This article needs additional citations for verification .(December 2019) |
"History Repeating" | |
---|---|
Single by Propellerheads featuring Shirley Bassey | |
from the album Decksandrumsandrockandroll | |
Released | 1997 |
Recorded | 1997 |
Genre | |
Length | 4.03 |
Label | Wall of Sound |
Songwriter(s) | Alex Gifford |
Producer(s) | Alex Gifford |
Music video | |
"History Repeating" on YouTube |
"History Repeating" is a 1997 song written by Alex Gifford and originally performed by English electronic music duo Propellerheads featuring Welsh singer Shirley Bassey. [1] It was released shortly before their only album, Decksandrumsandrockandroll , released in 1998 by Wall of Sound in Europe and DreamWorks in the US and Japan. [1] The single was a No. 1 hit on the UK Indie Chart, and was also Bassey's first top ten appearance on any US chart since 1973's "Never Never Never", making No. 10 on the US Dance Club Songs chart. [2] According to Bassey, Gifford wrote the song especially for her. The sleeve cover, an illustration by Duke D. Jukes, takes its inspiration from classic album sleeve from the Capitol 1957 release Just One of Those Things by Nat King Cole.
The song is a fusion of several different styles of big beat, breakbeat and jazz combined with the vocals of Bassey. It samples from the soundtrack of the 1968 Russ Meyer film Finders Keepers, Lovers, Weepers! . [3]
The song received favorable reviews from music critics. Adam Webb from Daily Herald stated, "Miss Shirley Bassey's vocals keep "History Repeating" jazzy while the Propellerheads try to speed things up in the background." [4] British magazine Music Week gave it five out of five, adding, "The next big thing? The Props certainly get hips swinging with their frantic beat and driving bass. Bassey's awesome diva vocals add the icing on the cake. Set to be massive in the wake of OHMSS." [5] Also Brad Beatnik from their RM Dance Update rated "History Repeating" five out of five, picking it as Tune of the Week. He stated that "the Welsh wonder delivers a unique and commanding vocal over a frenetic guitar-riff, funky keys and beats groove". [6]
A reviewer from NME wrote, "The 'Miss' is a sharp touch, the sleeve a masterpiece of retro-cool, and the whole notion something of a glam-pop wet dream in the making. Inevitably, alas, the end product isn't quite the ermine-upholstered, chandelier-hung ballroom full of champagne that it should have been. Sure, La Bassey laps up her imperious seen-it-all vocal like she's sucking down a mouthful of melted Belgian chocolate, but the Props seem too awestruck and reverential to provide anything but jaunty cha-cha-cha beats and some skittish techno-lite for afters." [7] Sunday Mercury noted the singer's "passionate performance". [8] Ian Hyland from Sunday Mirror gave the song eight out of ten, commenting, "Continuing their Bond obsession the 'heads enlist the not-bad vocal talents of Shirley Bassey in a corking dance-meets-diva style." [9]
The retro style of the song was also continued with the accompanying music video, directed by Pedro Romhanyi [10] and filmed in monochrome. The opening of which is themed on a BBC TV jazz show called Jazz 1200, hosted by "Roger Humphries" (not to be confused with the jazz drummer Roger Humphries), clearly refers to music shows of the 1960s, such as Jazz 625. Scenes from the video shoot were included in the Divas are Forever DVD.
* Track 1 only appears on side A
Chart (1997) | Peak position [12] [13] |
---|---|
Australia (ARIA) [14] | 55 |
Belgium (Ultratip Bubbling Under Flanders) [15] | 11 |
Europe (Eurochart Hot 100) [16] | 67 |
Finland (Suomen virallinen lista) | 16 |
France (SNEP) | 71 |
Germany (Official German Charts) | 65 |
Iceland (Íslenski Listinn Topp 40) [17] | 7 |
Italy (FIMI) [18] | 8 |
Italy Airplay ( Music & Media ) [19] | 1 |
Netherlands (Dutch Top 40 Tipparade) [20] | 2 |
Netherlands (Single Top 100) | 52 |
New Zealand (Recorded Music NZ) | 32 |
Scotland (OCC) [21] | 24 |
UK Singles (OCC) | 19 |
UK Indie (OCC) | 1 |
US Hot Dance Club Play ( Billboard ) | 10 |
The song has been covered by Matt Dusk on his album Back in Town (2006), by Reax on their album No Cover (2006) and Ukrainian pop singer Jamala in 2009.
An edit mix of the original is the theme or title music to the BBC's Later... with Jools Holland .
It featured on the original soundtrack of the film There's Something About Mary (1998), and served as the opening theme tune to the Channel 4 show So Graham Norton . [22]
In 1999, Geri Halliwell released her debut album Schizophonic with the lead single "Look at Me", which took creative influence from this song. [23]
In 2000, the song was used in a TV commercial for Jaguar automobiles.
In 2000, the song was used in the Daria episode "Psycho Therapy".
In 2004, the song was featured in a TV promo for Sex and the City .
In 2009, it was used in the movie It's Complicated starring Meryl Streep, Alec Baldwin, and Steve Martin.
It was used in a Pantene Pro-V shampoo commercial. [24]
In 2010, the song by Regine Velasquez for the opening of GMA's 60th Anniversary entitled GMA @ 60: The Heart of Television.
In 2011, the song featured in Series 3 of the Television series Being Human . (Episode 7: Though the Heavens Fall).
In 2011, Jamala released her debut album For Every Heart , using the song as a bonus track.
In 2020, the song was used in the trailer for Netflix's second season promotion of The Politician .
