The Birth of Soul | ||||
---|---|---|---|---|
Box set by | ||||
Released | October 1, 1991 | |||
Recorded | 1952–1959 | |||
Genre | Rhythm and blues [1] | |||
Length | 148:48 | |||
Label | Atlantic | |||
Producer | Herb Abramson, Ahmet Ertegün, and Jerry Wexler | |||
Ray Charles chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Down Beat | [3] |
The Rolling Stone Album Guide | [4] |
The Birth of Soul: The Complete Atlantic Rhythm and Blues Recordings is a 3-CD box set compilation by Ray Charles, released in 1991.
In a contemporary review, Peter Watrous of The New York Times said that the box set "tracks the progress of a figure who profoundly changed what was possible in American music." [5] He ranked it as the twelfth best album of 1991. [6] The Birth of Soul was voted the third best reissue of the year in The Village Voice 's annual Pazz & Jop critics' poll for 1991. [7]
In 2003, the album was ranked number 54 on Rolling Stone magazine's list of the 500 greatest albums of all time, [8] maintaining the rating in a 2012 revised list, [9] then dropping to number 210 in a 2020 reboot of the list. [10] In a retrospective article for the magazine, Robert Christgau wrote that, despite "caveats" such as material repeated on more "economic" releases, The Birth of Soul is "the rockingest Charles long-form you can buy" and remarked on the legacy of its recordings:
Although Charles' fabled blues-gospel synthesis is on display from 'I Got a Woman' to 'I Believe to My Soul,' 'birth of soul' gets the emphasis wrong. Seldom conventionally catchy, this Robert Palmer-annotated collection epitomizes a world-historic catchall of a genre that Charles could only describe as 'genuine down-to-earth Negro music' — namely, rhythm & blues. Crack bands, first Atlantic's and then his own, underpin his rich, gravelly vocals with hard-hitting grooves of deceptive rhythmic and harmonic complexity. Halfway in, a female backup group soon to be known as the Raelettes starts shoring up his male voice and egging it on, an innovation that became a cliche so fast people think it was always there. [1]
Christgau recommended Rhino Entertainment's 1994 compilation album The Best of Ray Charles: The Atlantic Years as a cheaper alternative to the box set. [1]
All tracks are written by Ray Charles, unless otherwise noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Sun's Gonna Shine Again" | 2:36 | |
2. | "Roll With My Baby" | 2:35 | |
3. | "The Midnight Hour" | Sam Sweet | 2:59 |
4. | "Jumpin' in the Mornin'" | 2:44 | |
5. | "It Should Have Been Me" | Memphis Curtis | 2:42 |
6. | "Losing Hand" | Charles Calhoun | 3:11 |
7. | "Heartbreaker" | Ahmet Ertegun | 2:51 |
8. | "Sinner's Prayer" | Lowell Fulson; Lloyd Glenn | 3:21 |
9. | "Mess Around" | Ahmet Nugetre | 2:38 |
10. | "Funny But I Still Love You" | 3:12 | |
11. | "Feelin' Sad" | Eddie Jones | 2:47 |
12. | "I Wonder Who" | 2:47 | |
13. | "Don't You Know" | 2:55 | |
14. | "Nobody Cares" | 2:37 | |
15. | "Ray's Blues" | 2:52 | |
16. | "Mr. Charles' Blues" | 2:45 | |
17. | "Blackjack" | 2:18 | |
Total length: | 47:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Got a Woman" | Ray Charles; Renald Richard | 2:50 |
2. | "Greenbacks" | Ray Charles; Renald Richard | 2:48 |
3. | "Come Back Baby" | 3:04 | |
4. | "A Fool for You" | 3:00 | |
5. | "This Little Girl of Mine" | 2:30 | |
6. | "Hard Times" | 2:53 | |
7. | "A Bit of Soul" | 2:17 | |
8. | "Mary Ann" | 2:45 | |
9. | "Drown in My Own Tears" | Henry Glover | 3:19 |
10. | "Hallelujah, I Love Her So" | 2:34 | |
11. | "What Would I Do Without You?" | 2:34 | |
12. | "Lonely Avenue" | Doc Pomus | 2:33 |
13. | "I Want to Know" | 2:09 | |
14. | "Leave My Woman Alone" | 2:38 | |
15. | "It's Alright" | 2:15 | |
16. | "Ain't That Love" | 2:51 | |
17. | "Get on the Right Track" | Titus Turner | 2:17 |
18. | "RockHouse (Parts 1 & 2)" | 3:51 | |
Total length: | 49:08 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Swanee River Rock" | 2:18 | |
2. | "That's Enough" | 2:43 | |
3. | "Talkin' 'bout You" | 2:49 | |
4. | "What Kind of Man Are You" | 2:47 | |
5. | "I Want a Little Girl" | Murray Mencher; Billy Moll | 2:53 |
6. | "Yes Indeed" | Sy Oliver | 2:14 |
7. | "I Had a Dream" | Ray Charles; Ricky Harper | 2:52 |
8. | "You Be My Baby" | Ray Charles; Doc Pomus; Mort Shuman | 2:28 |
9. | "Tell All the World About You" | 2:01 | |
10. | "My Bonnie" | 2:44 | |
11. | "Early in the Morning" | Dallas Bartley; Leo Hickman; Louis Jordan | 2:43 |
12. | "(Night Time Is) The Right Time" | Lew Herman | 3:26 |
13. | "Carryin' that Load" | Doc Pomus; Mort Shuman | 2:22 |
14. | "Tell Me How Do You Feel" | Ray Charles; Percy Mayfield | 2:42 |
15. | "What'd I Say (Parts 1 & 2)" | 6:26 | |
16. | "Tell the Truth" | Lowman Pauling | 3:03 |
17. | "I'm Movin' On" | Hank Snow | 2:20 |
18. | "I Believe to My Soul" | 2:59 | |
Total length: | 51:50 |
The B-52's is the debut album by American new wave band the B-52's. The kitschy lyrics and mood, and the hook-laden harmonies helped establish a fanbase for the band, who went on to release several chart-topping singles. The album cover was designed by Tony Wright.
