Something is a 1970 album by Shirley Bassey. With her career having been in decline since the latter part of the mid 1960s, Something proved to be Shirley Bassey's comeback when it was released in August 1970. The title track single became her biggest UK hit for many years, reaching No.4 and spending 22 weeks on the chart. This was actually the second single featured on the album, "The Sea and Sand" having already been released earlier. The album was similarly her biggest hit for many years in the album charts, reaching No.5 and spending 28 weeks in the top 50.
Something Else is a 1971 album by Shirley Bassey.
I Capricorn is a 1972 album by Shirley Bassey.
And I Love You So is a 1972 album by Shirley Bassey.
Never Never Never is a 1973 album by Shirley Bassey. It features the hit single title track, which was a UK top 10 hit, which became one of Bassey's best-known songs. The album also became a top 10 hit in the UK and was a moderate hit in the US.
The Shirley Bassey Singles Album is a compilation album released in 1975 by British singer Shirley Bassey.
Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962, and arranged by Nelson Riddle. Kenneth Hume, Shirley Bassey's husband and manager wrote the sleeve notes for this album, in which he gives an insight into how this album came to being: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.
Thank You for the Years is a 2003 album by Dame Shirley Bassey.
Shirley Bassey at the Pigalle is Shirley Bassey's first live album, recorded on the opening night of an eight-week engagement at the Pigalle, a nightclub in the West End of London. This performance, on 12 September 1965, earned Bassey outstanding reviews. The album was released that same year. It was Bassey's final album for EMI's Columbia label.
The Fabulous Shirley Bassey is Shirley Bassey's third studio album, her debut for Columbia, and was recorded with Geoff Love and his orchestra. The album peaked at #12 in the UK album chart in early 1961. Released in 1959, this was the first studio album from Shirley Bassey with completely new material. Her two previous albums issued on the Philips label were collections of new recordings and previously released material, recorded between 1956 and 1958.
I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.
Four Decades of Song is a three-CD compilation from Shirley Bassey issued in 1996. This set features 54 songs recorded between 1959 and 1993. In 2008 EMI repackaged and retitled this boxset as Shirley Bassey The Collection; the new version had six extra tracks.
Shirley Stops the Shows is the seventh Shirley Bassey studio album, her 5th and final studio album recorded for the EMI/Columbia label in the UK. Released in 1965, this album is a mix of standards and showtunes. Shirley Bassey was at a high point in her career, with worldwide success of her single "Goldfinger", but the album failed to chart in the UK, a first for her Columbia albums. The album met with more success in the US, reaching number 85 in the US Pop charts. For the US market it was issued with an alternative running order, retitled Shirley Bassey Belts the Best! and "The Lady Is a Tramp" was replaced by "Goldfinger". Original release was in mono and stereo, both mono versions feature an alternative studio recording of "People" which has not yet been re-issued on CD. The stereo version, remastered, was issued on CD in 2008 together with 12 of Those Songs by BGO Records.
Bassey – The EMI/UA Years 1959–1979 is a 5-CD boxset compilation from Shirley Bassey issued in 1994, this set features 94 studio recordings on four CDs, recorded for EMI/United Artists between 1959 and 1979. Disc five features a previously unreleased live recording from Carnegie Hall. The boxset was reissued by EMI in 2010 in a standard jewel case set.
The Bewitching Miss Bassey is a studio album by Shirley Bassey. Consisting of new and previously released material this was the first album from Bassey to be issued on the 12" Long-playing record format. Tracks were taken from sessions recorded between 1956 and early 1959. All the songs were recorded in the UK with Wally Stott and his Orchestra, with production by Johnny Franz. The only exception was "The Wall" which was recorded in New York with Jimmy Carroll and his orchestra and produced by Mitch Miller. Featuring Bassey's first five hit songs, including Bassey's 1958 number one single "As I Love You" and the huge hit "Kiss Me, Honey Honey, Kiss Me". The album showcases the best of the early career of Shirley Bassey. All the songs were only recorded in mono, no stereo versions are known to exist. In the 1970s Philips did re-issue them in an "electronically enhanced" stereo. The album was re-issued in the US on the Epic label with different artwork. While this album has not been issued independently on CD, it was included in its entirety on the four-CD compilation titled Five Classic Albums Plus Bonus Singles in 2012.
Nobody Does It Like Me is a 1974 album by Shirley Bassey. Bassey's recordings had been selling well since 1970, scoring three top ten singles and three ten top albums. Nobody Does It Like Me was recorded with a new producer, George Butler, and brought a partial return to the traditional pop sound of Bassey's pre-1970s career. Here, the title track "Nobody Does It Like Me" and "When You Smile" harken back to the big band era. Bassey's soaring vocals on Paul Anka's "I'm Not Anyone" and the slightly funky "Morning in Your Eyes" contrast with a delicately rendered "Davy". The duet "Davy", recorded with the song's composer Benard Ighner, is one of the rare occasions that Bassey would share the credits with another vocalist; it was also issued as a single and hit #44 on the US Adult Contemporary chart. The album closes with Bassey's reading of Stevie Wonder's "You Are the Sunshine of My Life". This album failed to chart in the UK, and peaked at #142 in the US. Her next two studio albums would be top 15 albums in the UK.
This Is My Life is a 1968 album by Shirley Bassey. The mid to late sixties was a period of declining popularity for traditional pop. How much the changing tastes in popular music directly affected Bassey's record sales is difficult to quantify; but her record sales had been faltering since the latter part of the mid 1960s, and the album failed to chart..
The Shirley Bassey Collection is a double compilation album released in 1972 by British singer Shirley Bassey. The album charted at #37 in the UK charts in January 1972.
The Magic Is You is a 1979 album by Welsh singer Shirley Bassey. Her final album for United Artists Records, the album notably featured a disco version of her signature 1968 song "This Is My Life".
25th Anniversary Album is a compilation album by Shirley Bassey. Released in 1978 to mark her 25th year in show business, the album was a double set, comprising 40 tracks. The songs included span just 20 of the 25 years from 1957 to 1976, however, her first professional contract is dated 1953. Bassey had toured extensively throughout 1978 to mark her 25 years. This collection, including her biggest hits and some lesser-known recordings, became one of her biggest in the UK, where it reached No.3 and spent 12 weeks on the album chart.
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