Softly, as I Leave You is a 1964 studio album by American singer Frank Sinatra. Arranged by Ernie Freeman, several tracks such as "Softly, as I Leave You", "Then Suddenly Love" and "Available" departed from Sinatra's signature vocal jazz style by flirting with a more contemporary pop sound. The rest of the album is pieced together with leftovers from various early-'60s sessions, from many different arrangers and conductors.
Ella and Basie! is a 1963 studio album by Ella Fitzgerald, accompanied by Count Basie and his orchestra, with arrangements by Quincy Jones and Benny Carter. It was later reissued with slightly different cover art as On the Sunny Side of the Street.
Whatever Happened to Love? is a 1982 live album by the American jazz singer Betty Carter. It is her only live album to include a string section on some tracks.
Ellington Indigos is a 1958 jazz album by Duke Ellington.
Al's Big Deal – Unclaimed Freight is a compilation album by American musician Al Kooper. It was released as a double-LP in 1975.
I Can't Help It is a 1992 Betty Carter compilation album. It contains all of the tracks from her albums Out There with Betty Carter and The Modern Sound of Betty Carter. The same combination of tracks had previously been released as a double LP by ABC Records under the title What a Little Moonlight Can Do.
Out There is a bebop album by jazz vocalist Betty Carter with an ensemble under the direction of alto saxophonist Gigi Gryce. The arrangements were provided by Gryce, Ray Copeland, Melba Liston, Benny Golson and Tommy Bryce. The album was produced by Esmond Edwards and released 1958 on Peacock Records. Ron Wynn of Allmusic called the album "a dynamic set."
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe". Although Brown's vocal group, The Famous Flames did not actually sing on this tune, two of them, Bobby Byrd, and "Baby Lloyd " Stallworth, co-wrote it with Brown, and Byrd plays organ on the record, making it, in effect, a James Brown/Famous Flames recording.
Tony Bennett at Carnegie Hall is a 1962 live album by Tony Bennett. The June 9th concert was directed by Arthur Penn and Gene Saks. Carnegie Hall had not featured a pop performer until April 23, 1961 when Judy Garland recorded her legendary concert.
Count Basie/Sarah Vaughan is a 1961 album by the American jazz singer Sarah Vaughan, accompanied by the Count Basie Orchestra, with arrangements by Frank Foster, Thad Jones and Ernie Wilkins. According to James Gavin's liner notes to the 1996 CD release, Basie himself does not perform on any of the tracks.
Grrr! It's Betty Boo is the second studio album by English singer Betty Boo, released on 12 October 1992 via WEA Records. This album failed to match the success of her debut studio album, Boomania (1990), stalling at No. 62 in the UK Albums Chart. The album did however garner one hit single with "Let Me Take You There", which peaked at No. 12 in the UK Singles Chart. Further singles from the album were "I'm on My Way", "Catch Me", "Thing Goin' On" and "Hangover". The record is dedicated to her father. The cover art is based on the iconic package of Tigra cigarettes. After this, Betty Boo retired from the music industry for several years.
Live in Concert is a live album by Ray Charles released in 1965 by ABC-Paramount Records. The recording was made at the Shrine Auditorium in Los Angeles, California in September, 1964 following a tour of Japan.
Bird: The Complete Charlie Parker on Verve is a 1990 box-set by jazz musician Charlie Parker. It features every extant note Parker recorded for labels controlled by Norman Granz as well as his appearances at Jazz at the Philharmonic. Parker recorded for Granz primarily in the last five years of his life, a period during which, besides playing with his famous quintet, he experimented with strings, Afro-Cuban jazz and mixed chorus. Among the albums produced during Parker’s Verve years were Bird & Diz, Charlie Parker with Strings, and Swedish Schnapps.
Aretha is the debut studio album by American singer-songwriter Aretha Franklin, released on February 27, 1961, by Columbia Records. It features the Ray Bryant Combo. The album is Aretha's first release for Columbia, and is also known under its working title Right Now It's Aretha. Following in the footsteps of her close friend Sam Cooke, Aretha was "discovered" by famed Columbia Records producer John H. Hammond, who on the liner notes of the 1973 edition of "The Great Aretha Franklin: The First 12 Sides" mentions that she was in fact recommended by the composer Curtis Reginald Lewis. With the support of her father, Reverend C.L. Franklin, Aretha traveled to New York City's Columbia Record Studios to record her debut album for the label. Hammond paired Aretha Franklin with Ray Bryant and arranger J. Leslie McFarland, while taking charge of the album's production, which received mixed reviews.
Soul Meeting is a 1961 Atlantic Records album of recordings made by Ray Charles and Milt Jackson in 1957. The album was later re-issued together with the earlier Soul Brothers (1958), on a 2 CD compilation together with other 'bonus' tracks from the same Charles and Jackson recording sessions.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. Holiday was backed by a "relaxed and understanding" small combo which included the trumpeter Harry "Sweets" Edison and the saxophonist Ben Webster. A 1959 New York Times article noted that Holiday's voice "had become a very limited instrument which she used with the craft and guile of an aging pitcher who can no longer pour his fast one across the plate."
Grandma, What Great Songs You Sang! is the debut studio album by American singer Brenda Lee. The album was released on August 3, 1959 on Decca Records and was produced by Owen Bradley. The album was Brenda Lee's only studio album released during the 1950s.
Soul Box is the third studio album by American saxophonist Grover Washington Jr. The project was originally divided in two LPs, both released in 1973 on Kudu Records with quite identical covers as Soul Box Vol. 1 (KU-12) and Soul Box Vol. 2 (KU-13), then issued as a 2-LP set as KUX-1213. Both albums were recorded during March 1973 with the same personnel. With the rising of CD's Soul Box Vol. 1 & Soul Box Vol. 2 were reissued on CD by Motown in the early 1990s. Unfortunately Vol. 2 was mastered incorrectly with a totally wrong track separation. Original tracks #1 + #2 were combined into 1 single track of 17 minutes, track #3 was cut as track #2 and track #4 was cut as track #3. Subsequently a totally wrong printing on the CD and the back cover of the CD was performed: The CD contained & listed only 3 tracks. The printed titles were not matching the corresponding tracks and were stated with wrong durations, not matching the original songs of the LP. It took until 2008, when the two volumes were released on one CD by Verve/GRP Records to get the tracks right again with their track separations and title durations back to the original recordings from the Kudu LP's.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
Everyday I Have the Blues is an album by singer Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 which was originally released on the Roulette label.
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