Dame Shirley Veronica Bassey is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain.
Propellerheads were an English electronic music duo, formed in 1995 in Bath and consisting of Will White and Alex Gifford.
Decksandrumsandrockandroll is the only studio album by English electronic music duo Propellerheads. It was originally released by Wall of Sound on 26 January 1998 in the United Kingdom. In the United States, it was released by DreamWorks Records with a different track listing.
"Get the Party Started" is a song by American singer Pink, released on October 16, 2001, as the lead single from her second album, Missundaztood (2001). It received positive reviews and became an international success and reached the top ten in many countries, peaking at number one in Australia, Ireland, New Zealand, Romania, Spain, and the Walloon region of Belgium. The song was Pink's biggest-selling song at that time. The song was originally intended for Madonna’s 2000 album Music but her team turned it down. It was later given to Pink.
"Look at Me" is the debut solo single by British singer Geri Halliwell from her debut solo studio album, Schizophonic (1999). It was written by Halliwell in collaboration with Andy Watkins and Paul Wilson, members of the Absolute production duo, who also produced the track. The song was released on 10 May 1999 in the United Kingdom by EMI Records as the lead single from Schizophonic. Musically, "Look at Me" is a jazz-pop song featuring a nine-piece brass section, while the autobiographical lyrics depict Halliwell demanding the attention of everyone around her.
"Talk to Me" is a song recorded by American singer and songwriter Stevie Nicks for her third solo studio album Rock a Little (1985). Written by Chas Sandford, the song was released as the lead single from the album in October 1985, through Modern Records. The single became a big hit for Nicks, peaking at number four on the Billboard Hot 100 chart for two weeks and peaking at number one on the Billboard Top Mainstream Rock Songs chart for two weeks in 1985.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
History Repeating may refer to:
This article presents the discography of Shirley Bassey.
Never Never Never is a 1973 album by Shirley Bassey. It features the hit single title track, which was a UK top 10 hit, which became one of Bassey's best-known songs. The album also became a top 10 hit in the UK and was a moderate hit in the US.
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962 and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager, wrote the sleeve notes for this album, in which he gives an insight into how this album came to be: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long, discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
Thank You for the Years is a 2003 album by Dame Shirley Bassey.
I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.
Keep the Music Playing is a 1991 album by Shirley Bassey. The album was recorded in the UK at the Westgreen Studios and in the Netherlands at Wisseloord Studios, Hilversum. The album is a mixture of contemporary pop ballads, such as "I Want to Know What Love Is" from Foreigner, the Jennifer Rush power ballad "The Power of Love", and the more gentle "Still" from Lionel Richie, combined with standards from the field of jazz and pop, such as "He Was Beautiful", the sweet jazz ballad from Cleo Laine. Several of the song arrangements reflect an operatic pop style influence, which may have roots in her 1984 album I Am What I Am, which she recorded with the London Symphony Orchestra, and the fact that in the latter mid-1980s she started working with a vocal coach, a former opera singer. Bassey returned to the Beatles with "Yesterday", as she had previously covered "Something" and "Fool on the Hill" successfully in the 1970s, and had performed "Hey Jude" frequently live. Another previously successful formula was used for the closing track "Dio, Come Ti Amo " an Italian original in the tradition of "This is My Life" and "Natalie"..
"'Disco' La Passione" is a 1996 song by British singer-songwriter Chris Rea. The song was written for the film La Passione, a semi-autobiography by Rea. Shirley Bassey made her feature film debut here, but the film was a disappointment at the box office. A single was issued, produced by Rea and, unusual for Bassey, credited as co-performer. The track also appears on the soundtrack album La Passione. The single sold well in Europe, making the Top 40 of the Dutch and Belgian charts, but just missed being a Top 40 hit on the UK Singles Chart, charting at number 41.
The Performance is an album by the Welsh singer Shirley Bassey, released on 9 November 2009. It is her first studio album of original compositions in three decades. The album was executive produced by music executive Paul Carey. English film composer David Arnold co-produced the entire album with Mike Dixon. Songs on the album were written specifically for Bassey by renowned writers such as Rufus Wainwright, Gary Barlow, and Pet Shop Boys. The recording of the album became the subject of a BBC documentary titled The Girl from Tiger Bay named after the song written for the project by James Dean Bradfield and Nicky Wire of Manic Street Preachers. The album gained favourable reviews and was certified gold in the UK for sales of over 100,000 copies.
"There's No Place Like London" is a song co-written by Lynsey de Paul and Gerard Kenny, and held by the British Library. The song was published by Lynsey de Paul Music/Chelsea Publishing Co Ltd/Arlon Music/Chappell Music.
"Believe" is a song by English musician Goldie, released by FFRR as third single from the musician's second album, Saturnz Return (1998). The song reached number 36 on the UK Singles Chart on 18 April 1998. It features vocals from Goldie's frequent collaborator Diane Charlemagne and is one of the most soul and jazz-influenced tracks on the album alongside "Crystal Clear" and "Dragonfly".
The Remix Album...Diamonds Are Forever is a remix album by Welsh singer Shirley Bassey, released in 2000. It contains some of Bassey's most popular songs, along with lesser-known Bassey tracks, remixed by contemporary DJs and producers such as Kenny "Dope" Gonzalez, Kurtis Mantronik, Nightmares on Wax, Groove Armada, Mark Brydon from Moloko, and Propellerheads, who had collaborated with Bassey three years earlier on their single, "History Repeating".
{{cite magazine}}
: Cite magazine requires |magazine=
(help)