| Newport Rebels | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Jazz Artists Guild | ||||
| Released | 1961 | |||
| Recorded | November 1 & 11, 1960 | |||
| Studio | Nola Penthouse Studios in NYC | |||
| Genre | Jazz | |||
| Length | 39:34 | |||
| Label | Candid CJM-8022/CJS-9022 | |||
| Charles Mingus chronology | ||||
| ||||
Newport Rebels is an album by various artists released under the Jazz Artists Guild, led by bassist Charles Mingus and drummer Max Roach, that was recorded in November 1960 and released on the Candid label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| DownBeat |  [3] |
The contemporaneous DownBeat reviewer commented: "One of the non-insignificant faults of this album is a looseness that induces sloppy playing", and identified Jones as the main culprit. [3] AllMusic reviewer Scott Yanow states: "In 1960 bassist Charles Mingus helped to organize an alternative Newport Jazz Festival in protest of Newport's conservative and increasingly commercial booking policy. The music on this LP (which has been reissued on CD) features some of the musicians who participated in Mingus's worthy if short-lived venture". [2]
Clifford Benjamin Brown was an American jazz trumpeter and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Saxophone Colossus is the sixth studio album by American jazz saxophonist Sonny Rollins. Perhaps Rollins's best-known album, it is often considered his breakthrough record. It was recorded monophonically on June 22, 1956, with producer Bob Weinstock and engineer Rudy Van Gelder at the latter's studio in Hackensack, New Jersey. Rollins led a quartet on the album that included pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach. Saxophone Colossus was released by Prestige Records to critical success and helped establish Rollins as a prominent jazz artist.
Jonathan David Samuel Jones was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones.
Clifford Laconia Jordan was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
Eddie Locke was an American jazz drummer.
Reincarnation of a Lovebird is a studio album by the American jazz bassist and composer Charles Mingus, recorded in November 1960.
Booker Little is an album by American jazz trumpeter Booker Little featuring performances recorded in 1960 for the Time label.
Booker Little 4 and Max Roach is an album by American jazz trumpeter Booker Little featuring performances recorded in 1958 for the United Artists label.
Jazz Composers Workshop is an album featuring jazz bassist Charles Mingus. It combines the earlier album Moods of Mingus with a Wally Cirillo session released earlier on the album Wally Cirillo & Bobby Scott. It was released on the Savoy label.
Mingus at Monterey is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.
Kenny Burrell is an album by guitarist Kenny Burrell recorded in 1957 and released on the Prestige label.
Mingus in Europe Volume II is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 in Germany and released on the Enja label in 1980.
Hawkins! Eldridge! Hodges! Alive! At the Village Gate! is a live album by saxophonists Coleman Hawkins and Johnny Hodges with trumpeter Roy Eldridge which was recorded at the Village Gate in 1962 and released on the Verve label.
The Main Man is an album by drummer Jo Jones recorded in 1976 and released by the Pablo label the following year.
In 1989, Archie Bleyer's early-1960s Candid Records catalog was bought by Black Lion Productions based in London, which reissued the label's legacy vinyl records into the Compact Disc format, and further adapted its distribution towards music download technology in the succeeding decades. The revitalized Candid Records (UK) subsequently produced new, contemporary jazz recordings to further expand its line.
