Ray Charles: In Person | ||||
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Live album by | ||||
Released | July 1960 | |||
Recorded | May 28, 1959 | |||
Venue | Herndon Stadium, Morris Brown College, Atlanta, Georgia | |||
Genre | R&B | |||
Length | 29:19 | |||
Label | Atlantic | |||
Producer | Zenas "Daddy" Sears | |||
Ray Charles chronology | ||||
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Re-issue cover | ||||
Review scores | |
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Source | Rating |
Allmusic | [1] |
In Person is a live album recorded by Ray Charles on May 28, 1959 on a rainy night in Atlanta, Georgia at Morris Brown College's Herndon Stadium. All tracks from this album together with those from Ray Charles at Newport were also released on the 1987 Atlantic compilation CD, Ray Charles Live .
The album was recorded by the concert sponsor, radio station WAOK. The station's lead disk jockey, Zenas "Daddy" Sears, recorded the album for the audience using a single microphone. The album is noted for its technical excellence in balancing band, singer, and audience, and also for its documentation of the jazzy R&B Ray Charles sound prior to his great crossover success. The album was inducted into the Grammy Hall of Fame in 1999.
The track "Yes, Indeed" was recorded live at the Newport Jazz Festival on July 5, 1958, with Lee Harper replacing John Hunt on trumpet and Richie Goldberg replacing Teagle Fleming on drums. [3]
The Genius of Ray Charles is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
Ray Charles Live is a double LP compilation album by Ray Charles, released by Atlantic Records in 1973. It consists of live concert recordings previously released on Ray Charles at Newport and Ray Charles in Person. Later CD re-issues of this compilation include an additional, previously unreleased, track from the 1958 Newport concert, "Swanee River Rock".
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
The Great Ray Charles is the second studio album by American musician Ray Charles, released in 1957 by Atlantic Records. An instrumental jazz album, it features cover art designed by Marvin Israel. Later CD re-issues of The Great Ray Charles often include six out of the eight songs from the 1961 album The Genius After Hours, as bonus tracks.
"Diminuendo and Crescendo in Blue" is a jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra with Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarinet), Johnny Hodges, Otto Hardwick, Laurence Brown, Joe Nanton (trombone), Harry Carney, Sonny Greer (drums), Wellmann Braud (bass), Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves's tenor saxophone solo.
Ray Charles at Newport is a 1958 live album of Ray Charles' July 5, 1958 performance at the Newport Jazz Festival. The detailed liner notes on the album were written by Kenneth Lee Karpe. All tracks from this Newport album, along with all tracks from his 1959 Herndon Stadium performance in Atlanta, were also released on the Atlantic compilation LP Ray Charles Live. A later CD reissue of that compilation album included a previously unissued song from the 1958 Newport concert, "Swanee River Rock".
The Genius Hits the Road is a 1960 album by Ray Charles. The concept album focuses on songs written about various parts of the United States. It peaked at number nine on the pop album charts and produced a US #1 single, "Georgia on My Mind".
"Think" is a rhythm and blues song written by Lowman Pauling and originally recorded by his group the "5" Royales. Released as a single on King Records in 1957, it was a national hit and reached number nine on the U.S. R&B chart.
Everything Is Everything is the debut studio album by American soul artist Donny Hathaway, which was released on July 1, 1970 on the Atlantic Records' subsidiary, Atco.
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.
Yes Indeed!! is the fourth album by Ray Charles, released in 1958 by Atlantic. It was the second of three Atlantic LPs that compiled Charles' hit singles for the label.
The Best of Ray Charles is a compilation album released in 1970 on the Atlantic Jazz label, featuring previously released instrumental (non-vocal) tracks recorded by Ray Charles between November 1956 and November 1958.
Live in Concert is a live album by Ray Charles released in 1965 by ABC-Paramount Records. The recording was made at the Shrine Auditorium in Los Angeles, California in September, 1964 following a tour of Japan.
Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra.
At Newport is a live album by the Gigi Gryce–Donald Byrd Jazz Laboratory and the Cecil Taylor Quartet recorded for the Verve label at the Newport Jazz Festival in July 1957. The original LP album featured one side of performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy and the other by Gryce, Byrd, Hank Jones, Wendell Marshall, and Osie Johnson.
The Woodstock Experience is a box consisting of a set of studio albums and live performances from the 1969 Woodstock Festival by the artists Santana, Janis Joplin, Sly and the Family Stone, Jefferson Airplane, and Johnny Winter. Each set consists of the 1969 studio album by the artist as well as each artist's entire Woodstock performance. The set was released as both a box containing all five artists, and also as individual releases separated by artist, each containing the studio album and live performance of that artist.
Live at Chastain Park is a live album recorded by James Brown in 1985 at the titular city park in Atlanta, Georgia. Originally released in the UK and Europe in 1988 by Charly Records, it has been reissued numerous times on budget labels. The concert was also filmed and has been issued on DVD by Charly and other companies. Maceo Parker is featured on saxophone.
At Newport '63 is a 1963 live album by jazz singer Joe Williams, recorded at the 1963 Newport Jazz Festival.
It's After the End of the World is a live album by American composer, bandleader and keyboardist Sun Ra recorded in 1970 in Donaueschingen and Berlin and released on the MPS label in 1970. The complete concerts were released in 1998 as a 2-CD set entitled Black Myth/Out in Space.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.