Diamonds Are Forever (song)

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"Diamonds Are Forever"
Shirley Bassey Diamonds Are Forever.jpg
Artwork for British promo single

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Single by Shirley Bassey
from the album Diamonds Are Forever
B-side "Pieces of Dreams"
Released1971 (1971)
RecordedOctober 1971
Studio CTS Studios, London
Genre Pop
Length2:40
Label United Artists
Songwriters Don Black (lyrics)
John Barry (music)
Producer John Barry
James Bond themessingles chronology
"We Have All the Time in the World"
(1969)
"Diamonds Are Forever"
(1971)
"Live and Let Die"
(1973)

"Diamonds Are Forever" is a song performed by Welsh singer Shirley Bassey, recorded for the soundtrack of the 1971 James Bond film of the same name. The song was composed by John Barry, with lyrics by Don Black. It was the second James Bond theme performed by Bassey, following her 1964 hit "Goldfinger". The single was released in November 1971 by United Artists Records.

Contents

Background and recording

Following the success of "Goldfinger", John Barry returned to the James Bond franchise to score Diamonds Are Forever . He reunited with lyricist Don Black, with whom he had collaborated on the theme for Thunderball . The producers, Harry Saltzman and Albert R. Broccoli, disagreed over the suitability of the song. Saltzman reportedly disliked the lyrics, finding the sexual innuendo objectionable. [1] Barry later recalled that Saltzman believed the lyrics were overly suggestive, specifically interpreting the song's references to diamonds as metaphors for the penis. [2] Despite Saltzman's demand that the song be rewritten, Broccoli approved the track, and it remained in the film. [1] Shirley Bassey was chosen to perform the track, marking her return to the franchise. The recording session took place in October 1971 at CTS Studios in London. [2] During the recording, Barry encouraged Bassey to deliver a vocal performance that matched the suggestiveness of the lyrics. Putter Smith, the jazz musician who played the assassin Mr. Kidd in the film, played bass on the track, although Bassey was reportedly unaware of his role in the film at the time of recording. [3]

Composition

"Diamonds Are Forever" is a pop song written in the key of B minor. The composition relies on a functional harmony, utilizing a I–IV–V–I progression. The song opens with an eight-note motif played on an electronic organ, designed to mimic the "sparkling" quality of a diamond. This figure persists throughout the track, often implying a B9 chord to create a dissonant, glamorous sound. [2] Lyrically, the song personifies diamonds as reliable lovers that, unlike men, do not lie or leave. Don Black's lyrics were intended to reflect the materialism and cynicism of the film's setting in Las Vegas. The song is structured in an A-A-B-A-B-A form. The original plan for the song included an additional verse featuring the lyrics "Diamonds are forever / I can taste the satisfaction / Flawless physical attraction," but this was cut from the final version due to running time constraints. [2] The track concludes with a coda in which Bassey repeats the word "forever" in a series of echoing phrases, culminating in a sustained final note.

Release and reception

The song was released as a single in the United Kingdom in January 1972. It entered the UK Singles Chart on 15 January 1972, peaking at number 38 and remaining on the chart for six weeks. [4] While it did not replicate the top-ten success of "Goldfinger", "Diamonds Are Forever" became one of Bassey's signature songs and a staple of her live performances. Critical reception to the song has generally been positive in the decades following its release. It is often cited alongside "Goldfinger" as one of the defining songs of the James Bond series. In a review for the film's soundtrack, critics noted that while Barry's score for the film was less dramatic than his previous work on On Her Majesty's Secret Service , the title song was a "good, solid" addition to the Bond canon. [3]

The song was also recorded in Italian by Bassey as "Una cascata di diamanti (Vivo di diamanti)" for the Italian version's end credits; this version was only issued on 7-inch single in Italy, and was intended to be included in a (cancelled) 3-CD box set titled Shirley released in 2012. [5]

Variety ranked the eponymous theme song as the best Bond title theme, noting how it was "one of the sexiest songs ever written", despite the song's meaning. [6]

Weekly charts

Chart (1972)Peak
position
UK Singles (OCC) [7] 38
US Billboard Hot 100 [8] 57
US Hot R&B/Hip-Hop Songs ( Billboard ) [9] 14

Legacy and sampling

The song has been covered and sampled by various artists:

Cover versions

References

  1. 1 2 Burlingame, Jon (2012). The Music of James Bond. Oxford University Press. p. 94. ISBN   978-0199863303.
  2. 1 2 3 4 Bieber, Isabella. "Diamonds Are Forever". Songlexikon. Encyclopedia of Songs. Retrieved 2023-10-27.
  3. 1 2 "Diamonds Are Forever soundtrack". The James Bond Dossier. Retrieved 2023-10-27.
  4. "Shirley Bassey". Official Charts Company. Retrieved 2023-10-27.
  5. "Shirley Bassey 3CD release 2012". Shirley Bassey Wordpress. March 15, 2012. Retrieved March 16, 2012.
  6. "Every James Bond Theme Song, Ranked Worst to Best". Variety. October 8, 2021. Retrieved March 3, 2024.
  7. "Official Singles Chart Top 100". Official Charts Company. Retrieved 29 November 2025.
  8. "Shirley Bassey Chart History (Hot 100)". Billboard. Retrieved 29 November 2025.
  9. "Shirley Bassey Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved 29 November 2025.
  10. "Shirley Bassey seeks payment for Kanye West sample". NME. 2005-09-06. Retrieved 2023-10-27.
  11. "Arctic Monkeys headline Glastonbury". BBC News. 2007-06-23. Retrieved 2023-10-27.
  12. "Various Artists - All The Rage (CD) | Domino Mart". Domino Recording Company. Retrieved 2025-03-04.