The New Scene of King Curtis | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1960 | |||
Recorded | April 21, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 40:06 | |||
Label | New Jazz NJ 8237 | |||
Producer | The Sound of America | |||
King Curtis chronology | ||||
|
The New Scene of King Curtis is an album by saxophonist King Curtis recorded for the New Jazz label in 1960. [1] [2] The album features Nat Adderley who performed under the pseudonym "Little Brother" on the original release due to contractual restrictions.
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Eugene Chadbourne's review on AllMusic states: "for the 1960 recording, Curtis is accompanied by two-thirds of a famous Miles Davis rhythm section as well as a drummer who eventually became prominent on the Parisian swing scene ... Chambers and Kelly can not be too strongly emphasized as components of this brilliant group, carrying over their assets to the Curtis session as if shifting boxes from one side of a garage to another". [3]
All compositions by King Curtis except where noted
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1965), and "Yakety Yak" by The Coasters (1958) and his own "Soul Serenade" (1964) and "Memphis Soul Stew" (1967).
James Carl Inkanish, Jr., known professionally as Jimmy Carl Black, was a drummer and vocalist for The Mothers of Invention.
Edwin LeMar "Buddy" Cole, was a jazz pianist, organist, orchestra leader, and composer. He played behind a number of pop singers, including Rosemary Clooney and Bing Crosby.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Curtis DuBois Fuller was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.
The Audience with Betty Carter is a 1980 live double album by the American jazz singer Betty Carter.
Whatever Happened to Love? is a 1982 live album by the American jazz singer Betty Carter. It is her only live album to include a string section on some tracks.
Sylvester Kyner Jr., known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Informal Jazz is an album by jazz musician Elmo Hope, released in September or October 1956 on Prestige Records. It was reissued in 1969 under the title Two Tenors, and under the billing of Hope's sidemen for the session, John Coltrane and Hank Mobley.
Theodore Dudley "Red" Saunders was an American jazz drummer and bandleader. He also played vibraphone and timpani.
Kelly at Midnight is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers and Philly Joe Jones recorded in 1960.
The Grip is a live debut album by jazz saxophonist Arthur Blythe which was recorded at the Brook, New York City in 1977 and released on the India Navigation label. The album was released on CD as a compilation with Metamorphosis which was recorded at the same concert.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
The Opener is an album by American trombonist Curtis Fuller, recorded in 1957 and released on the Blue Note label as BLP 1567.
The Orthotonics were an American experimental rock and free improvisation group from Richmond, Virginia. They began in 1979 as the Ortho-Tones, but changed their name to the Orthotonics in 1982. The group released three albums before splitting up in 1989.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
The Curtis Fuller Jazztet is an album by American trombonist Curtis Fuller with saxophonist Benny Golson, recorded in 1959 and released on the Savoy label.
Manhattan Tango is a live album by multi-instrumentalist Joe McPhee and flautist Jérôme Bourdellon recorded in New York in 2000 and first released on the French Label Usine.
Jazz Is a Kick is an album by jazz trombonist and arranger Bob Brookmeyer recorded in 1960 for the Mercury label.
Les McCann Ltd. in New York is a live album by pianist Les McCann recorded in 1961 and released on the Pacific Jazz label.