Lucinda Gayl Williams is an American singer-songwriter and a solo guitarist. She recorded her first two albums, Ramblin' on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, Lucinda Williams, to widespread critical acclaim. Regarded as "an Americana classic", the album also features "Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her 1992 album Come On Come On, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams released her fourth album, Sweet Old World, four years later in 1992. Sweet Old World was met with further critical acclaim and was voted the 11th best album of 1992 in The Village Voice's Pazz & Jop, an annual poll of prominent music critics. Robert Christgau, the poll's creator, ranked it 6th on his own year-end list, later writing that the album as well as Lucinda Williams were "gorgeous, flawless, brilliant".
Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
Sandinista! is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's songs were credited to the Clash as a group, rather than to Joe Strummer and Mick Jones. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
69 Love Songs is the sixth studio album by American indie pop band the Magnetic Fields, released on September 14, 1999, by Merge Records. As its title indicates, 69 Love Songs is a three-volume concept album composed of 69 love songs, all written by Magnetic Fields frontman Stephin Merritt.
Modern Sounds in Country and Western Music is a studio album by American singer and pianist Ray Charles. It was recorded in February 1962 at Capitol Studios in New York City and United Western Recorders in Hollywood, and released in April of that year by ABC-Paramount Records.
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper The Village Voice and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the Voice, each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publication's annual critics poll.
Strong Persuader is the fifth studio album by American blues singer and guitarist Robert Cray. It was recorded by Cray at the Los Angeles studios Sage & Sound and Haywood's with producers Bruce Bromberg and Dennis Walker, before being released on November 17, 1986, by Mercury Records and Hightone Records. Strong Persuader became his mainstream breakthrough and by 1995 it had sold over two million copies. The record was later ranked No. 42 on Rolling Stone's list of the 100 greatest albums of the 80's.
The Genius of Ray Charles is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
Wild Gift is the second studio album by American rock band X, released on May 6, 1981, by Slash Records. It was very well received critically, and was voted the year's second best album in The Village Voice's Pazz & Jop poll. Wild Gift was later ranked at number 334 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Los Angeles is the debut studio album by American rock band X, released on April 26, 1980, by Slash Records. It was produced by ex-Doors keyboardist Ray Manzarek and includes a cover of the 1967 Doors song "Soul Kitchen".
Let It Be is the third studio album by American rock band the Replacements. It was released on October 2, 1984, by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere."
Buhloone Mindstate is the third studio album by American hip hop group De La Soul. It was released on September 21, 1993, through Tommy Boy Records, and was the group's last record to be produced with Prince Paul.
Lucinda Williams is the third studio album by American singer-songwriter Lucinda Williams, released in 1988, by Rough Trade Records.
Mama Said Knock You Out is the fourth studio album by American rapper LL Cool J. It was produced mostly by Marley Marl and recorded at his "House of Hits" home studio in Chestnut Ridge and at Chung King House of Metal in New York City. After the disappointing reception of LL Cool's 1989 album Walking with a Panther, Mama Said Knock You Out was released by Def Jam Recordings on September 14, 1990 to commercial and critical success.
Squeezing Out Sparks is the fourth studio album by English singer-songwriter Graham Parker and his band the Rumour. The album was released in March 1979. Although the Rumour were not credited on the cover, their name was included on the album label.
In the Jungle Groove is a compilation album by American funk musician James Brown, released in August 1986 by Polydor Records.
The Indestructible Beat of Soweto, later repackaged as The Indestructible Beat of Soweto Volume One, is a compilation album released in 1985 on the Earthworks label, featuring musicians from South Africa, including Ladysmith Black Mambazo and Mahlathini. In 2020, it was ranked number 497 on Rolling Stone's 500 Greatest Albums of All Time.
The Best of the Classic Years is a compilation album by the Nigerian musician King Sunny Adé. It was released by Shanachie in 2003. The album showcases Adé's rawer pre-Island Records sound.
{{cite book}}
: CS1 maint: multiple names: authors list (link)