Dame Shirley Veronica Bassey is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain.
"What Kind of Fool Am I?" is a popular song written by Leslie Bricusse and Anthony Newley and published in 1962. It was introduced by Anthony Newley in the musical Stop the World – I Want to Get Off. It comes at the end of Act Two to close the show. Bricusse and Newley received the 1961 Ivor Novello award for Best Song Musically and Lyrically. At the 1963 Grammy Awards, it won the award for Song of the Year and was the first by Britons to do so.
Something is a 1970 album by Shirley Bassey. With her career having been in decline since the latter part of the mid 1960s, Something proved to be Shirley Bassey's comeback when it was released in August 1970. The title track single became her biggest UK hit for many years, reaching No.4 and spending 22 weeks on the chart. This was actually the second single featured on the album, "The Sea and Sand" having already been released earlier. The album was similarly her biggest hit for many years in the album charts, reaching No.5 and spending 28 weeks in the top 50.
Get the Party Started is a 2007 album by Welsh singer Dame Shirley Bassey.
"And I Love You So" is a popular song written by folk singer and guitarist Don McLean and released on his 1970 debut album, Tapestry. Its chorus features an unusual rhyming scheme for a popular song: ABBA versus the usual AB(C or A)B.
Something Else is a 1971 album by Shirley Bassey.
I Capricorn is a 1972 album by Shirley Bassey.
Never Never Never is a 1973 album by Shirley Bassey. It features the hit single title track, which was a UK top 10 hit, which became one of Bassey's best-known songs. The album also became a top 10 hit in the UK and was a moderate hit in the US.
The Shirley Bassey Singles Album is a compilation album released in 1975 by British singer Shirley Bassey.
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962 and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager, wrote the sleeve notes for this album, in which he gives an insight into how this album came to be: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long, discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
The Fabulous Shirley Bassey is the third studio album by Welsh singer Shirley Bassey, and her first for Columbia Records. It was recorded with Geoff Love and his orchestra, and peaked at #12 in the UK album chart in early 1961. Released in 1959, this was the first studio album from Shirley Bassey with completely new material. Her two previous albums issued on the Philips label were collections of new recordings and previously released material, recorded between 1956 and 1958.
I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.
La MujerShirley Bassey canta en Español, is a Shirley Bassey studio album recorded in Spanish. The first recording sessions were held in Spain, and the album was completed in California, at the Hitsville West studio in December 1988. The 1980s saw a period of very few album releases from Shirley Bassey: All by Myself (1982); the acclaimed album I Am What I Am (1984); her recording of James Bond themes from 1987, The Bond Collection, ; and La Mujer. In 1987 the Swiss electronica band Yello approached Shirley Bassey about recording a song with them. The track "The Rhythm Divine" was a minor hit in the UK, charting at number 54 in the UK singles chart but achieving more success on mainland Europe. The success of the single released by Mercury Records, led to an album deal on the label.
Keep the Music Playing is a 1991 album by Shirley Bassey. The album was recorded in the UK at the Westgreen Studios and in the Netherlands at Wisseloord Studios, Hilversum. The album is a mixture of contemporary pop ballads, such as "I Want to Know What Love Is" from Foreigner, the Jennifer Rush power ballad "The Power of Love", and the more gentle "Still" from Lionel Richie, combined with standards from the field of jazz and pop, such as "He Was Beautiful", the sweet jazz ballad from Cleo Laine. Several of the song arrangements reflect an operatic pop style influence, which may have roots in her 1984 album I Am What I Am, which she recorded with the London Symphony Orchestra, and the fact that in the latter mid-1980s she started working with a vocal coach, a former opera singer. Bassey returned to the Beatles with "Yesterday", as she had previously covered "Something" and "Fool on the Hill" successfully in the 1970s, and had performed "Hey Jude" frequently live. Another previously successful formula was used for the closing track "Dio, Come Ti Amo " an Italian original in the tradition of "This is My Life" and "Natalie"..
Nobody Does It Like Me is a 1974 album by Shirley Bassey. Bassey's recordings had been selling well since 1970, scoring three top ten singles and three ten top albums. Nobody Does It Like Me was recorded with a new producer, George Butler, and brought a partial return to the traditional pop sound of Bassey's pre-1970s career. Here, the title track "Nobody Does It Like Me" and "When You Smile" harken back to the big band era. Bassey's soaring vocals on Paul Anka's "I'm Not Anyone" and the slightly funky "Morning in Your Eyes" contrast with a delicately rendered "Davy". The duet "Davy", recorded with the song's composer Benard Ighner, is one of the rare occasions that Bassey would share the credits with another vocalist; it was also issued as a single and hit #44 on the US Adult Contemporary chart. The album closes with Bassey's reading of Stevie Wonder's "You Are the Sunshine of My Life". This album failed to chart in the UK, and peaked at #142 in the US. Her next two studio albums would be top 15 albums in the UK.
Does Anybody Miss Me is a 1969 album by Shirley Bassey. In 1969 Bassey moved her home to Lugano, Switzerland, with her second husband Sergio Novak, whom she had married in Las Vegas in August 1968. Remaining as a tax exile prevented her from performing and recording in the UK. In this period she continued to perform and record in Italy and the US. This album was recorded in the US and produced by the American producer Dave Pell, with arrangements by Artie Butler. The tracks on this album are a selection of standards and show tunes. The title track Does Anybody Miss Me was issued as a single in the UK, backed with the non album track Fa Fa Fa, but this failed to make any impression on the chart. Does Anybody Miss Me has remained part of her live show and was recorded as the opening track of the album Live At Talk Of The Town in 1970. This album saw Bassey re-record her 1958 UK #1 hit single As I Love You which she had previously released on the Philips label.
Love, Life and Feelings is the 21st studio album from Shirley Bassey, released in 1976 on the United Artists label. The album peaked at #13 in the UK album chart, and charted at #149 in the Billboard 200. Love, Life and Feelings was awarded silver record status by the British Phonographic Industry, with sales of more than 60,000 copies. It features covers of contemporary pop songs from the late 1960s and early 1970s, such as "Alone Again (Naturally)" the 1972 UK #3 single from Gilbert O'Sullivan and "The Way I Want to Touch You" from Captain & Tennille alongside "What I Did for Love", from the musical A Chorus Line written by Marvin Hamlisch.
The Other Side of Me is the thirty-fifth studio album by American pop singer Andy Williams, released in the summer of 1975 by Columbia Records and including the 1973 recording of "Solitaire" from his album of the same name alongside 10 original recordings, four of which were also by "Solitaire" composer Neil Sedaka. After unsuccessful attempts to leave behind the formulaic album genre of easy listening covers of pop hits, The Other Side of Me offered a compromise by filling half of the sides with material that was popularized by other artists and the other half with either new or obscure selections.
You Take My Heart Away is the 22nd studio album from Shirley Bassey, released in 1977 on the United Artists Records label. The album peaked at #34 in the UK album chart. The tracks recorded for this album are contemporary pop, soft rock songs, dating mainly from the early to mid-1970s. The title track "You Take My Heart Away", originally performed by Bill Conti, was featured in the 1976 film Rocky. Other covers versions included are: "This One's for You" from Barry Manilow, "Silly Love Songs" from Wings, which had been a #1 hit single on the Billboard Hot 100, "Stargazer" from Neil Diamond. Only one track dates from a previous era: "Can't Help Falling in Love" was recorded by Elvis Presley in 1962.
The Magic Is You is a 1979 album by Welsh singer Shirley Bassey. Her final album for United Artists Records, the album notably featured a disco version of her signature 1968 song "This Is My Life".
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