Good, Bad but Beautiful | ||||
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Studio album by | ||||
Released | 17 October 1975 | |||
Genre | Vocal / MOR | |||
Label | United Artists | |||
Producer | Martin Davis | |||
Shirley Bassey chronology | ||||
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Good, Bad but Beautiful is a 1975 album by Shirley Bassey. In the first half of the decade, Bassey recorded nine albums (with three being live LPs ), three making the top ten. In March 1975, Bassey released a compilation that became her highest-charting album to date, The Shirley Bassey Singles Album (#2) and reflected the momentum Bassey had maintained since her 1970 "comeback". Good, Bad but Beautiful, released in the autumn of 1975, spent seven weeks on the UK Albums Chart, peaking at #13, and earned a silver disc. [1] [2] The album reflects the formula that brought Bassey back to the charts: a combination of contemporary songs combined with her forte of standards, show tunes, and torch songs, featuring arrangements aimed squarely at the adult contemporary, or middle-of-the-road, audience. This was also achieved by modifying her backup orchestra to include electric guitars, a string and brass section with a more contemporary sound, and drumming that is more soft rock-oriented than jazz-oriented, while side two's opener, "Feel Like Makin' Love" displays a smooth jazz style.
This was Bassey's seventh album of the 1970s to make the Billboard 200, peaking at #186. It also reached #54 on the US R&B chart. In the UK the album was awarded a silver disc six weeks after it was released. The original release was in stereo on vinyl and cassette. In 2005, BGO Records issued a remastered Good, Bad but Beautiful, together with the 1973 album Never Never Never , on a 2-CD set.
Side One
Side Two
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And I Love You So is a 1972 album by Shirley Bassey.
Never Never Never is a 1973 album by Shirley Bassey. It features the hit single title track, which was a UK top 10 hit, which became one of Bassey's best-known songs. The album also became a top 10 hit in the UK and was a moderate hit in the US.
The Shirley Bassey Singles Album is a compilation album released in 1975 by British singer Shirley Bassey.
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Four Decades of Song is a three-CD compilation from Shirley Bassey issued in 1996. This set features 54 songs recorded between 1959 and 1993. In 2008 EMI repackaged and retitled this boxset as Shirley Bassey The Collection; the new version had six extra tracks.
Bassey – The EMI/UA Years 1959–1979 is a 5-CD boxset compilation from Shirley Bassey issued in 1994, this set features 94 studio recordings on four CDs, recorded for EMI/United Artists between 1959 and 1979. Disc five features a previously unreleased live recording from Carnegie Hall. The boxset was reissued by EMI in 2010 in a standard jewel case set.
Thoughts of Love is a compilation album released in 1976 by singer Shirley Bassey. A themed compilation of love songs, selected from material recorded in the late 1960s and early 1970s, the album sold well in the UK and Germany, reaching the Top 20 in the UK Albums Chart and achieved Gold status. Thoughts of Love was re-issued on CD in 2011 by BGO Records, together with the 1979 album The Magic Is You.
Keep the Music Playing is a 1991 album by Shirley Bassey. The album was recorded in the UK at the Westgreen Studios and in the Netherlands at Wisseloord Studios, Hilversum. The album is a mixture of contemporary pop ballads, such as "I Want to Know What Love Is" from Foreigner, the Jennifer Rush power ballad "The Power of Love", and the more gentle "Still" from Lionel Richie, combined with standards from the field of jazz and pop, such as "He Was Beautiful", the sweet jazz ballad from Cleo Laine. Several of the song arrangements reflect an operatic pop style influence, which may have roots in her 1984 album I Am What I Am, which she recorded with the London Symphony Orchestra, and the fact that in the latter mid-1980s she started working with a vocal coach, a former opera singer. Bassey returned to the Beatles with "Yesterday", as she had previously covered "Something" and "Fool on the Hill" successfully in the 1970s, and had performed "Hey Jude" frequently live. Another previously successful formula was used for the closing track "Dio, Come Ti Amo " an Italian original in the tradition of "This is My Life" and "Natalie"..
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Does Anybody Miss Me is a 1969 album by Shirley Bassey. In 1969 Bassey moved her home to Lugano, Switzerland, with her second husband Sergio Novak, whom she had married in Las Vegas in August 1968. Remaining as a tax exile prevented her from performing and recording in the UK. In this period she continued to perform and record in Italy and the US. This album was recorded in the US and produced by the American producer Dave Pell, with arrangements by Artie Butler. The tracks on this album are a selection of standards and show tunes. The title track Does Anybody Miss Me was issued as a single in the UK, backed with the non album track Fa Fa Fa, but this failed to make any impression on the chart. Does Anybody Miss Me has remained part of her live show and was recorded as the opening track of the album Live At Talk Of The Town in 1970. This album saw Bassey re-record her 1958 UK #1 hit single As I Love You which she had previously released on the Philips label.
Love, Life and Feelings is the 21st studio album from Shirley Bassey, released in 1976 on the United Artists label. The album peaked at #13 in the UK album chart, and charted at #149 in the Billboard 200. Love, Life and Feelings was awarded silver record status by the British Phonographic Industry, with sales of more than 60,000 copies. It features covers of contemporary pop songs from the late 1960s and early 1970s, such as "Alone Again (Naturally)" the 1972 UK #3 single from Gilbert O'Sullivan and "The Way I Want to Touch You" from Captain & Tennille alongside "What I Did for Love", from the musical A Chorus Line written by Marvin Hamlisch.
25th Anniversary Album is a compilation album by Shirley Bassey. Released in 1978 to mark her 25th year in show business, the album was a double set, comprising 40 tracks. The songs included span just 20 of the 25 years from 1957 to 1976, however, her first professional contract is dated 1953. Bassey had toured extensively throughout 1978 to mark her 25 years. This collection, including her biggest hits and some lesser-known recordings, became one of her biggest in the UK, where it reached No.3 and spent 12 weeks on the album chart.