Close to You is the eleventh studio album by American musician Frank Sinatra, accompanied by the Hollywood String Quartet.
With You in Mind is Alma Cogan's second album, issued in 1961. It was her first album to be released on Columbia Records, an EMI Records label.
Sassy Swings the Tivoli is a 1963 live album by American jazz singer Sarah Vaughan and her trio, produced by Quincy Jones. The performances were recorded in the concert hall of the Tivoli Gardens, Copenhagen, over four days in July 1963.
Live in Japan is a 1973 live album by the American jazz singer Sarah Vaughan, recorded at the Nakano Sun Plaza Hall in Tokyo, Japan.
Live from Las Vegas is a 2005 live album by the American singer Frank Sinatra.
Arthur Prysock and Count Basie is a 1965 studio album by Arthur Prysock and Count Basie and his orchestra.
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962, and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager wrote the sleeve notes for this album, in which he gives an insight into how this album came to being: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
Shirley is Shirley Bassey's fourth studio album, her second for Columbia, and was recorded with Geoff Love and his orchestra. It was her first album to enter the top ten of the UK Albums Chart, a feat she would not duplicate until Something in 1970. This album was issued in mono and stereo. The stereo version of this album was issued on CD in 1997.
Shirley Bassey at the Pigalle is Shirley Bassey's first live album, recorded on the opening night of an eight-week engagement at the Pigalle, a nightclub in the West End of London. This performance, on 12 September 1965, earned Bassey outstanding reviews. The album was released that same year. It was Bassey's final album for EMI's Columbia label.
The Fabulous Shirley Bassey is Shirley Bassey's third studio album, her debut for Columbia, and was recorded with Geoff Love and his orchestra. The album peaked at #12 in the UK album chart in early 1961. Released in 1959, this was the first studio album from Shirley Bassey with completely new material. Her two previous albums issued on the Philips label were collections of new recordings and previously released material, recorded between 1956 and 1958.
Shirley Stops the Shows is the seventh Shirley Bassey studio album, her 5th and final studio album recorded for the EMI/Columbia label in the UK. Released in 1965, this album is a mix of standards and showtunes. Shirley Bassey was at a high point in her career, with worldwide success of her single "Goldfinger", but the album failed to chart in the UK, a first for her Columbia albums. The album met with more success in the US, reaching number 85 in the US Pop charts. For the US market it was issued with an alternative running order, retitled Shirley Bassey Belts the Best! and "The Lady Is a Tramp" was replaced by "Goldfinger". Original release was in mono and stereo, both mono versions feature an alternative studio recording of "People" which has not yet been re-issued on CD. The stereo version, remastered, was issued on CD in 2008 together with 12 of Those Songs by BGO Records.
Bassey – The EMI/UA Years 1959–1979 is a 5-CD boxset compilation from Shirley Bassey issued in 1994, this set features 94 studio recordings on four CDs, recorded for EMI/United Artists between 1959 and 1979. Disc five features a previously unreleased live recording from Carnegie Hall. The boxset was reissued by EMI in 2010 in a standard jewel case set.
I've Got a Song for You is a 1966 album by Shirley Bassey. Bassey had left EMI's Columbia Label, and this was her first album for United Artists, a label she would remain with for approximately 14 years. This album and the following release And We Were Lovers were produced by Bassey's former husband, Kenneth Hume. The album entered the UK Albums Chart at #26, but only remained on the chart for one week, and failed to chart in the US, despite her having received outstanding reviews for live engagements in New York and Las Vegas that same year, and the fact that the album was recorded in New York. It was an inauspicious start for her at UA, as none of her albums would chart either in the UK or the US until 1970. In that year, 1970, Bassey would begin to produce more contemporary pop-oriented albums, but here in 1966, despite scoring her biggest hit with "Goldfinger" a year or so earlier, she was still firmly in the traditional pop genre.
The Bewitching Miss Bassey is a studio album by Shirley Bassey. Consisting of new and previously released material this was the first album from Bassey to be issued on the 12" Long-playing record format. Tracks were taken from sessions recorded between 1956 and early 1959. All the songs were recorded in the UK with Wally Stott and his Orchestra, with production by Johnny Franz. The only exception was "The Wall" which was recorded in New York with Jimmy Carroll and his orchestra and produced by Mitch Miller. Featuring Bassey's first five hit songs, including Bassey's 1958 number one single "As I Love You" and the huge hit "Kiss Me, Honey Honey, Kiss Me". The album showcases the best of the early career of Shirley Bassey. All the songs were only recorded in mono, no stereo versions are known to exist. In the 1970s Philips did re-issue them in an "electronically enhanced" stereo. The album was re-issued in the US on the Epic label with different artwork. While this album has not been issued independently on CD, it was included in its entirety on the four-CD compilation titled Five Classic Albums Plus Bonus Singles in 2012.
The Greatest!! Count Basie Plays, Joe Williams Sings Standards is an album by vocalist Joe Williams and pianist/bandleader Count Basie and His Orchestra recorded in 1956 and released on the Verve label. It was Williams' second album with Basie following Count Basie Swings, Joe Williams Sings.
The Rhythms and Ballads of Broadway is a double album by American pop singer Johnny Mathis that was released in September 1960 by Columbia Records. Despite the order of the words in the title, the ballads actually make up sides one and two while the uptempo numbers fill sides three and four.
The Shirley Bassey Collection is a double compilation album released in 1972 by British singer Shirley Bassey. The album charted at #37 in the UK charts in January 1972.
Embers and Ashes is the debut studio album by jazz vocalist and pianist Shirley Horn, released in 1961.
After Glow is a 1957 album by jazz singer Carmen McRae released on Decca Records, her fifth on that label. Recorded in two studio sessions with just a rhythm section, McRae herself alternates on piano with Ronnell Bright on the first date; on April 18 Ray Bryant plays piano.
A Ballad Album, is an album by saxophonist Warne Marsh which was recorded in 1983 and released on the Dutch Criss Cross Jazz label.
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