Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the Sextet's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Samuel Jones was an American jazz double bassist, cellist, and composer.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
Much Brass is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley's Sextet with Slide Hampton, Wynton Kelly, Sam Jones, Laymon Jackson, and Albert Heath.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Naturally! is an album by jazz cornetist Nat Adderley released on the Jazzland label featuring performances by Adderley with two separate groups, the first featuring Joe Zawinul, Sam Jones, and Louis Hayes, and the second with Wynton Kelly, Paul Chambers, and Philly Joe Jones.
Out of the Blue is an album by American jazz saxophonist Sonny Red recorded on December 5, 1959 and January 23, 1960 and released on Blue Note in 1960.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
The Thumper is the debut album by saxophonist Jimmy Heath featuring performances recorded in 1959 originally released on the Riverside label.
Tate Houston was a Detroit-based American baritone and tenor saxophonist.
The New Scene of King Curtis is an album by saxophonist King Curtis recorded for the New Jazz label in 1960. The album features Nat Adderley who performed under the pseudonym "Little Brother" on the original release due to contractual restrictions.
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.
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