Another Green World is the third solo studio album by English musician Brian Eno, released by Island Records on 14 November 1975. The album marked a transition from the rock-based music of Eno's previous releases towards his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a contrast with his previous vocal albums.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Birds of Fire is the second studio album by jazz fusion band the Mahavishnu Orchestra. It was released in 1973 by Columbia Records and is the last studio album released by the original line-up before it dissolved.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Modern Sounds in Country and Western Music is a studio album by the American singer and pianist Ray Charles. It was recorded in February 1962 at Capitol Studios in New York City and United Western Recorders in Hollywood, and released in April of that year by ABC-Paramount Records.
Nefertiti is a studio album by the jazz trumpeter and composer Miles Davis. It was released in March 1968 through Columbia Records. The recording was made at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions – three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock, and one by drummer Tony Williams.
Get Up with It is an album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it collected previously unreleased material that Davis had recorded between 1970 and 1974, some of which dated from the sessions for his studio albums Jack Johnson (1971) and On the Corner (1972).
The Genius of Ray Charles is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
Live-Evil is an album of both live and studio recordings by the American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings consisted mostly of renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971.
Live Cream is a live compilation album by the British rock band Cream, released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by Eric Clapton.
I Sing the Body Electric is the second studio album released by the American jazz fusion band Weather Report in 1972.
Sound-System is the thirtieth album by jazz pianist Herbie Hancock and the second of three albums co-produced by Bill Laswell with the ‘Rockit’ Band. Guest artists include saxophonist Wayne Shorter, guitarist Henry Kaiser, kora player/percussionist Foday Musa Suso and drummer Anton Fier.
The Birth of Soul: The Complete Atlantic Rhythm and Blues Recordings is a 3-CD box set compilation by Ray Charles, released in 1991.
In Concert is a live double album by the American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Friendship is a studio album by American singer and pianist Ray Charles. It was produced by Billy Sherrill and released in August 1984 by Columbia Records and Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart.
Doing His Thing is a 1969 studio album by Ray Charles, released by Tangerine Records. The cover artwork was by Lafayette Chew.
Message from Home is an album by saxophonist Pharoah Sanders. It was recorded in New York City and Brooklyn, New York, and was released in 1996 by Verve Records. On the album, which was produced by Bill Laswell, Sanders is joined by kora player Foday Musa Suso, guitarist Dominic Kanza, violinist Michael White, keyboardists William Henderson, Jeff Bova, and Bernie Worrell, bassists Charnett Moffett and Steve Neil, and percussionists Aiyb Dieng and Hamid Drake.
