | |||
Recorded | April 1963 Webster Hall, New York City | |||
Genre | Jazz | |||
Length | 36:55 | |||
Label | Colpix CP 456 | |||
Producer | Jack Lewis | |||
Randy Weston chronology | ||||
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Highlife (full title Music from the New African Nations featuring the Highlife) is an album by American jazz pianist Randy Weston recorded in 1963 and originally released on the Colpix label. [2] Weston had traveled to Africa for the first time in 1961 for a series of concerts in Lagos, Nigeria, sponsored by the American Society of African Culture, and the album is inspired by the music of the African continent, in particular the highlife genre of West Africa. [3]
Review scores | |
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Source | Rating |
Allmusic | [4] |
Allmusic awarded the album 5 stars, with its reviewer Scott Yanow stating: "Highly recommended, these sessions are among the recorded highpoints of Randy Weston's productive career." [4]
All compositions by Randy Weston except as indicated
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
The Symphonic Ellington is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963. The album features recordings of Ellington's orchestra with the Paris Symphony Orchestra, the Stockholm Symphony Orchestra, the Hamburg Symphony Orchestra, and the La Scala Symphony Orchestra.
Flight to Jordan is an album by American pianist Duke Jordan recorded in 1960 and released on the Blue Note label.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
Back from the Gig is a double LP by American jazz saxophonist Booker Ervin featuring performances recorded in 1963 and 1968 but not released on the Blue Note label until 1976. The earlier session was later released in 1988 as originally intended under Horace Parlan's name as Happy Frame of Mind and the later session was finally released in 2005 as Tex Book Tenor.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Bright Moments is an album by American jazz drummer Max Roach, recorded in 1986 for the Italian Soul Note label.
Crash! is an album by guitarist Kenny Burrell with organist Brother Jack McDuff's Quartet recorded in 1963 and released on the Prestige label.
The Modern Art of Jazz by Randy Weston is a jazz album by American pianist Randy Weston recorded in 1956 and released on the Dawn label.
Little Niles is an album by American jazz pianist Randy Weston recorded in 1958 and first released on the United Artists label. The album was later released as part of a Blue Note compilation under the same title. All the tracks are Weston originals and, as indicated in the LP's liner notes by Langston Hughes, the album was inspired by Weston's children Niles and Pamela, who are directly referenced in "Little Niles" and "Pam's Waltz" and feature in the cover photograph. As Hughes notes of the compositions, "All in three-quarter time, these charming little vignettes escape rigidity of beat by a fluid flow of counter-rhythms and melodies, one against another, that brings continuous delight."
Uhuru Afrika is an album by American jazz pianist Randy Weston recorded in 1960 and originally released on the Roulette label. The album features lyrics and liner notes by the poet Langston Hughes and was banned in South Africa in 1964, at the same time as was Lena Horne's Here's Lena Now!, with copies of the albums being seized in Johannesburg and Cape Town.
Randy is an album by American jazz pianist Randy Weston recorded in 1964 and originally released on Bakton, Weston's own label. The album was later reissued in 1972 on the Atlantic label under the title African Cookbook.
Carnival is a live album by American jazz pianist Randy Weston recorded in 1974 at the Montreux Jazz Festival and originally released on the Freedom label in 1975.
Tanjah is a studio album by American jazz pianist Randy Weston recorded in May 1973 in New York City and originally released on the Polydor label.
Monterey '66 is a live album by American jazz pianist Randy Weston recorded in 1966 at the Monterey Jazz Festival but not released on the Verve label until 1994.
It's Magic is the third album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1958 for the Riverside label.
Takin' Care of Business is an album led by American jazz saxophonist Charlie Rouse which was recorded in 1960 for the Jazzland label.
Cracklin' is an album recorded by American jazz drummer Roy Haynes with tenor saxophonist Booker Ervin and released in July 1963 by Prestige Records. The two tracks written by pianist Ronnie Mathews–"Honeydew" and "Dorian"– were also released on single by the parent Prestige label.
The Brecker Bros. Collection, Vol 1 is a compilation album by the American jazz fusion group, the Brecker Brothers. It was released by Novus Records in 1990. A second compilation, The Brecker Bros. Collection, Vol 2, was released in 1991.
Wildflowers: The New York Loft Jazz Sessions is a series of five albums recorded May 14–23, 1976 at Studio Rivbea, a loft jazz space in New York City, run by Sam Rivers and his wife Bea. The albums include performances by groups led by musicians such as Hamiet Bluiett, Anthony Braxton, Marion Brown, Dave Burrell, Andrew Cyrille, Oliver Lake, Jimmy Lyons, Ken McIntyre, Kalaparusha Maurice McIntyre, Roscoe Mitchell, David Murray, Sunny Murray, Sam Rivers, Leo Smith, Henry Threadgill, and Randy Weston. The recordings were originally released in 1977 on the Douglas and Casablanca labels as five separate LPs, and were reissued in 1999 by Knit Classics as a 3-CD set.